Titles
Showing 14,361-14,380 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 14361 | D323C678-FDB4-4AD0-BA13-0DB7DD759D41 | SC167 | I Don't Know Its Name | Satb | ||
| 14362 | D32B108A-ACD0-463C-BDA1-65A51559472C | A202702 | Concerto for Piano in F-sharp minor, Op. 20 | The only concerto written by Alexander Scriabin (1871-1915), the CONCERTO FOR PIANO in F-sharp minor, Op. 20, stands apart from other great piano concertos of the Romantic era for its introspection and refinement. Under the influence of Chopin at the age of 24, Scriabin only completed it after persistent pressure from his publisher Belyayev. Rimsky-Korsakov and Lyadov assisted him with the orchestration. The work premiered on October 23, 1897 in Odessa with the composer performing the solo part under the baton of Vasily Safonov. Instrumentation: 2+Picc.2.2.2: 4.2.3.0: Timp: Str (9.8.7.6.5 in set): Solo Piano. | 2+Picc.2.2.2: 4.2.3.0: Timp: Str (9.8.7.6.5 in set): Solo Piano | |
| 14363 | D32B3B11-3E0B-4DF3-86C0-D02E88A8931A | S154015 | Rag-Time Dance | (not set) | Saxophone Quartet | |
| 14364 | D32C5996-AAED-49F6-8BCA-FE283E27C354 | M296391 | Impressions from The Jungle Book | The late romantic English composer, Cyril Scott, known for his orchestral and piano compositions and his use of lush, exotic harmonies, composed this impressionistic and beautifully-crafted work for solo piano based on the The Jungle Book by Rudyard Kipling in 1912. | Solo Piano | |
| 14365 | D32FA5CC-D6DF-4DDA-A23E-CFC32C1869F5 | M911302 | Beyond | "Beyond" is passionate and grand music, full of sweeping melodies and brass fanfares, in the composer's modern Hollywood style. | Concert Band | |
| 14366 | D3354874-830F-4D27-A2C0-E2D0E0C8411A | S834CB | The U.S. Field Artillery | (not set) | Concert Band | |
| 14367 | D3364D24-4CC6-45AD-A5DE-E5CA67B543D2 | 52724003 | Tales of Hoffman: Barcarolle | Thematic material and difficulty is equally distributed throughout the parts in these arrangements for quintet, which are compatible between violin, viola, and cello versions. | Viola Quintet | |
| 14368 | D3392195-0492-4CDE-A894-F23BC3D42F72 | 52713004 | Three Spanish Dances for Violin Quartet | Moritz Moszkowski (1854-1925) was a Prussian-born pianist and composer. He was a child prodigy and became one of the best-known virtuoso pianists in Europe. He composed his five Spanish Dances, Op. 12 for piano four hands at the age of 17. They were an almost instant success and remain popular to this day. This arrangement is fully compatible with the viola and cello ensemble versions of Three Spanish Dances, so that any combination of violin, viola, and cello may play together. Graded for 1-3 level violinists. | Violin Quartet | |
| 14369 | D34244EB-5DF8-4CA5-AD38-7FF9460C8EE6 | M803190 | Nocturne for Strings, A | First performed by the NBC String Orchestra, Josef Honti, cond., 1938. | String Orchestra | |
| 14370 | D342609E-F011-4F0B-BFF2-625A09EAB94B | 10710227 | Zigany | Violin and Piano | ||
| 14371 | D3437EDD-7BE1-4FB9-A19B-954AD2E752E6 | X632708 | Cyprian Sketches: Four Pieces for Clarinet, Cello, and Piano | B-flat Clarinet, Cello, Piano | ||
| 14372 | D346B347-3294-4AED-8160-58284A5E34C1 | MP800020 | Maria la O: Romanza | The Marks orchestration of Ernesto Lecuona's (1892-1934) zarzuela is, at once, the first-ever critical (to the extent that this is possible), and, more importantly, the first-ever performing edition. It utilizes all extant notated and aural materials for Maria la O for its creation. It was edited 2001-2011 by Dr. Evan Hause. The orchestration in this edition is fully computer-engraved. The percussion parts, mostly unnotated in the original materials, were transcribed and edited for this edition, yet they still allow for the freedom to take a traditional, improvisatory approach to the music as per the original. This excerpt is taken from the new edition. | Soprano and Piano | |
