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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
14661D7BE0B8A-E275-4C26-A004-A8806B06F984S62Swing Low, Sweet Chariot (out-of-print)Marching Band
14662D7BE0E29-DEF6-4AFC-9330-F793941EBAFDSC724All Hail the Power(not set)Satb
14663D7BE2A85-111E-4DCD-8FAF-D972AD662A75W712791Merry Wives Of Windsor, The (Die Lustigen Weiber von Windsor)
14664D7C7C064-10CE-49E9-9967-3DA2047616ACR00068Ecclesiastes: An Oratorio in Four Parts from Ecclesiastes and Book of ProverbsSoprano, Baritone Soli SATB Chorus 2.2.2.2+ContraBassoon(optional): 4.3.3.1: Timpani: Strings
14665d7c83fae-9e39-11f0-a418-0022482c9682A297402Misero! o sogno, o son desto, K. 431/425bWolfgang Amadeus Mozart's (1756-1791) dramatic and moving concert recitative and aria MISERO! O SOGNO...AURA, CHE INTORNO SPIRI was written in December of 1783. While it has been thought that the Italian text, seemingly taken from a complete opera libretto, was written by Caterino Mazzolà, most now consider the author to just be unknown. Much like a similar situation from Beethoven's later opera, FIDELIO, the tenor character in Mozart's aria finds himself in prison at night. In the recitative, after begging his captors (seemingly all women) to release him, he resigns himself to death, his only wish to see his beloved again one last time. In the aria that follows, he begs the breeze ("aura, che intorno spiri, sull'ali a lei che adoro") to carry his sighs to this woman. Instrumentation: 2.0.0.2: 2.0.0.0: Str (4.4.3.3.3 in set): Solo Tenor. Reprint edition.2.0.0.2: 2.0.0.0: Str (4.4.3.3.3 in set): Solo Tenor
14666D7D08998-A429-4215-A817-012F7F87D9BCB258Multiple Drum Cadences Set 1 (out-of-print)Marching Band
14667D7D250A9-8E13-4C9D-912E-F38A7F38BB7410100452In Storm and SunshineThe forces of nature are at their most vibrant in this great circus march adaptation by Frederick Fennell. One of the greatest circus marches of all time, an authentic "screamer," this Fennell Edition incorporates those special touches that are the hallmarks of Fennell's march performances. Recorded on the classic SCREAMERS album by the Eastman Wind Ensemble, and on the Brain Recordings MARCH WORLD CD, Volume 4, this is a march that "never runs out of fresh ideas." Horns provide the storm, and the winds, the sunshine, and the heavens seem to echo with joy at each mood. Clever!Concert Band
14668D7D2B358-B6F7-4DEB-973C-3F936E8734B6M901402In Thee Is JoyConcert Band
14669d7d9a6aa-9e39-11f0-a418-0022482c9682A298690Cielito Lindo (Beautiful Heaven) for Solo Voice (opt.) and OrchestraThis informal Mexican anthem was likely written by Carlos Fernandez, though it was certainly popularized and ascribed to Quirino Mendoza y Cortez and also to Jose Padilla. This orchestration has been completed by Arthur Luck. While the work is for solo voice and orchestra, the entire melody is written in the 1st violins, making it playable by orchestra alone also. Instrumentation: 2.2.2.2: 3.2.1.0: Timp.Perc(1): Str (9-8-7-6-5 in set): Solo Medium Voice (opt.).2.2.2.2: 3.2.1.0: Timp.Perc(1): Str (9-8-7-6-5 in set): Solo Medium Voice (opt.)
