Titles

Create Title

Showing 14,141-14,160 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
14141CFC580AC-274F-476B-BAC7-B335F8391FD7M278491Four Pieces, Op. 3(not set)Solo Piano
14142CFCCCCC1-CE7C-4CE0-943E-42710F465B4BA198202Samson and Delilah, Op. 47 (Samson et Dalila): Danse BacchanaleCamille Saint-Saëns' (1835-1921) opera SAMSON ET DALILA, Op. 47 tells the biblical story of Delilah's betrayal of Samson. Originally conceived as an oratorio due to Saint-Saëns’ admiration of such works by Handel and Mendelssohn, it was converted to an opera when the composer was convinced by a family member to abandon the less-used oratorio, designed to stage works with biblical themes, in favor of the more common and contemporary secular form. While composition began in 1867, consistent rejection by the French music world of any biblical stories used as a libretto caused numerous delays and spurts of abandonment of the project by the Saint-Saëns. And when the work was completed in 1876, the 1877 premiere in Weimar was only able to take place due to the support of Franz Liszt. Further interest around the world, including France, finally started to grow in the 1890s, leaving SAMSON AND DELILAH Saint-Saëns most performed opera today. The “Danse Bacchanale,” which takes place in Scene 2 of the third act, plays after Samson has been betrayed by Delilah and apprehended by his enemies, the Philistines. The Philistines plan a sacrifice to their god Dagon, and the temple priests dance wildly to this savage “Bacchanale” as preparation. This version has been newly engraved and edited by Clinton Nieweg and Nancy Bradburd. Instrumentation: 2+Picc.2+EH.2+BCl.2+CBsn: 4.2+2Crt.3.1: Timp.Perc(3or4): Hp: Str (9-8-7-6-5 in set). Study score.2+Picc.2+EH.2+BCl.2+CBsn: 4.2+2Crt.3.1: Timp.Perc(3or4): Hp: Str (9-8-7-6-5 in set)
14143CFD350B7-7684-4F5E-A02D-5D0180548913A715402An der Schoenen, Blauen Donau Walzer, Op. 314 (On the Beautiful Blue Danube Waltzes)An der Schönen Blauen Donau (On the Beautiful Blue Danube), Op. 314, written by Johann Strauss II (1825-1899) is one of the most popular works in classical music, and remains well-known in popular culture. Written in 1866, it premiered on February 15 of the following year in Vienna at a Wiener Männergesangsverei concert, Strauss conducting. It has been arranged for different ensembles numerous times, and it has been used in everything from Warner Brothers cartoons to major science fiction films to video game scores. This version for small orchestra was arranged by Julius Seredy. Instrumentation: 1.2.2.2: - 2.2.1.0: Timp.Perc(2): Pno Cond Sc in set: Str (9-8-7-6-5 in set).1.2.2.2: - 2.2.1.0: Timp.Perc(2): Pno Cond Sc in set: Str (9-8-7-6-5 in set)
14144CFD5FDE1-9D6D-4D53-A073-D58C79990ECC52250447Jamaican SpiceFun in the sun in G major! This is a great special feature for your young group's concert! The strings' dotted rhythms and pizzicato play above maracas and clave percussion for a lilting Caribbean feel. A cheery introduction to the island-inspired styles. Highy recommended!String Orchestra and Percussion (Claves, Maracas). Rehearsal Pno included
14145CFD94C75-A3C2-4A4E-A845-A831B451D59FSS380Three Pieces(not set)Flute, Piano (alt Flute duo or Flute + Oboe, Clarinet, Bassoon or Horn duo, with Piano accomp.)
