Titles

Create Title

Showing 14,521-14,540 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
14521D5A85AC8-757D-438A-9866-8CC3D72E448CSS658Two for the Money2 Snare Drums
14522D5A9AF18-A751-4877-9AFA-5329FD3AC282M114891Three Pieces for Clarinet and Piano(not set)Clarinet and Piano
14523D5ACD659-75F6-42B6-9BE1-C4DCBE49C766R00700Fort Washington Overture2+Piccolo.2.2+Bass Clarinet.2: 4.3.3.1: Timpani.Percussion(2).2 Harp: Strings
14524D5B07A0C-A03E-49FE-BC4E-E24A1926107BA772002Symphony No. 4, Op. 29/F. 76 ‘The Inextinguishable’3d1, 3, 3, 3 - 4, 3, 3, 1, timp, str
14525D5B88452-1086-494B-B869-600D57FE9C9CTC53101Woodwind QuintetWoodwind Quintet
14526D5B9DAD4-5A6A-4601-9448-2C4248377732ST532COSavoyards, TheThis fun and easy medley of the many of the best arias by Gilbert and Sullivan "sets the stage" for intermediate flute choirs.Flute Choir: Piccolo, 8 Flutes, Alto Flute, and Bass Flute (opt.)
14527D5CB6A5F-1CD4-4DEC-8106-7683EB5AF9F010531183Two BuckaroosTrombone Duet and Piano
14528D5D3FECF-81AF-4395-B9D4-1C87AA280961A277202Carmen: Act II (No. 17b), Flower Song: La fleur que tu m'avais jeteeWhile it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) CARMEN became, a mere decade later, one of the most popular and frequently performed operas in the repertoire. It remains popular today, with songs such as the "Habanera" and "Toreador Song" among the best known of all opera arias. The "Flower song" is the popular name for "La fleur que tu m'avais jetée," sung by José in Act II as he declares his love for Carmen, showing her the flower she threw to him two months earlier and which he took to prison with him. Instrumentation: 2.1+EH.2.2: 4.0.3.0: Timp: Hp: Str (4-4-3-3-3 in set): Solo Tenor.2.1+EH.2.2: 4.0.3.0: Timp: Hp: Str (4-4-3-3-3 in set): Solo Tenor
14529D5D7C4F3-3F1C-4E37-8E7B-BCF8D9AF7987MP511008Violin Sonata No. 3 (Sonata Stramba)Violin and Piano
14530D5DBA87A-36F9-4600-9CDF-60E5CC3C8AB7A637802La Putain Overture(not set)string orchestra, hpchd
14531D5E665AF-DF42-4B3C-B65C-47BBE6B5031ASU433Grand Canyon OctetThis work for horn octet is a programmatic work in three movements depicting the awe-inspiring wonder one experiences when viewing the Grand Canyon at different hours of the day. Movements: 1. Midday (when bright sunlight and deep blue skies frame the rocky grandeur of the canyon; the music is uplifting, jagged, and rousing), 2. Twilight (just after sunset, when shadows and shades of gray fill the space with supreme quiet and mystery; the music is solemn, introspective, gentle and sad), 3. Dawn (opens serenely and cautiously, quickly becoming joyful, energetic and heroic.) Commissioned by and is gratefully dedicated to Thomas Bacon and the Arizona State University Horns.Horn Ensemble
14532D5E6CBBD-FDB4-4C3B-818B-BC4AD0C00EC8ST889COPastiche"Pastiche" is an arrangement for brass quartet of six popular melodies, each by a different composer. Instrumentation: 2 trumpets, horn (alt. trombone), trombone (alt. baritone). Movement titles: I. Allegretto (B. Marcello), II. Sarabande in D minor (G. Handel), III. Allegretto from Six Pieces for Children (F. Mendelssohn), IV. La Caroline (C.P.E. Bach), V. Andante con Moto from Six Pieces for Children (F. Mendelssohn), VI. Polka from Album for the Young (P. Tchaikovsky)Brass Quartet: 2 trumpets, horn (alt. trombone), trombone (alt. baritone)
14533D5E998B2-6F37-411E-9A5B-B072F2E1F28D52710393O Night DivineGeared toward the meditative, candlelit Christmas Eve service, these eight carol tunes display some truly beautiful writing. Arranged for intermediate to advanced players, this set includes: Still, Still, Still; Noel Nouvelet; Silent Night; The Huron Carol; What Child is This?; O Holy Night; Star in the East and Wexford Carol.Violin and Piano