| 14373 | D354FFA5-F782-43A2-901B-307F3C1F46C4 | TC536 | Stars and Stripes Forever, The, Op. 40 (March) | THE STARS AND STRIPES FOREVER is a patriotic American march written and composed by John Philip Sousa. By a 1987 act of the U.S. Congress, it is the official National March of the United States of America, and it is considered by many to be Sousa's Magnum Opus. This orchestration by Leopold Stokowski includes a foreword that explains the great conductor's thoughts on dynamics for the work based on Sousa's performance practices. Instrumentation: 2+1(Picc).2.2.2: 3Sax(ATB): 2.4.3.1: Timp.Perc(5): Pno(sub. Hp): Str (9.8.7.6.5 in set). | 2+1(Picc).2.2.2: 3Sax(ATB): 2.4.3.1: Timp.Perc(5): Pno(sub. Hp): Str (9.8.7.6.5 in set) | |
| 14374 | d355d87c-9e38-11f0-a418-0022482c9682 | 10100350 | Serenade No. 12 in C minor, K. 388 | SERENADE No. 12 in C minor, K. 388/K. 384a, also sometime called NACHTMUSIK or NACHT MUSIQUE, was composed originally by W.A. Mozart (1756-1791) between 1782 and 1783. Serenades at the time were generally considered light music for relaxed entertainment, often to be performed outdoors by an ensemble of wind instruments, not taken seriously in concert settings and rarely set in a minor key. Mozart, however, composed three wind serenades after moving to Vienna in 1781, and all are far more serious works than customary for the genre, including this one in C minor written for wind octet (0.2.2.2: 2.0.0.0). This performance edition has been completed by Frederick Fennell, who conducted a performance of his edition made by the Tokyo Kosei Wind Orchestra, recorded on their album SERENADES (KOCD-3567). | 0.2.2.2: 2.0.0.0 | |
| 14375 | D35900B6-82E6-48E3-8F93-B356E1FFD7DC | EBM0610765 | Songs the Plants Taught Us | The inspiration for Songs the Plants Taught Us comes from the shamanic practices of many Amazonian tribal cultures, where special songs called "icaros" are used for magical purposes. The shamans, who guard their icaros jealously, believe that they learn these melodies from the spirits of specific "teacher plants." While the piece is also influenced by the music of ancient and recent ritual cultures far from the Amazon basin - from the deserts of the Middle East to the dancefloors of Europe - it is about learning and singing a song that allows us to speak to the gods. As a concert composer, Joshua Penman has received commissions from the Albany Symphony, New York Youth Symphony, Ann Arbor Symphony, Foundation for Universal Sacred Music, Prism Quartet, Now Ensemble, Arraymusic, Bang on a Can, Lionheart, East Coast Chamber Orchestra, and Nouvel Ensemble Moderne. | 3(d.Picc).2.2.2: 4.3.3.1: 3Perc: Str [1 Elec Bs] | |
| 14376 | D3649274-DA10-4559-80A6-528B2A7B8801 | EBM0610069 | Five Melodies for Orchestra | Five Melodies for Orchestra (1945) by Charles Jones. Duration ca. 15' | 3333 4331 Timp 2Pc Str | |
| 14377 | D369705E-3270-4076-81BE-08D0759E856B | X816210 | Ladino Songs of Love and Suffering for Soprano, Guitar and Horn | Recorded by Lucy Shelton, Soprano; Eliot Fist, Guitar; and David Jolley, Horn on the Milken Archive Naxos American Classics Series (8.559413). | Soprano, Guitar, Horn | |
| 14378 | D36F5405-35DB-4326-9DB8-B349E1099B78 | 52783003 | Cole Porter Album for Piano Trio | Retaining the jazzy musical theatre style for which they were intended, these five tunes are a fun addition to your piano trio repertoire. The violin and cello take the role of vocalists and the piano part plays mostly an accompaniment role. The album includes five songs: 1. Let's Do It (from "Paris"), 2. Begin the Beguine (from "Jubilee"), 3. Anything Goes (from "Anything Goes"), 4. It's De-lovely (from "Red, Hot & Blue"), 5. Night and Day (from "The Gay Divorcee"). | Piano Trio | |
| 14379 | D36FF37A-BB22-45B0-8139-4C3176AAE905 | A011790 | Pizzicato Ostinato | Russian Overture Youth/Community Orchestra Symphony Transcriptions, Concertmasters | 2+1, 2, 2, 2 - 4, 2, 3, 1, timp, perc, str | |
| 14380 | D387D8D1-4ED1-4F61-A919-ED693ED36D1C | X814009 | So We'll Go No More A-Roving from Stanzas for Music | Soprano or Tenor, Piano ReductionReduction from:Soprano or Tenor SoloFlute(d Piccolo), English Horn, Bass Clarinet, Marimba, Harpsichord, Violin, Viola, Double Bass |