Titles
Showing 14,261-14,280 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 14261 | D1583B7C-7F5F-479F-A2DD-EE59E280413B | SO167C | Blue Hook for Strings and Harp | Blue Hook will stimulate the imaginations of the players and audience alike. As the music drives through modes, students are "practicing" their hooked bows without realizing they are working. Blue Hook includes an optional harp part which adds color to the overall orchestral sound. Between hooked bowings, modal scales, shifting for violin I into 5th position, small shifts for other instruments through 4th position, the students will enjoy creating their own story of what Blue Hook is about as they learn or develop the concepts of the piece. Your orchestra will ask to play this piece over and over. | String Orchestra | |
| 14262 | d1617639-9e39-11f0-a418-0022482c9682 | A266002 | Symphony No. 2 in B-flat or Lobgesang (Hymn of Praise), Op. 52 (complete) | Felix Mendelssohn (1809-1847) wrote LOBGESANG (HYMN OF PRAISE), Op. 52 in 1840 to celebrate the 400th anniversary of the Johannes Gutenberg's invention of the printing press. Described by the composer as a "Symphony-Cantata on Words of the Holy Bible for Soloists, Choir and Orchestra," the work starts with the orchestra-only for the first three movements, then ten more movements for vocal soloists, mixed chorus, and orchestra follow. The work premiered on June 25th, 1840, in Leipzig with the Thomaskirche, Mendelssohn conducting. The designation as SYMPHONY No. 2 was a decision made by the publisher after Mendelssohn's death, and while the work has become popularly known by that title since, there is nothing to suggest that this decision represented the composer's intentions. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Org: Str (4-4-3-3-3 in set): Solo SST: Mixed Chorus (tranposed Cornet parts included as substitute for Trumpets). | 2.2.2.2: 4.2.3.0: Timp: Org: Str (4-4-3-3-3 in set): Solo SST: Mixed Chorus (tranposed Cornet parts included as substitute for Trumpets) | |
| 14263 | D167272D-D83A-499C-9E28-BD8405CDA4EF | SC667 | A Dream Far Away | (not set) | Ssa | |
| 14264 | D174DD3E-654C-4DB6-9E4B-97AFFFA5C955 | M213091 | Fantaisie In Eb | (not set) | Cornet (or Trumpet) and Piano | |
| 14265 | D1764E86-63F8-441E-AE3F-7D5A800B5B59 | S655 | Lonely Beach: Normandy 1944 | "Lonely Beach" is a tone poem about some isolated and not particularly attractive beaches on the northern coast of France which, for a few hours on late Spring day in 1944, were transformed into the most important location in the violent history of the 20th Century. The first half of this tone poem attempts to depict what a single soldier might have seen on that cold, misty morning. It begins with the wind and the sound of the waves, then gradually builds as the assault begins. Off-state trumpets and percussion are emplyed in this work to help portray the incredible panic and total chaos of the situation. The music builds into a frenzy and becomes more complex and confusing until, ultimately, the soldier runs up the beach and is struck by the bullet which kills him. The second half of this work (beginning with the entrance of a female chorus) is a eulogy for all the soldiers who died on this insignificant length of sand and rocks. The shouting and gunfire are now but echoes in our imagination. "Lonely Beach (Normandy, 1944)" was commissioned by the United States Army Band, Washington, D.C. | Concert Band + SSA | |
| 14266 | D1768C0F-A75F-47AC-827D-ACFEA9D2087A | SC434 | Welcome Sweet Spring | Ssa | ||
| 14267 | D17A3A79-D2E0-47DD-9690-EC244DE5F0D2 | ST40 | Total Eclipse (out-of-print) | Trumpet | ||
| 14268 | D17E6B78-D7DF-4DE9-8E04-70CA63D3CDDD | SC671 | By the Sea | Versions for SA and SSA are available from the publisher. | SA | |
| 14269 | D17FF0B7-3029-4148-BF14-CCE4D7E81F54 | SC529 | All Things Bright and Beautiful | (not set) | Ssa | |
| 14270 | D180F9A4-0EB0-47DB-91EB-134F0A249373 | W102491 | Choral Varie, Op. 55 | (not set) | Saxophone and Piano | |
| 14271 | D189A3CD-D5C4-4301-AB6C-81512EFE42D8 | 51370204 | Strings Alive | Flexible String Ensemble | ||
| 14272 | D18AE129-FE9C-4627-AC35-EC6DF3B7E9A5 | 10300164 | Solo Jazz Vibraphone Etudes | Every aspiring vibraphonist has at some point joined the quest to find suitable practice and performance literature. This great, enjoyable collection of twelve original jazz etudes is aimed at addressing this need. Intended for players of intermediate ability, each piece focuses on four chord types which are common in the jazz vocabulary, and each etude is written in a different key signature to help expand students' reading ability. Includes online recordings of the etudes performed by the composer. | Vibraphone | |
| 14273 | D1971F41-EAF3-4E95-A05D-0E66AD62367B | SC189 | Lincoln At Gettysburg | Ttb | ||
| 14274 | d1998536-9e38-11f0-a418-0022482c9682 | 10100204 | Merrymakers: A Festivity for Concert Band | MERRYMAKERS is a short happy band piece written specifically for the Alpha Concert Band Series of Ludwig Music Publishing Company. It is in the form of a miniature French Overture in which the characteristic dotted rhythms are very important. These rhythms appear in the opening slow section, in the fast "merry" section using new material, and also at measure 71 a reworking of the thematic gestures of the opening. MERRYMAKERS is about three and a half minutes long and can be used to open a program as well as to close one. | Concert Band | |
| 14275 | D199D26E-7E3B-41AC-A4C5-E855A835E766 | ST123 | Fiesta | This lively piece in a fast triple meter is suitable for recital and contest alike, and features the opportunity for students to contrast the 3-feel in the accompaniment part against frequent 2-feels in the melody. It an be played by either a trombone quartet or some other low brass quartet. | 3 Trombone (alt. Baritone) and Bass Trombone (alt. Tuba) | |
| 14276 | D19ABE82-4D5F-441D-9D02-16F5A3CFDAB5 | ST272 | Prelude | Horn Choir | ||
| 14277 | D19B70D2-8AE4-414C-8960-E356F0954B1E | 50250129 | Rogue's Revenge | An E minor driving rock beat and two sets of parts will allow you to combine absolute beginners and second year students with great success. The easier parts are all high 2s, simple rhythms, and use limited range. Advanced parts use 4th fingers, high and low 2s, and have some longer note values for developing counting skills. Adding a drumset helps keep the ensemble together. | String Orchestra | |
| 14278 | D1A50D0A-AF99-4951-B9D4-62F7E37C59F3 | 10442172 | Barcarolle and Pette Humoresque | (not set) | Clarinet Trio | |
| 14279 | D1B3DB74-A5B1-4A13-84B4-76B6AD0FE993 | 52702493 | Collected String Trios v. 1 | This anthology compiled and arranged by Carole Neuen-Rabinowitz contains trios for 2 violins (alt. viola for violin 2) and cello.Includes works by Tartini, Telemann, Corelli, Scarlatti, Couperin, Vivaldi and Geminiani. | Violin 1, Violin 2 /Viola and Cello | |
| 14280 | D1B82F0E-49D0-4AAE-A63B-91412C1CD569 | SC559 | From a Skyscraper | Ttb |