14670D7DA175F-EF08-45B2-B1E2-2F40DB058E7BM297991SuiteThis suite, by renowned French flutist Philippe Gaubert, is in four movements, with each movement dedicated to a master flutist of the time. It is a fine contest or recital selection for the advancing musician. Movements: I. Invocation (danse de pretresses), II. Berceuse Orientale, III. Barcarolle, IV. Shzerzo-ValseFlute and Piano
14671D7DB4827-63A9-446B-B7D9-B16957AD5DF0J98102God Rest Ye Merry Gentlemen (Anniversary Carols)(not set)SATB
14672D7DBC2FA-E478-4ACA-B9A1-F68392ED6937B57118 Studies, Op. 12(not set)Oboe
14673D7E2BA6E-9A66-4B8C-A6B0-95A2BAC08B2C10100203Jack Tar MarchJACK TAR is one of those rollicking marches set aptly in 6/8 time. In addition to the use of a repeat of the first strain prior to the Trio and a hornpipe in 2/4 replacing the usual "break" strain, Sousa added a boatswain's whistle and ship's bell to increase the nautical flavor suggested by the title.Symphonic Band
14674D7E351B3-7FE0-40D2-812D-212BFCDE4E43A775902Symphony No. 4 in D minor, Op. 120 (original version 1841)Robert Schumann (1810-1856) wrote the original version of his Symphony No. 4 in D minor, Op. 120, in 1841. Significant revisions were made by Schumann in 1851, and it is this version that was published in 1853. Where the original 1841 version is considered much lighter in texture, the 1851 revision is heavier and statelier. Clara Schumann, preferring the revised version of her husband's work, strenuously objected to the family friend Johannes Brahms' insistence that the original version, which he much preferred, also be published. Brahms did succeed in seeing the original version published in 1891. The symphony is considered a masterpiece, regardless of which version is performed, and remains a regular part of the orchestra repertoire. The original version premiered on December 12, 1841, by the Gewandhausorchester in Leipzig, Ferdinand David conducting. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set).2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set)
14675D7E45A76-8DC3-4B9A-BF41-75A80D478717SS69LamentoLamento, composed in 1961 for tuba and piano, is a brief but evocative elegy in 5/4 meter. The composer, having served in the Air Force during World War II, went on to study composition with Roy Harris, Howard Hanson, Ernst Krenek and William Schuman. Prolific in vocal and instrumental works, he received a number of commissions and coined the term "harmatonality" to describe his integration of both tonal and atonal musical form.Tuba
14676D7E74781-3469-45AE-81AF-31A48A008C4DSS337Adagio Religioso from Concerto, K622This adagio is from the 2nd movement of Mozart's Clarinet Concerto in A Major, Op. 107, K. 622. This transcription for horn is by Max Pottag.Horn and Piano
14677D7E7E607-CA5C-46DF-A206-6B087F6AE6A252250922Apres un reveThe beautiful impressionistic sounds of Gabriel Faure's beloved vocal work are perfect for string orchestra! Lovely soaring melodies are met by breathtaking harmonies, and lyrical passages move fluidly from section to section, making this one of the most expressive works your students will play this year.String Orchestra
14678D7EB4FCC-EC67-4060-AA96-6850ADB06B2BSU464Black Against White SkyNine Winds & Perc
14679D7F28C9C-873D-4EEF-AAB2-91DF0224352E20445237Air, Minuet, and JigThis is a set of three Miniatures in contrasting mood and style. The Air is melodic with interesting harmony and moving inner parts. The Minuet is in the style of that typical 18th century dance, and the closing piece is in the style of an Irish Jig. This same piece has been published for some time as a Saxophone Quartet under the title of Three Miniatures, and has been quite frequently performed in Ohio contests. It is now available as a flute quartet and as a clarinet quartet under that same title. To avoid confusion, the title has been changed for this clarinet choir edition, and the instrumentation has been broadened to include 4 Bb soprano clarinets and bass Clarinet, with optional parts for alto, contra-alto and contra-bass clarinets.A very satisfying performance can be achieved with careful rehearsal of the notes, rhythms, style and dynamics. It is one of those piece that sounds more difficult than it really is!Clarinet Choir
14680D7F67EE8-E46A-443E-BCCA-2095AAB1C565SS525Two ImpressionsThis two-movement impressionist piece by Russian composer Alexander von Kreisler contains a legato, dream-like Andante section followed by an articulate and frantic Allegro section. These contrasting movements make this piece a perfect fit for juries, contests, and recitals. Movements: I. Andante II. AllegroAlto Sax