Titles
Showing 14,401-14,420 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 14401 | D3C47169-B400-4931-A1CD-24EF0510D1E1 | 20712104 | March in D | (not set) | Violin 1, 2 and 3 (opt. Viola) | |
| 14402 | D3C540B9-AE73-4745-8974-262B849A44AE | 52730091 | Celtic Passage | Celtic Passage is an advanced level piece which includes Bach and fiddling styles, and was inspired by "Ashokan Farewell." It features a difficult cadenza, including double stops and treble clef. The composer suggests it not be played metronomically and gives other performance suggestions in the program notes. | Cello Solo | |
| 14403 | D3C6E0AE-C40C-44CB-8831-71B54D8B1DD5 | ST791 | Concert Solo No. 1 | Alto Sax | ||
| 14404 | D3C78C44-74F1-4DF0-B1DC-C21A0C5614EF | M807090 | Figaro March from the Marriage of Figaro, K. 492 | String Orchestra | ||
| 14405 | D3CD0E5B-3CCF-4495-9167-5A683FEC3E13 | A104490 | Two Melodies, Op. 53 (composer's orchestration) | TWO MELODIES FOR STRING ORCHESTRA, Op. 53, composed in 1890 by Edvard Grieg (1843-1907), is based on two Norwegian poems, Fyremål by Aasmund Vinje and Det første mødes sødme (The First Meeting) by Bjørnstjerne Bjørnson. The first setting, named Norsk (Norwegian), expresses national pride in its exhortation to stay on the path until the end of the journey. Grieg also arranged the second song for voice and orchestra and included it in his PIANO TRANSCRIPTIONS OF SONGS, Op. 52. Instrumentation: String Orchestra (8.8.5.5.5 in set). | String Orchestra (8.8.5.5.5 in set) | |
| 14406 | D3CE5607-0AE4-43B7-84AE-46B425DF86C5 | 10250077 | Concerto In G | Originally written as a movement from a concerto for two horns, this Vivaldi masterpiece has been wonderfully rescored for string orchestra (with the solo lines being given to the violinists). An optional Violin 3 part is included as a substitute for viola. | String Orchestra | |
| 14407 | D3D0E879-99F7-4884-AB4E-F34C3B0C69F5 | SO34FS | Pyramids | |||
| 14408 | D3D1C875-1791-4E7C-9306-0BDCC467EBB7 | SS851 | Two Sketches | These two short sketches for trombone trio is comprised of three distinct parts, each showcasing the individuals' talents. While each part is integral to the piece, they are divide by range: Trombone III being the lowest, and Trombone I reaching a high A. | Trombone Trio | |
| 14409 | D3D355CA-820A-43C8-ACD0-1F24A0B866F7 | M392491 | Duo Concertant Op. 81 | 2 Flute | ||
| 14410 | D3D366F7-162F-43B8-B4E3-3C5EE7E398FD | A226202 | Aufforderung zum Tanze, Op. 65/ J. 260 (L'Invitation a la Valse; Invitation to the Dance) | AUFFORDERUNG ZUM TANZE (L'INVITATION A LA VALSE; INVITATION TO THE DANCE), Op. 65/ J. 260, an early example of program music by Carl Maria von Weber (1786-1826), was originally heard in its 1819 version for solo piano. Dedicating it to his wife, to whom he had only been married a few months, he described a narrative in which a man attending a ball tries to solicit a lady to dance with him. At first, she eludes him, but eventually accepts the invitation. Hector Berlioz scored the work for full orchestra in 1841. Listeners will frequently begin to applaud after the false ending, thinking that the piece has concluded. Instrumentation: 1+Picc.2.2.4: 4.2+Crnt(2).3.0: Timp: Hp(2): Str (9-8-7-6-5 in set). Reprint edition. | 1+Picc.2.2.4: 4.2+Crnt(2).3.0: Timp: Hp(2): Str (9-8-7-6-5 in set) | |
| 14411 | D3D46A65-2608-4468-B7A9-3CD5BAF9FFB9 | 10512493 | Festival Trio for Trumpets or Horns | This piece brass trio can be played by either three trumpets or three horns. Opening with a fanfare in 4, the work changes keys briefly to a section in 3 before returning to the opening fanfare time and key signatures. This work is a wonderful selection for a group of young players' first contest or recital. | Trumpet Trio (or Horn Trio) | |
| 14412 | D3D4DFB9-ABEA-44FD-A297-E37C950D125C | M808201 | Dindi | Containing brilliant melodic writing, exotic harmonic twists, and the added color of a jazz rhythm section, this arrangement can't miss. | String Orchestra | |
| 14413 | D3D684F3-3C3D-4271-A600-53A72E0880C7 | M154691 | Two Pieces Op. 44/op. 69 | (not set) | Violin and Keyboard | |
| 14414 | D3DB2E52-B232-45CC-9B7C-6C814A5A590A | R01528 | Rasputin: Suite from the Ballet | Prior to 1991 Ukranian master composer Yevhen Stankovych’s works were regularly censored or banned by Soviet authorities. The ballet "The Agony: Rasputin" (originally titled "Prometheus") was one such work. This suite from the ballet highlights Stankovych’s uniquenely pronounced affinity with the vernacular, blending folk motifs with orchestral colors in multilayered polyphony. "Rasputin" was first performed with its original music and libretto in 1989 in Skopje, Macedonia. | 3(3dPicc).3.3(3dBcl).2+Cbsn: 4.4(in Bb).3.1: Timp(dPerc).Perc(3).Hp.Synth.Org: Str | |
| 14415 | D3F12783-3B4B-4256-AE1F-65270E202E7C | V59 | Mon Etoile (My Star) | Piano/vocal | ||
| 14416 | D3F73AB5-4E1B-42A5-8310-735FE8B35AC1 | MP504001 | String Quartet No. 10 | Premiere: The Stanford String Quartet, Stanford University, Stanford, CA, January 25, 1989. Recorded by same on Laurel Record (LR-847). Bolcom uses a symmetrical arch form: sections I-VIII are mirrored, in reverse, by sections X-XVII, with the “strangely antique” (Bolcom) section IX being the keystone movement. Thus, section I has a counterpart in section XVII, II in XVI, and so forth. It is dedicated to his composition teacher at Stanford University, Leland Smith. In 17 short, connected movements. | String quartet | |
| 14417 | D3F86188-739A-4D2F-B707-27F53F0A5F34 | M115891 | Walking Tune (Room-Music Tit-Bits No. 3) | Program note written by Percy Aldridge Grainger (1882-1961): This piece is based on a little tune I made on a 3 days' walk in the Scottish Highlands (in 1900) as a hummed accompaniment to my tramping feet. It was worked out and scored in 1905. - A.P.G. | Flute, Oboe, Clarinet, Bassoon, and Horn | |
| 14418 | D3FB87CF-B85D-4669-96CD-340D5B13CD76 | SC552 | Bobby Shaftoe | (not set) | Ssa | |
| 14419 | D403F059-506F-4FAA-B803-FA772FE6DE57 | D511070 | Romance | Violin, Piano | ||
| 14420 | D407D935-2A5E-4044-8B1C-7F34063D5DE3 | SC253 | I Hear a Sky-born Music | Satb |