14534D5F0CCA3-4180-48A8-A87C-B6EAC6EC3E1CA114802Concerto Grosso in B-flat, Op. 3, No. 5While Italian Baroque composer and violinist Francesco Xaverio Geminiani (1687-1762) has now largely been forgotten, during his lifetime he was considered on the same tier as Handel or Corelli, whose contrapuntal style he emulated. Compositionally, he is best known for three sets of 42 concerti grossi (a term made famous by Corelli): Opus 2 (1732), Opus 3 (1733) and Opus 7 (1746). These were written for an English audience excited by the 'Corellian' style, despite the rest of Europe then adopting the fashionable galant style. These concerti grossi proved very popular on performance and were published quickly in London. The collection of Six Concertos (Concerti Grossi), Op. 3 were written first in 1732-1733, but were revised by Geminiani in 1755. This edition of Concerto Grosso in B-flat, Op. 3, No. 5 has been edited by Robert Hernreid, and it features combined ripieno and concertante string parts (4-4-3-3-3 in the set) into each instrument part and a realized cembalo/harpsichord continuo by Alexander Vogel. Reprint edition.(Ripieno/Concertante parts combined): Str (4-4-3-3-3 in set): Concertante: Vn(2).Va.Vc: Hpchd in set
14535D5F5119D-8A6D-40A8-AF61-7FDB342787C3X131008Central Park VariationsDavid Shifrin asked the composer to write a "jazz piece" for clarinet and piano, resulting in the idea to notate as exactly as possible a group of quasi-improvisational figures in the idiom of Afro-American music. Central Park Variations is almost two pieces in one--on one hand the structure is based on a traditional twelve-bar blues, but it could also very well be a chaconne in D minor. In Lalo Schifrin's words, the variations ultimately show "that jazz is a very rigorous discipline which allows certain freedom within fixed parameteres, while the so-called "serious" music can also be fun."Clarinet, Piano
14536D5F939A2-347F-4587-AB42-B70C121C710CJ2Capital University Clarinet ChoirLp
14537D5FC49B4-C555-49DF-A3AF-7E640E13ACC8A220302I Vespri Siciliani: OvertureThe first performance of I VESPRI SICILIANI (THE SICILIAN VESPERS), a five-act opera by Guiseppe Verdi (1813-1901), took place at the Paris Opera on June 13, 1855, under the direction of Narcisse Girard. Verdi set to music an adaptation of a libretto originally intended for Donizetti, called THE DUKE OF ALBA, based on the 16th-century Spanish tyrant but replacing the earliest Dutch setting with a Sicilian one. When it was first performed in Italy, the text was changed under the title GIOVANNA DE GUZMAN to satisfy the Italian censors. In 1860, it returned to its original title with a new translation. Although not as frequently performed today, it achieved great success with both audiences and critics in Verdi's lifetime. After a sinister introduction, the OVERTURE introduces three of the principal themes in the opera before rushing to a brilliant conclusion. Instrumentation: 1+Picc.2.2.2: 4.2+2Crnt.3.1: Timp.Perc(2-3): Str (9.8.7.6.5 in set).1+Picc.2.2.2: 4.2+2Crnt.3.1: Timp.Perc(2-3): Str (9.8.7.6.5 in set)
14538D5FF2FC8-8D38-40A1-A103-850B288AF8C9SS372Princess Alice (out-of-print)Trombone
14539D607C3EC-94F2-4F2D-A25B-9D1517D8237BM196791Capriccio E BurlescaWW5
14540D60ED082-2E7B-4747-8D1D-279ED9B3C64150508003Top Brass: Six Minutes for 12 BrassFirst performed by the Portland, OR Symphony, Skiitch Henderson conducting, April 25, 1958.Brass Choir