14146CFE1763E-9707-42F1-B892-B0BF53F93FDER01370Vox Humana(not set)2.2.3+BCl.2: 4.3.3.1: Timp.Perc(3).Hp: Str: Recorded music on CD
14147CFE443BA-051F-412C-B5E0-6706B6D3910DA616502Premiere Rapsodie pour Clarinet et Orchestre (First Rhapsody for Clarinet & Orchestra)Gabriel Fauré, then director of the Conservatoire de Paris, named Claude Debussy (1862-1918) to the Conservatoire's board of directors in 1909, and promptly commissioned two works from Debussy for the 1910 clarinet examinations. For the sight-reading portion of the exam, he offered the charming Petite Pièce. But for the core part of the exam, he composed Première Rhapsodie, L. 116, CD. 124, a work that demands great technical skill and musicality from the soloist. The work was dedicated to the professor of clarinet at the Paris Conseratory from 1904-1918, Prospère Mimart, and it was Mimart who premiered the work on January 16, 1911, with M.G. Kriéger at the piano. Quickly recognized as a masterpiece, performances with the piano accompaniment quickly began to appear on programs. Debussy was so pleased with the reception that he orchestrated the piano part in 1911, and the work has remained a staple of the repertoire for clarinet and orchestra since. Instrumentation: 3.2+EH.2.3: 4.2.0.0: Perc(2): Hp(2): Str (9-8-7-6-5 in set): Solo Clarinet in set. Part of the Nieweg Performance Edition series.3.2+EH.2.3: 4.2.0.0: Perc(2): Hp(2): Str (9-8-7-6-5 in set): Solo Clarinet in set
14148CFF23FD9-44AF-4599-83B6-87615330EBEBA120002Concerto for Piano No. 1 in E minor, Op. 11Although he had already completed his F minor concerto, Frédéric Chopin’s (1810-1849) CONCERTO FOR PIANO NO. 1 IN E MINOR, OP. 11 was the first to be published. Composed in 1829, it premiered on March 17 of the following year in Warsaw, the composer himself performing the solo under the direction of Carlo Evasio Soliva. He dedicated the concerto to one of his primary influences, the pianist Friedrich Kalbrenner. The first performance at the Teatr Narodowy received an enthusiastic reception and less than two months later, Chopin performed the piece at the Salle Pleyel in Paris. Instrumentation: 2.2.2.2: 4.2.1.0: Timp: Str (9-8-7-6-5 in set): Solo Pno in set. This solo part is edited by Carl Mikuli.2.2.2.2: 4.2.1.0: Timp: Str (9-8-7-6-5 in set): Solo Pno in set
14149CFF45F17-CFF8-451D-BD37-C0102F866FDFR01446Two Lyric Pieces for Solo Violin and String Orchestra2010 release.Violin, String Orchestra
14150CFFBBFBC-7C01-4A53-8F38-D4C2C3526839RCSS439Sicilienne from Pelleas et MelisandeFlute, Piano
14151CFFBF9D7-6D44-4F18-84C6-E5FB2FE9ABE520100765Bermuda Triangles(not set)Concert Band
14152CFFC354B-BD4D-47BA-A44A-A48B8E63C12CSS71DiversionFlute
14153CFFDDF5C-4D1E-477E-AF34-47DEE8AFFDB5MP940005If that the Peace of GodThis work for an unaccompanied SATB choir is a setting of a poem by Peter Folger, the grandfather of Benjamin Franklin.
14154CFFF5C23-7F7E-4E00-917D-72A1FC0F3643R01499Sizzle for Solo Percussion and 8 WindsSizzle is a five movement concerto for percussion with eight wind and brass players, 15 minutes.Perc Solo: Flute(dPicc), Oboe, Clarinet(dEbCl), Soprano Sax(dAsax), Horn, C Trumpet, Trombone, Tuba
14155D00210B4-E677-49FD-ADB3-26B026E2D69152703517Three English Carols(not set)String Quartet
14156D0064F92-BB7D-4F86-8E71-59879B51F163R01184M'bonda na MabindaA short and energetic opener/closer for African Drums and Brass Band, commissioned by River City Brass Band, Dennis Colwell, Conductor.E-flat Cornet, 4 Solo Cornets, ripieno Cornet, 5 Cornets, Flugelhorn, 3 Horns, 2 Baritone Horns, 3 Trombones, 2 Euphoniums, 4 Tubas: Percussion(3), African Drums
14157D007753B-8E33-44B1-B11A-5E41F26524E9A211302Geheime Anziehungskraefte (Dynamiden) Walzer, Op. 173(not set)2, 2, 2, 2 - 4, 2, 1, 0, perc, hp, pf, str
14158D00D419C-2427-4169-89EB-8AA84056F96110100338PassacagliaOver the years, Ron Nelson has proven his compositional virtuosity time and again. With Passacaglia (homage on the tones represented in the name B-A-C-H), his efforts were rewarded by winning the Ostwald Award, the National Band Association Composition Contest, and the Sudler International Wind Band Composition Contest. A set of continuous variations built on a repeating (in various voicings) eight-measure melody appearing, in all, twenty five times, make this a significant work where every player is challenged. Nelson aptly describes it as seamless series of tableaux moving from darkness to light.Concert Band
14159D00EC82E-2ECA-46B5-8E2B-CE61836442F4M168791Concerto No. 1 In D(not set)Horn and Piano
14160D012948F-BAAF-46A9-8A1B-E300637D6F37F506Musidex File Set Band/ Orchestra, 600-numbersForms