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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
14381D3889317-F13C-41C8-9C7B-B8BFB1D66030MP203002Sonogram IB for Horn, Trumpet, Bass Trombone and TapeMurdock Donald MacInnis (April 4, 1923 – April 20, 2003) was an American composer and associate professor of music at the University of Virginia. MacInnis attended Princeton University, completing his music degree as an undergraduate in 1948 and a masters in 1950. His studies were interrupted by World War II, during which he served with the 13th Armored Division of the United States Army, seeing combat in Germany. While at Princeton, he was musically active, directing the band and managing the Princeton Glee Club. He studied composition and theory with Milton Babbitt, Edward Cone, Joseph Kerman, Bohuslav Martinu, Roger Sessions and Randall Thompson, and conducting with Leonard Bernstein at Tanglewood. MacInnis was elected as an instructor in the faculty of music of the University of Virginia in 1950. He was granted a leave of absence in 1968 to serve as composer in residence with Robert Shaw and the Atlanta Symphony Orchestra. As an instructor, he conducted the University of Virginia Band; later, he was tapped as acting department head in 1955. As a composer, MacInnis employed early electronic music techniques, including computer-synthesized music and tape loops, such as his Sonogram IB (1966). Duration ca. 4'Horn, Trumpet, Bass Trombone and Tape
14382D38B97C0-A6E2-40F8-8345-E4A609DBA6E4SS608Master Mind (out-of-print)Snare Drum Unaccompanied
14383D392F9D7-7136-4D86-A945-99794FE718C0A161202Symphony No. 1 in G minor(not set)2+1, 2+1, 2, 2 - 4, 2, 3, 1, timp, perc, hp, str
14384D3957A68-953F-4837-AC84-F652356FB11110100106Dawn Breaks at a Shinto Shrine(not set)Symphonic Band
14385D396DA1D-DA02-42EB-99AC-94333E7EC11D10511338Viennese Sonatina No. 4 for Trumpet Duo and PianoThis arrangement by Floyd O. Harris of the Rondo movement from W.A. Mozart's VIENNESE SONATINA No. 4 has versions available for solo clarinet or trumpet with piano and for duo clarinets or trumpets and piano.Trumpet or Cornet Duet and Piano
14386D3981DC8-0777-4D9B-BF53-C66BC6D68604R00757The Big Night(not set)SATB Chorus (optional) 2+Piccolo.2(1d English Horn).2+Bass Clarinet.2: 4.2.2.1: Timpani.Percussion(3).Piano.Harp: Strings
14387D399B7DB-F594-4E8A-BEFD-8D632F5D9AF418100040Songs of Praise(not set)Concert Band
14388D39C3AE0-FB94-4DD7-BDD6-0D5C48ADDA7410200405Londonderry AirOne of the most beautiful and beloved Irish folksongs, the Londonderry Air (Danny Boy) is given a new twist by this outstanding orchestra writer. The concluding bluegrass variation is a pleasant but startling surprise.Full Orchestra
14389D3A99A51-08E6-40F6-9B4F-C4BE54ADFD12ST510Gavotte and Two MinuetsThis publication includes editorial markings to help younger players tune individual notes in the context of the acoustic properties of the flute.Flute Trio
14390D3ABB090-5565-452E-9061-68767C9F6300R00065Symphony: The OregonA four movement work celebrating Oregon's past and present. Composed for the Oregon Centennial Commission and the Oregon Symphony in 1959, the work was reworked in 1999 for a Portland Youth Philharmonic Alumni concert commemorating Avshalomov's 80th birthday. Movements: I. The Fog Serpent, II. The Mountain, III. The Rose, IV. The Glistening City3(1d Piccolo).2+English Horn.4(1d E-flat Clarinet, 1d Bass Clarinet).2+ContraBassoon: 4.3.3.1: Timpani.Percussion(4).clst.Harp: Strings
14391D3AC1557-F8E7-4FDE-A610-3DC5CDAF142B52721567Let's Duet: Volume 3 - ViolaThe third volume in this series includes advanced-intermediate level duets compatible for violin, viola and cello, and the arrangements are also appropriate for gigs. This volume is true chamber music playing, as it uses higher positions, treble clef for viola, tenor clef for cello, and double stops in all parts.Viola Duet
14392D3AD14FA-0B41-408D-9D13-314E3BAD7482ST761Echoes of OldeBrass quartet scored for two trumpets, trombone/baritone and tuba. Movement titles: I. March of Triumph, II. Hail and Farewell, III. FestivalTwo trumpets, trombone/baritone, tuba
14393D3B0E0B9-1C5C-48E4-8501-DFA6231E20D7ST445Pavane(not set)4 Guitars
14394D3B29984-C055-4FB1-82EF-AE473B91B1C3S410006Preludes No. 1 and 2
14395D3B547C6-9E94-4751-B3E4-1BCA8F7DCBE410420177Country Gardens and Amaryllis for Oboe and PianoThis collection of two songs have been arranged by Floyd O. Harris. The first, COUNTRY GARDENS, is a Morris Dance without clear authorship. The second song, AMARYLLIS was written originally by Henri Ghys, and it is one of his most successful works, although it was mistakenly attributed to the French King Louis XIII for some time, and is also titled AIR LOUIS XIII. Versions for oboe solo, clarinet solo, clarinet duo, clarinet trio, violin solo, violin duo, and violin trio, all with piano accompaniment, are available from the publisher.Oboe and Piano
14396D3B7D9F2-7178-46B0-926F-21F3977320B752260324Rondo BacchanaleViola Solo, Timpani and String Orchestra
14397D3BA1F07-FF58-4B3A-94EB-F5F392993973R01588Violin Concerto No. 5(not set)Violin Solo: 2.2.2.1+Cbsn: 4.3.3.1: Perc(3): Str
14398D3C03225-EBF7-4869-AF7F-C44F83D8F341S511043Valse CapriceOriginally, Camille Saint -Saëns created this work for piano in 1877 under the title Etude en form
de Valse Op.52/6. In 1901, Ysaye reworked this piece for violin and piano and published it as Caprice d’après l’Etude en forme de Valse de Saint-Saëns.

Ysaÿe created a veritable masterpiece for violin, far more popular now than the original piano version. It has taken its rightful place in the virtuoso violin literature. This work is on the concert and recorded repertory of virtually every major violinist and a compulsory work at most major competitions.		Violin, Piano
14399D3C07B3F-2A48-4CEB-9027-C4B6342D1A5DSC303Praise the Lord, O My SoulSatb
14400D3C33301-C278-484C-9863-8BADA5AC1DCEA615190Symphony No. 5 in E minor, Op. 64 (German Edition)Written three years after his Manfred Symphony, Pyotr Ilyich Tchaikovsky's (1840-1893) Symphony No. 5 in E minor, Op. 64 was composed in 1888. Although it has been surpassed in popularity a bit over the decades by his fourth and sixth symphonies, the work remains a staple in the orchestral repertoire. It premiered on November 17, 1888, by the St. Petersburg Philharmonic with the composer conducting. Instrumentation: 3(3rd dPicc).2.2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set).3(3rd dPicc).2.2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set)