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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
14641D788041F-F2DB-4FBB-AC60-6D41394A1ABCST542Prelude, Air and FugueBrass Quintet
14642D789FB5C-A6EA-46EF-972C-A08F1762094BM907002Pomp and Circumstance March No. 1 for BandThe most well-known of the Elgar’s six marches, March No. 1 in D was completed in July 1901. Its central melody hails from before these dates, and as Elgar told a friend, “I’ve got a tune that will knock’em flat—knock’em flat!…a tune like that comes once in a lifetime….” It was premiered in October 1901 in Liverpool and was repeated in London a few days later. The result was sensational and had to be played a third time to restore order to the audience.
In the United States, the trio section “Land of Hope and Glory” is often known simply as “Pomp and Circumstance” or as “The Graduation March” and is played as the processional tune at many high school and college graduation ceremonies. It was first played in 1905 at Yale University, where Elgar had been invited to attend commencement and receive an honorary doctorate of music. This edition for symphony band was transcribed by M.J. Retford and edited and revised by Alfred Reed.		Concert Band
14643D78A8F5A-FF28-4789-BE16-A77490F9EAB4A615102Symphony No. 5 in E minor, Op. 64 (German Edition)Written three years after his Manfred Symphony, Pyotr Ilyich Tchaikovsky's (1840-1893) Symphony No. 5 in E minor, Op. 64 was composed in 1888. Although it has been surpassed in popularity a bit over the decades by his fourth and sixth symphonies, the work remains a staple in the orchestral repertoire. It premiered on November 17, 1888, by the St. Petersburg Philharmonic with the composer conducting. Instrumentation: 3(3rd dPicc).2.2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set).3(3rd dPicc).2.2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set)
14644D78AAB5A-F91E-4FD6-AC98-9D37A30B9CDDR01556SarumbaCommissioned by Lavard Skou Larsen for The Salzburg Chamber Soloists and The Deutsche Kammerakademie Neuss.2 Solo Violins, String Orchestra, Timpani, Piano and Percussion (1)
14645D78D84ED-D845-42CF-9586-3C11DD2AF879B374Songs for Sight Singing Vol. 1: JH/ TBSONGS FOR SIGHT SINGING provides a collection of literature for use in the choral classroom. Each selection was composed according to the criteria designed by Texas choral directors and commissioned by the Texas University Interscholastic League for use in its annual sight singing contest. These graded materials were created specifically for young musicians by recognized composers and comprise a valuable resource as they contain many of the problems encountered in sight singing. This collection can be used effectively as a supplement to the daily instructional sight singing program after an approved system (movable “do”, fixed “do” or numbers) and a rhythm system are established within the choral curriculum.TB
14646D7928F0E-E40F-4725-ABF7-C00BDEF059A2SU542Colchester FantasyColchester is among the oldest cities in Britain, with an old Roman wall, a massive Norman castle, picturesque homes and churches, and, as in all decent English towns, colorful old pubs. Each movement is named after one of the old Colchester pubs: 1. "The Rose and Crown" (filled with bright, sonorous chords, energetic rhythmic patterns, and constantly changing and fluctuating motives), 2. "The Marquis of Granby" (a name associated with distant, faded aristocracy, it is a stately, chorale-like movement with somber, plaintive themes), 3. "The Dragoon" (brings forth the sounds of battle with dissonant, clashing harmonies, agitated rhythms and fragmented melodies), and 4. "The Red Lion" (a name intimating royalty and nobility, it is a resonant fugue, propelled forward with motoric motion and a rapid, spinning fugue theme.Brass Quintet
