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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
14541D6154DA4-9B2F-4816-81D1-125A68B6A428S393Tannhauser Overture for BandConcert Band
14542d616b364-9e39-11f0-a418-0022482c9682A286002Die Schoepfung, Hob.XXI: 2 (The Creation): Part I (No. 13); Chorus: Die Himmel Erzahlen die Ehre Gottes (The Heavens are telling)Attending performances of Handel’s choral works while in England, Franz Josef Haydn (1732-1809) decided to write his own large-scale oratorio. He began to work on DIE SCHÖPFUNG (THE CREATION), Hob.XXI: 2 in 1796, aided by a libretto by Gottfried van Swieten that incorporates various texts from Milton’s Paradise Lost, Genesis, and the Psalms. Throughout the work, Haydn depicts the events of creation with Handelian choruses and colorful word-painting. The first public performance took place at the old Burgtheater in Vienna on March 19, 1799. The Part I (No. 13) chorus, DIE HIMMEL ERZAHLEN DIE EHRE GOTTES (THE HEAVENS ARE TELLING), is one of the most recognizable and often-performed excerpts from the work. Instrumentation: 2.2.2.2+CBsn: 2.2.3.0: Timp: Str (4.4.3.3.3 in set): Mx Chor.2.2.2.2+CBsn: 2.2.3.0: Timp: Str (4.4.3.3.3 in set): Soli STB: Mx Chor
14543D61F2F0F-018D-4BE5-BC14-04DBED790467S772003Tippecanoe Quickstep
14544D62045D0-EAA0-4842-BA35-313EB9725FACD511003Chorus of Dervishes from the Ruins of AthensArranged for Violin and Piano by Leopold Auer.Violin, Piano
14545D622EAC9-64FD-4413-B742-D26009B0B593SU303Welsh Air and Variations on "All Through the Night"This work is derived from Tulou's "Nocturne" for Flute and Harp, a 19th century virtuoso work full of ebullient charm. For this edition, editors Donna Milanovich (flute), Wendy Kerner Lucas (harp), and Claudia Robison (piano) have adapted the harp part to make it more idiomatic for the piano. They have also provided an optional ending to the variations to allow that movement to be performed separately.Flute and Piano
14546D625D036-26D1-4045-8F89-03477AEB191FM403091Three Duets for Clarinet and BassoonClarinet/bassoon
14547D62C46A8-9A80-407C-84E2-13152F28CE08B124902Regimental Pride March(not set)Concert Band
14548D62F8538-B977-4F8D-83CA-7C9ABF9466E810520466Happy SongOffering both clear dynamic, articulation contrasts, and a great melody, all within the playable range of a new student, this work is perfect for a young musician's first recital or contest. The piano accompaniment can also be performed by a one or two year private study middle-school level piano player. And the variety of solo instrument parts makes it possible for one student to accompany many different students. A prepatory "warm-up" exercise for young acccompanists is printed on the last page of the piano part. Instruments available from the publisher: flute, clarinet, bassoon, saxophone (alto and tenor), cornet/trumpet/baritone T.C., horn, trombone, baritone B.C., tuba, and electronic keyboard.F Horn Solo and Piano
14549D6311948-C6E7-4FE7-BDE4-9D5E605D7715MP411003Rapsodia Negra for Two PianosThis two-piano version assimilates the older Marks publication into the 1997 recording by Thomas Tirino, with orchestra, which includes Tirino’s cadenzas based on Lecuona. This two piano version may be performed as is, or functions as a strict reduction of the orchestral concert-piece: solo vs. orchestra. The older Marks publication which does not match the orchestral concerto is available in the larger Lecuona collection from Hal Leonard [HL 220002], Ernesto Lecuona Piano Music, Revised Edition.2 Pianos
14550D631B4FC-F11C-490F-9E04-42A6F58FB034ST886Three Sonatas (C K309, a K380, A K428)Flute, Guitar
14551D632B7B9-915A-4814-A6F8-85762263D8A5SO155CSymphony No. 1, Mvt. 1Otherwise known as the "Classical" symphony, Prokofiev utilized transparent textures and traditional form in this early masterpiece. The solo string quartet covers mostly woodwind and brass parts while the section strings play their original parts. There is an optional cut for those that don't wish to tackle the entire movement. An advanced ensemble will get valuable experience expanding range, expression and speed of bow and fingers!String Orchestra
