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14421D408CA7D-7007-4137-BB6B-DABFA952D5C5SU242Woodwind QuintetGreek American composer Andreas Makris (1930 - 2005) wrote his woodwind quintet for the Capitol Woodwind Quintet.Woodwind Quintet
14422D4091184-8EA9-4D94-8A19-C1598F7EBEB1A934790Gods Go A-Begging, The: Ballet SuiteThe operas of George Frideric Handel (1685-1759) had fallen into almost total neglect while the composer still lived, and most of the 42 surviving stage works never had many performances, as opposed to Handel's oratorios. Any occasional attempt to revive the operas resulted in curiosity but not a proper revival. The great English conductor Sir Thomas Beecham (1879-1961) was among the few who was familiar with Handel's operas, owning thirty-seven of the forty-two surviving scores, which he annotated extensively, and which he used to frequently program individual arias. In an effort to make the concert-going audience aware of Handel's opera again, Beecham arranged/orchestrated several concert suites and ballet suites over the course of several decades, using modern instrumental forces, a decision many critics found to be inappropriate. One of the ballet suites, THE GODS GO A'BEGGING (LES DIEUX MENDIANTS), was commissioned in 1928 by Serge Diaghilev for his Ballets Russes. The simple plot of the ballet introduces a shepherd who comes across a nobleman's picnic, where he ignores the attention given to him by two ladies, choosing to instead dance with a serving maid. The picnic party's indignation abates when the shepherd and maid are revealed to be gods in disguise. Following its July 1928 premiere at His Majesty's Theatre in London, the ballet became a staple of the Diaghilev company until the impresario's death, though other ballet companies did adopt the work themselves later. Movements: 1. Introduction (Overture to Act II of ADMENTO); 2. Allegro (or First Dance or Fugato) (from Overture to TESEO); 3. Minuet (from ALCINA); 4. Hornpipe (from CONCERTO GROSSO, Op. 6/7); 5. Musette (from IL PASTOR FIDO); 6. Ensemble (or Second Dance) (from ORGAN CONCERTO, Op. 4/4); 7. Larghetto (or Dream) (from ALCINA); 7a. Tambourine (from ALCINA); 8. Gavotte (from ALCINA); 9. Dramatico (from TERPSICORE); 10. Bourrée (from RODRIGO). Instrumentation: 2(1st d.Picc).2(2nd dEH).2.2: 4.2.0.0: Timp.Perc(1): Hpschd/Hp(opt.): Str (9-8-7-6-5 in set): Pno Cond. and Vn Cond. included in set along with full score. Reprint edition.2(1st d.Picc).2(2nd dEH).2.2: 4.2.0.0: Timp.Perc(1): Hpschd/Hp(opt.): Str (9-8-7-6-5 in set): Pno Cond. and Vn Cond. included in set along with full score.
14423D40CE432-4B63-473B-9C76-08F59AB1CD10M913902Marche Militaire Francaise, Op. 60 for BandConcert Band
14424D410B7A3-4E76-4E08-A38D-6498154F5EB3X816304From the Wall for Mezzo-Soprano, Flute, Cello and HarpThe anonymous text was found on a wall of a Jewish safehouse from World War II. The original version of this piece with piano was commissioned by Sharman King for Brenda Fedoruk. This arrangement replaces the piano part with harp and was written and premiered in 2012.Mezzo-Soprano, Flute, Cello, Piano
14425D416A49D-D494-487D-A401-7FB093517FB0S529CBJust for Fun(not set)Concert Band
14426D41E91E2-0F09-49A2-B15A-94712866E426R01324Tango del Atardecer from the movie "Tango" (Version for Orchestra)Also available for small Tango ensemble. Bandoneon part optional, doubled in wind parts. From the Carlos Saura film 'Tango' soundtrack, Deutsche Grammophon CD 289 459 145-2.2+Picc.2+EH.2+BCl. 2+Cbsn:  4.3.2.1: Timp.Perc(4).Pno.Bandoneon (opt).Hp: Str
14427D41F14BD-DB31-42FE-AF04-4FF6D23929E8SS342Concerto No. 3, K447(not set)Horn, Piano
14428D42B19F9-DAF5-4BDF-AEB2-A6BCE315304DX105021Off to the Races"Off to the Races!" is a set of three American songs adapted for woodwind quintet with the common theme of horse racing. The music was created to celebrate the composer’s trip to Murray State University in Kentucky, a state famous for its races. The movements are based on Stephen Foster’s "Camptown Races," the British folksong "Stewball Was a Race Horse," and "The Home Stretch," which is based on two familiar American songs.Woodwind Quintet
14429D42BB1D1-C9E8-48EB-ACD9-FD1C99FD3136SU220COVoluntaries for Brass Choir Mvt. 3: Canzona on Lobe den HerrenThis work is comprised of three movements (Intrada, Intermezzo, Canzona) which may be programmed individually or as a suite. They have been performed as prelude, offertory, and postlude in worship at the National Cathedral in Washington, D.C., as well as in concert. Dedicated to the Mount Union College Brass Choir in memory of Mrs. John C. Kunz.Brass Choir
14430D4303A77-2F5A-4167-93A5-BC5A09211F1BEBM210372Variations on a Theme by George RochbergThis World Premiere publication is of a piano solo composed by William Bolcom in 1987 for the occasion of George Rochberg’s 70th birthday. It is comprised of the Rochberg theme and seven variations. From the composer’s program note: “…I was deeply and emotionally moved by much of George’s music, particularly pieces like Contra Mortem et Tempus….. The theme from the Rochberg Violin Concerto I used for these variations has the same heartbreaking intensity. I used as model – something I rarely do – Brahms’ Variations on a Theme of Schumann.”Piano solo
