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14201D09FB5B7-F671-41F1-9E43-0CE4006C5DC3A163002Eight Russian Folksongs, Op. 58Anatoly Lyadov (1855-1914), one of the Russian Five, wrestled with doubt in his own creative talent. Exclusively writing small-scale works, he explored the folk music of his native country, much of which evoked a fairy-tale Russia. His EIGHT RUSSIAN FOLKSONGS, Op. 58, display his deftness with colorful orchestration, an affinity he shared with his teacher Rimsky-Korsakov. Dedicated to the stage designer and illustrator Ivan Bilibin, the song cycle received its first performance in St. Petersburg on March 3, 1905 by the Assembly Hall of the Nobility Orchestra under the baton of Felix Blumenfeld. Instrumentation: 2+Picc.2+EH.2.2: 4.2.0.0: Timp.Perc(2): Str (9-8-7-6-5 in set). Movements: I. Religious Chant; II. Christmas Carol; III. Plaintive Song; IV. Humorous Song; V. Legend of the Birds; VI. Cradle Song; VII. Round Dance; VIII. Village - Dance Song.2+Picc.2+EH.2.2: 4.2.0.0: Timp.Perc(2): Str (9-8-7-6-5 in set)
14202D09FFBC9-DB35-4770-8768-77E78FEED4BBX662804Ensphere: Sonaspheres 3Written with support from the National Endowment of the Arts.Flute, Clarinet, Piano, Perc(1), Violin, Cello
14203D0AC4DB9-A229-44EE-942B-719E7288947252733065Quatricelli: Volume 2(not set)Cello Quartet
14204D0B17CA3-486B-48FE-8AED-53C05E68F914X111004Circle Music IISecond in series of pieces for solo instrument and piano.Flute, Piano
14205D0B7880A-6B07-4599-AD1A-8E9AA0F1FA3FSS745Dance of the Reed Flutes from "The Nutcracker"Also called "Dance of the Mirlitons", this very recognizable melody is the seventh movement from Tchaikovsky's famous ballet, "The Nutcracker". This arrangement for flute trio by Ralph Guenther makes use of predominantly homophonic writing in the flutes, but also includes an optional piano accompaniment.Flute Trio and Piano (opt.)
14206D0BA358D-C38C-4229-9B72-54EA6E1343ACST838Two PiecesThis intermediate contest solo features a lyrical andantino followed by an allegretto written in a highly idiomatic style for tuba.Tuba and Piano
14207D0BE0E50-AC65-4434-A464-1371FE0B8498B300Solo Studies, Bk. 3This book, the third in a series of three, is the result of the need expressed by concerned percussion instructors for repertory for the student who is making the big step from the snare drum to the drum set. The solos in this book provide a smooth transition from the snare drum to the drum set by emphasizing technique and musical concept. And they relieve motivation problems by providing solos that are intended to be played without accompaniment, are interesting to the player and an audience, and make very good pieces for use in a contest situation.Drum Set
14208D0BFCDCB-F63C-42C0-A2E8-3A1CE9264FD5MP131003Concert Piece
14209D0C332B8-4498-40BA-BB1F-9B1B5D89B80CM330791Trio, Op. 17Clara Schumann's Trio, op. 17 was her only piano trio composed during her stay in Dresden in 1845-1846. Completed in the summer of 1846 while her husband, Robert Schumann was extremely ill. Comprised of four movments: Allegro moderato, Scherzo and Trio, Andante and Allegretto. Reprint edition.Violin, Violoncello and Piano
14210D0C3AD90-29E8-4545-8782-1DE514132341ST840Concert SoloOriginally titled "Solo Pour Hautbois" (Solo for Oboe), this arrangement for tenor saxophone is a fine example of late French Romantic music.Tenor Sax
14211D0C712EC-1E7F-4CDE-BC6C-BB6ABE27AB08S60Joshua Fit The Battle (out-of-print)Marching Band
14212D0D209B6-795F-4924-85D1-D411089C0E5CST550Moon Maiden's DanceThis piece for intermediate to advanced flutists allows the player the opportunity to focus on intricate subdivided rhythms at a slow tempo. It is perfect for recital or contest. Versions for flute, oboe, clarinet and violin are available from the publisher.Flute and Piano
14213D0D4DCB8-D613-410B-99B8-347DAEC77D52SS469Berceuse from DollyThe Dolly Suite, Op. 56, is a collection of pieces for piano four-hands by Gabriel Fauré. This transcription of the Berceuse from the suite for woodwind quintet by Clifton Williams is part of Southern Music's "Master Composer Series," designed to introduce carefully selected masterworks in arrangements for small woodwind and brass ensembles.Woodwind Quintet
14214D0DB7A88-FD6C-40D6-9841-6FF55A42CB0DW702891Practical Singing Tutor(not set)Medium Voice
14215D0E131F2-687B-4481-83E5-B1F665FB273DX980002Blessed Are They That Sow and Shall Not Reap, for Double Mixed ChorusThis anthem for double SATB choir uses the poem of the same title by Avraham Ben Yitzakh (1883 - 1950), English version by Robert Mezey. It was commissioned by The Golden Bridge, Suzi Digby, music director.Double SATB Chorus
14216D0E25933-67D7-408E-830C-5E22CC940B96R00359Fingerpainting2(1d Piccolo).1.2: 2.2.2.0: Percussion(2): Piano: Strings
14217D0E2B1B7-CAA0-4CBC-932A-E2F119A1932EEBM4003518Passing Bell, TheComposed in 1974, The Passing Bell is one of the quintessential works from the pen of American composer Warren Benson. Written as a memorial piece, this emotional work is both dramatic and ethereal. The scoring is characterized by a sophisticated harmonic structure and calls for instruments often playing in their extreme and extended ranges. Considered one of the classics of band literature it is available again in this new edition. Dur: 11:00Concert band
14218D0E7EAD4-3CD8-401E-8883-A64ED2656C76A644290La Plus que Lente, L. 121Claude Debussy (1862-1918) wrote the waltz La plus que lente for solo piano in 1910, a work that may or may not have been inspired by a small sculpture on his mantelpiece. The title is meant to wryly suggest Debussy's intention to emulate the "valse lente" (slow waltz) that was all the rage in France at the time. An orchestration was also conceived in 1910, though Debussy opposed the heavier use of percussion and brass, then proposed his own lighter version, which was published in 1912. Instrumentation: 1.0.1.0: 0.0.0.0: Cimbalom.Pno: Str (9-8-7-6-5 in set).1.0.1.0: 0.0.0.0: Cimbalom.Pno: Str (9-8-7-6-5 in set)
14219D0E8CA04-44EB-41A3-9591-59AED8F5AAB3MP772004Machine, The (Finale from the Fifth Symphony)
14220D0EDD2F5-7337-48FC-9997-CB86300FD151S709CBA Tribute to GraingerThis setting of Grainger's music came about to fill a need for more of the composer's music to be set a a level appropriate to the average high school band. It is hoped that these three pieces will serve well as an introduction to Grainger's music, and that their appearance here is consistent with his desire to make his music available to all musicians, not just the more accomplished. I. Country Gardens (English Morris Dance), II. Mo Nighean Dubh (My Dark-haired Maid), III. "The Gypsy's Wedding Day"Concert Band