14552D6335E31-7731-4900-A5FA-607D18616C10R00929Variations for Orchestra(not set)2+Alto Flute+Piccolo.2+English Horn.2+Bass Clarinet.2+ContraBassoon: 4.3.3.1: Timpani.Percussion(4).Piano(d Celesta).Harp: Strings
14553D63520B5-68A0-4943-83F4-4A0BFB7E09BAA801102Madama Butterfly: Act III: IntroductionMADAMA BUTTERFLY, one of the most popular operas of Giacomo Puccini (1858-1924), is the story of the conflicting expectations of Lieutenant Pinkerton, an American naval officer, and Madame Butterfly (Cio-Cio San), who marry while Pinkerton is stationed in Nagasaki. Pinkerton intends to divorce Butterfly when he returns to the United States, but she believes that the marriage will last forever. When Pinkerton returns to Japan with his new wife Kate, Butterfly commits seppuku with her father’s knife after placing an American flag in the hand of her son. The opera contains one of the repertoire’s best known soprano arias, Un bel dì, vedremo in which Butterfly longs for Pinkerton to return to Japan. The original premiere of a version in two acts on February 17, 1904 at La Scala in Milan was a disaster, resulting in Puccini withdrawing that version and substantially rewriting the opera. The second version was in three acts, and it premiered on May 28, 1904 in Brescia to much greater success. In 1906 and 1907, Puccini created a third and fourth version for the Metropolitan Opera in New York and for Paris respectively. Finally, again in 1907, Puccini made the final revisions to the opera for a fifth version, and this is the one most often performed today, referred to as the "Standard Version." The INTRODUCTION to Act III begins as Butterfly finally falls asleep after staying up all night, waiting for Pinkerton's return to Japan, thinking that he will take her to America. Instrumentation: 3(3rd dPicc).2+EH.2+BCl.2: 4.3.3+BTbn.0: Timp.Perc(7-8): Hp: Str (9-8-7-6-5 in set).3(3rd dPicc).2+EH.2+BCl.2: 4.3.3+BTbn.0: Timp.Perc(7-8): Hp: Str (9-8-7-6-5 in set)
14554D637C841-1AE9-49BC-B98E-3BD02B9E2171RCSS809Flight of the Bumble BeeFlute, Piano
14555D63A7F8F-8319-4358-8399-B11C45A3D826M142591Six Sonatas(not set)Piano Solo
14556D641D9F2-9A9B-418E-9D09-55D30ACAAC99MP209001Alleluia VariationHomage to J.B. and F.J.H.3Tpt in C, 2 FglHn, 3Tbn (plus BsTbn), Tuba, Snare Drum, and Bass Drum
14557D642FB08-5AA9-46BD-8CAB-70D66594F72BV13Letter to MotherPiano/vocal
14558D648DD92-0D2A-4F66-B7C7-790B81C8AB80B591Daily Routine with Technical and Developmental Studies for TrumpetDaily Routines with Technical and Developmental Studies for Trumpet is built around the importance of developing a proper skill set for playing the trumpet through routine practice focused on core fundamentals like articulation, finger technique, proper air usage, flexibility, range, tone quality, etc. Mr. Ritter incorporates a sequential approach so that as a student experiences success with a particular skill, a greater challenge of that skill is presented, resulting in ever further development. His structured approach to practicing and developing as a trumpet player has prepared hundreds of students for careers as teachers and performers, and through this method, students of the trumpet can continue to benefit from his experience and master teaching for generations. This book deserves a spot next to all of the standard trumpet methods on the stand of any serious trumpet student. -Gary T. Wurtz, Stephen F. Austin State UniversityTrumpet
14559D64A357D-3181-4D6A-A21E-C7406046627452250906Just for FunTrue to its name, this piece is fun and also rewarding for young string orchestras. Shifting between 6/8 and 3/4 time signatures and with a melody line passed between each section, Thom Sharp's "Just For Fun" is a exciting piece that gives each section a chance to shine.String Orchestra
14560D64C2E8F-8033-4CF4-A6E9-8896CBB60467SC113Falling Star(not set)Satb