14647D792A58F-728B-4A20-A402-55A53F99E6A4X940015Moca Tan Fermosa from Three Madrigals, Op. 62The larger work, Three Madrigals, are SATB a capella settings of anonymous Spanish and English texts. Each movement includes a piano accompaniment for rehearsal purposes. Madrigal titles: I. Pidiole a Naciso, II. Alamarilis, III. Moca Tan Fermosa. The complete work or each individual madrigal is available from the publisher.SATB Chorus
14648D7931DEB-2C43-46C0-B1E4-3E59DA0527D1M111191Hebrew Melodies, op. 9(not set)Viola and Keyboard
14649D7939C0D-F83B-43B8-9E8B-6FE2B4B41D78B575Serenades du soir: Music of Chopin, Satie and FaureSérénades du soir (Evening Serenades) is a collection of short, yet beguiling works composed or arranged for flute and piano. Edited by James Galway, one of the world's foremost authorities on the classical flute repertoire, the edition includes his own performance suggestions and markings. Enchant audiences with these nocturnal jewels that capture the magic sounds of the night! Works include: Two Chopin Nocturnes and Prelude Op. 28 No. 15, Fauré's Berceuse from "Dolly," and Satie's Gymnopedie No. 1.Flute, Piano
14650D7956D78-271C-4CC6-84C3-597F68AFED01R220CBSummer Triangle for Alto Saxophone and Wind EnsembleWell-known Japanese saxophonist, Mr. Masato Kumoi, commissioned this work after hearing the composer's piece “Star Ship,” asking that she write something new for solo alto saxophone and band that included the same main theme. According to Wikipedia, a summer triangle is an “astronomical asterism involving an imaginary triangle drawn on the northern hemisphere’s celestial sphere, with its defining vertices at Altair, Deneb and Vega, the brightest stars in the three constellations of Aquila, Cygnus and Lyra, respectively.” The movement titles represent each of these stars, 1. Aquila, 2. Lyra (Star Ship) and 3. Cygnus.Alto Saxophone Solo and Wind Ensemble
14651D797C893-BBE8-492C-9037-3556B8887632X410073For GwynethComposed for and dedicated to composer Gwyneth Walker. (1999) ca. 2'Solo Piano
14652D799BA27-3C6A-42F5-9E2A-C0F22D712A9CSF2105Westridge Overture (flexible ensemble - digital only)New flexible ensemble arrangement by Clarence Barber, playable on any SSATB combination of woodwind, brass, or string players with optional percussion. This work for early intermediate bands is a wonderful selection for contest or a concert opening.Flexible Instrumentation (SSATB) Minimum of 5 players, any combination of winds, brass and strings with optional percussion.
14653D79AA4D9-7C26-4740-BC81-BD6E5CC9F3DBA905002Carnaval, Op. 9Set
14654D79DAE72-4761-4705-8AE2-FC4169C8B8A5ST737Two SongsFlute, Guitar
14655D79DCA2C-435A-4393-86D3-26ACE78E5F7410460223SonatinaDavid Warren's "Sonatina" is a moderately fast piece that focuses on lyricism. Versions for tenor saxophone, flute, clarinet, and violin are available from the publisher.Tenor Saxophone and Piano
14656D7A0424B-6626-454E-8666-3E8A83E48E5ESU426Quintet for WindsWoodwind Quintet
14657D7A22C96-70EA-4F97-A66B-8FB053CCCCE8SC767Tell Me WhyChoral MusicSatb
14658D7B59353-DDE3-494F-91BE-3BECE8F7FFC2W100891Concerto for Flute, Op. 283Carl Reinecki (1824-1910) wrote the Concerto for Flute and Orchestra, Op. 283 in 1908. It was dedicated to the flautist Maximilian Schwedler, who premiered the work on March 15, 1909 in Leipzig. The composer himself arranged this version for flute and piano.Flute and Piano
14659D7B678DA-F4E8-413F-9E15-992AF8994F5AA144802Variations Symphoniques, M. 46(not set)2, 2, 2, 2 - 4, 2, 0, 0, timp, str, [solo piano]
14660D7BDD2FA-C026-428B-BCAF-EB0E931348FBSC184Come Unto MeSsa