14431D430D2C8-82F7-460E-A905-07AF273B993ER01160CanvasRecorded by North Texas Wind Symphony, Eugene Migliaro Corporon released by Klavier recordings.SATB Chorus, Speakers(5) 3+Piccolo+Alto Flute.2+English Horn.2+E-flat Clarinet+Bass Clarinet.2+ContraBassoon: Alto Saxophone: 4.4.3.1: Timpani.Percussion(6).Celesta.Harp: Double Bass
14432D432E405-EBF2-4CE7-990F-25831716078FST747Devil, Daniel and Duane, TheA single movement gigue for mallet instrument and piano, with a middle section in Bb major with D minor at the begginning and end. Todd A. Ukena is a composer and arranger of percussion literature and has been playing percussion since 1970.Marimba Unaccompanied
14433D434EF4B-A554-4BF7-8204-DC07DC5F8A59A675402Daphnis et Chloe: Suite No. 2 (3rd Edition)Ravel's longest work at almost an hour, the complete one-act ballet Daphnis et Chloe was described by the composer as a "symphonie choregraphique" (choreographic symphony). Ravel began the work, a romance about the Greek goatherd Daphnis and the shepherdess Chloe, upon receiving a 1909 commission from famed Russian ballet impresario Sergei Diaghilev, and the premiere in 1912 included Vaslav Nijinksky and Tamara Karsavina in the title roles. Full of lush harmonies typical of the impressionist movement and musical leitmotifs, the work is considered among Ravel's most passionate and best compositions. Ravel extracted the music from the ballet to make two orchestra suites, which can be performed with or without chorus, of which this Suite No. 2 is particularly popular. Instrumentation: 3(2&3dPicc)+Picc+Afl.2+EH.2+BCl+EbCl.3+CtrBsn: 4.4.3.1: Timp.Perc(8): Hp(2): Clst: Str (9-8-7-6-5 in set): Mx Chor (available separately). Study Score.3(2&3dPicc)+Picc+Afl.2+EH.2+BCl+EbCl.3+CtrBsn: 4.4.3.1: Timp.Perc(8): Hp(2): Clst: Str (9-8-7-6-5 in set): Mx Chor (available separately)
14434D43ACCDE-06E3-4673-91D2-4EE63CDA8E77X103013Fanfare for (5) Reed(s) for Oboe, Clarinet and Bassoon "Fanfare for Reed"Commissioned by Chamber Music Northwest in honor of Reed College’s Centennial celebration, with the support of Paul L. King. (2012) ca. 2'Oboe, Bb Clarinet, Bassoon
14435D43B1EBB-F487-4DC7-B1F8-C89AAC45473CST395Two Songs from Sea PicturesThese two expressive songs are wondeful recital or contest selections for the intermediate tuba player. Songs: I. Sea Slumber-Song, II. Where Corals LieTuba and Piano
14436D43F23FF-5D9C-43CF-A499-D4F3DE05452DST490True Lover's FarewellA solo marimba setting of an Applachian folk song, dedicated by the composer to his wife Betsy.Marimba Unaccompanied
14437D440C8F4-9B23-4804-A66E-9DF9BDFA7CC1S29MBNational Liberty(not set)Marching Band
14438D44216F4-CF79-450E-BD02-3F352B6921A9V1Alamo, The (out-of-print)Piano/vocal
14439d44a90cc-9e39-11f0-a418-0022482c9682A273802Ehre Gottes aus der Natur, Die (from Six Songs, Op. 48, No. 4) [arrangement in C]In 1801, Ludwig van Beethoven (1770-1827) made first mention of his growing deafness in a letter to Dr. Franz Wegeler in Bonn. The likelihood that his condition was incurable tempted the composer to withdraw from society, and it likely caused his temporary attraction to more religious subjects, such as the poems of Christian Fürchtegott Gellert. Six of these poems are used as the texts for his SIX SONGS, Op. 48 (SECHS LIEDER), written for voice and piano between 1801 and 1802, though No. 3 may have been sketched as early as 1798. While each poem is by Gellert, the six settings are not musically related, unlike Beethoven's one other song collection, AN DIE FERNE GELIEBTE, Op. 98. The most popular of the SIX SONGS is the fourth, the majestic DIE EHRE GOTTES AUS DER NATUR (The Glory of God in Nature), with the starting text of "Die Himmel rühmen des ewigen Ehre" ("The Heavens extol the Glory of God"). While Gellert's poem is inspired by Psalm 19, it expands on the biblical text with themes of natural theology popular at the time, where God's magnificence is revealed in nature's wonders. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Str (9.8.7.6.5 in set): Solo Medium or High Voice. Reprint of the orchestra transcription of DIE EHRE GOTTES AUS DER NATUR in the original key of C by Felix Josef Mottl. A version of the Mottl transcription transposed to the key of D by Arthur Luck is also available from the publisher (A902702).2.2.2.2: 4.2.3.0: Timp: Str (9.8.7.6.5 in set): Solo Medium or High Voice
14440D44B4F94-54D4-4CCB-ADC7-2CC32D93968750100110Jingle Bells Around the WorldYour young players will love this clever arrangement, whether you use the narration or not. Exploring the musical sounds of different cultures through a familiar carol is an intriguing way to introduce students and audiences to new sounds and outlooks. If you do use the narration, it is an exceptional opportunity to enlist the support of your administration or staff.Concert Band