Titles
Showing 14,161-14,180 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 14161 | D0130191-B95F-42CB-ACC2-9EED94A5521D | B353102 | The Bluebells of Scotland (from Scottish Suite) | Leroy Anderson's (1908-1975) "Scottish Suite" (1954) originally had four movements: "The Bluebells of Scotland", "The Campbells Are Coming", "Bonnie Dundee", and "Turn Ye To Me". While he conducted the entire suite on three performances in 1954 and 1955 with the Cleveland Symphony Orchestra, the Cincinnati Symphony Orchestra, and the University of Miami Summer Symphony, in 1956 Anderson withdrew "The Campbells Are Coming", "Bonnie Dundee", and "Turn Ye To Me" because he was not satisfied with them. Anderson recorded "The Bluebells of Scotland" on June 25, 1954. He later arranged the work for concert band, and now sheet music for "The Bluebells of Scotland" is available for both full orchestra and concert band from the publisher. A full score is included with the band version while a condensed score is available separately. | Concert Band | |
| 14162 | D01C2470-23EA-4900-B2A3-F7F73C60BA36 | S110022 | 35 Exercises for Flute, Op. 33 (Book 2) | These delightful etudes by Koehler have endless benefits for intermediate players and expands upon Book 1 in the series. Each etude succinctly addresses a particular area such articulation, phrasing, or expression consistently throughout. Carol Wincenc’s editorial comments and insightful direction draws on her considerable experience giving master flute classes. | Solo Flute | |
| 14163 | D0251626-5B83-4677-AE1E-4CC2104EA3F8 | M236191 | Variations In C Op. 42 | (not set) | Solo Piano | |
| 14164 | D0261396-8D56-4939-9A1C-F210EB929CFA | 60533001 | Drei Equale, WoO 30 | DREI EQUALE (THREE EQUALI) FOR FOUR TROMBONES, WoO 30 was written in 1812 on a trip Beethoven took to Linz. Beethoven was friends with the kapellmeister, Franz Xaver Glöggl, of the cathedral in Linz who asked Beethoven to compose an equale for 6 trombones. Beethoven composed three equales for four trombones instead. It premiered on November 2, 1812. Since equales are solemn in nature and are played before, during and after a funeral, the first and third equales were played at Beethoven’s funeral. Reprint edition. | Four Trombones | |
| 14165 | D026551B-AEEC-4AF9-ACFF-4BC0392A3BC1 | SS148 | Andante and Allegro | Written as a contest solo for the National School Music Compeition Festivals by Grand Prix de Rome winner, Yvonne Desportes, this solo for bass clarinet and piano requires both technical and expressive playing. Written with competition in mind, it is a perfect selection for a contest or recital. | Bass Clarinet, Piano | |
| 14166 | D027AC04-46CC-476A-BA12-2D4174165AFA | S154010 | Andante Op. 29 | (not set) | Saxophone Quartet | |
| 14167 | D0287E78-4F6A-4CB5-80F9-2050AE3EF2D4 | RCB288 | 22 Studies in Expression and Facility | Flute | ||
| 14168 | D02A920C-751A-4AFC-B59C-20B8D5846AD1 | X819401 | B'ganee N'tateech for Soprano Solo and Men's Chorus | The men's parts could be done either by four voices or small chorus. The text is by the composer's daughter, Rachel Spilker Stock. | Soprano SoloMen's Chorus | |
| 14169 | D02BB5E4-ACF5-47C9-9CA7-BB3F2C0A0F29 | ST789 | Andante and Rondeau | Clarinet | ||
| 14170 | D02EEC8B-1F14-4419-84EE-0F6671311311 | A387802 | Il Trovatore: Act IV, No. 12; Scena, Aria e Miserere: D'amor sull'ali rosee (soprano) | The creation of the opera Il Trovatore by Guiseppe Verdi (1813-1901) was complicated by a variety of circumstances. The original play by Garcia Gutierrez needed simplifying, and the traditional notions of Commarano, Verdi's three-time librettist, seemed at odds with his impulse for thematic depth. To add to complications, soon after Verdi started to work on it, Cammarano passed away, leaving him scrambling to find another librettist. Premiered at the Teatro Apollo in Rome on January 19, 1853, it quickly transcended the challenges of its genesis and became loved for its dark and fiery drama, vocal thrills, and famous innovations, including the familiar "Anvil Chorus" in Act 2. Its Italian-language premiere took place in Paris on December 23, 1854, and this is the version most often performed. In Act 4, Leonora sings "D'amor sull'ali rosee" as she lingers in disguise outside the prison where Manrico, the man she loves, is being held on account of trying to save his mother from execution. Instrumentation: 1.1.2.2: 1.0.0.0: Str (4-4-3-3-3 in set): Solo Soprano. Reprint edition. | 1.1.2.2: 1.0.0.0: Str (4-4-3-3-3 in set): Solo Soprano | |
| 14171 | D0330767-EB23-4016-A285-F94C1E75C3DE | RCB212 | 12 Impromptu Etudes | Flute | ||
| 14172 | D0350E71-5286-4369-BE3F-C9C3CBB0D7A9 | M185291 | Dolly, Op. 56 | (not set) | Piano Four Hands | |
| 14173 | D03627C4-C7D0-48EA-A460-BEF81C0F27FC | M201891 | Folksongs Csik District | (not set) | Oboe and Piano | |
| 14174 | D0371DF8-D3CE-4B04-9E8D-48AD05F3DCB8 | MP940004 | The Inside Outside | |||
| 14175 | D03C3D28-E19B-447E-8C28-DC0A4A7280F6 | SS664 | Night Shift | 2 Snare Drums | ||
| 14176 | D043E9D5-68F0-4288-956E-6853177372C7 | MP410009 | Ballade | |||
| 14177 | D04559C4-0A3A-45F9-86C4-09B502416B3C | X512003 | Two Shetland Bridal Tunes | Two arrangements of traditional Shetland Island fiddle tunes encompassing a processional and recessional, for any festive event or occasion. | 2 Violins | |
| 14178 | D045883E-2104-41B8-9B36-E2864CCF26D2 | 52250918 | A Walk in the Park | Listeners will be delighted with these upbeat and beautifully scored jazz originals in a variety of styles. Written at an advanced intermediate level, the parts require strong chromatic note reading skills and comfort with swing style. Suggested solos are written in parts that also have changes provided for those who prefer to improvise. | String Orchestra | |
| 14179 | D04AF425-8925-4EEE-9D6C-101B87F7669C | X503035 | Notturno | Composed for London's Bekova Sisters Trio, the mood is dark with chord-spacing reminiscent of Brahms. | Piano Trio | |
| 14180 | D04C0B50-5E03-4403-A0E3-458D2CD4269B | TC827 | Ave Verum Corpus, S. 44 | The medieval Eucharistic chant "Ave verum corpus" has been set to music by many composers over the centuries. This beautiful setting for SATB chorus and optional organ by Franz Liszt has been edited by John Kingsbury. | SATB and opt. Organ |