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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
14601D6E9B410-6E49-427F-94CE-3B3D78745AC152703488Six Intermediate String Quartets(not set)String Quartet
14602D6EBB1EA-CE33-43E9-BA44-D77681DF24D6M247291Two Pieces(not set)Soprano Saxophone. Tenor Saxophone, or Clarinet and Piano
14603D6EDEA88-067F-465F-B232-8012838A6F8BB349602Goldilocks: Pyramid Dance for Bandconcert band
14604D6F3F195-D9F7-4F46-9C41-8A6777018A0350100016Year 1812, The, Op. 49 (1812 Overture for Concert Band)Yes, this is the classic work that has been performed and enjoyed by generations of musicians and audiences. Now available with a full score and re-worked parts with manageable page turns, it's now more user friendly for conductors and musicians alike. A welcome edition of an important band transcription.Concert Band
14605D6F4317A-6B04-4044-AAAE-502DD1CF5FBAB399CO88 German QuartetsIt is with great pride that Southern Music Company and The Complete Hornist present this wonderful collection of 88 German hom quartets. Originally edited by Heinz Liebert and published by Hofmeister of Leipzig, it includes hunting tunes, waltzes, lieder, opera excerpts, folk songs, hymns, Christmas pieces, and marches. Composers include von Weber, Mendelssohn, Schumann, Mozart, Schubert, Gluck, Kuhlau, Brahms, Beethoven, Handel, Wagner, Johann Strauss, and many more. The fourth horn part is available in both old notation bass clef and in treble clef.Horn Quartet
14606D6F92C1A-EB6E-43ED-8000-7611F2884EE6M321191Five Songs, Op. 5(not set)Voice and Piano
14607D6FC2947-A930-49CC-93FF-7058171C04DBSS7Forensic FantasySnare Drum Unaccompanied
14608D6FE0605-54CD-40D6-BC6C-D05FF5F34BD810370125String Masters, Book 2: Piano AccompanimentThe String Master collections are easy to intermediate, harmonized collections of classical themes and popular tunes for young string orchestras. They are presented in such a way as to be playable with any combination of strings (as the piano accompaniment can be used to fill in any missing parts, or to strengthen weak sections), with a variety of difficulty levels available in the violin parts, thus enhancing the value of this collection. The compositions in this volume have been selected for their programmatic and educational as well as developmental values. The material has also been compiled with the viewpoint of keeping it interesting from the melodic, rhythmic and harmonic outlook, and to instill well-balanced musicianship. Suitable for trios, quartets, and string orchestras. Included in Book 2: 1. Theme from "Symphonic Poem (Liszt); 2. German Dance (Schubert); 3. Shepherd's Dance (Schubert); 4. Theme from "Ruy Blas" Overture (Mendelssohn); 5. Gavotte (Rameau); 6. Two Irish Melodies (traditional, Balfe); 7. Gavotte (Boyce); 8. Minuetto (Handel); 9. Country Dance (Gretry); 10. Minuet from "The Sorcerer" (Sullivan); 11. Suite in Three Movements (Rebikov); 12. Italian Caprice (excerpt; Tchaikovsky); 13. Old English Air (anonymous); 14. Hymn Tune (Gottschalk); 15. Slavic Dances (Dobles); 16. Masters Suite (Mozart, Brahms, Gluck).Flexible String Ensemble: Piano Accompaniment
14609D700387B-A3FD-4A40-BDAE-CD12B3E18E2FV83Five Songs to Poems Of Herman HesseVocal
14610D703A3DA-8807-4272-9C14-23D0EBB32522R55Clarinet Carousel for Clarinet Duo and Band(not set)Clarinet Duo: Concert Band
14611D703C57B-1C30-429F-8EFB-304913EF567B10760466Happy SongOffering both clear dynamic, articulation contrasts, and a great melody, all within the playable range of a new student, this work is perfect for a young musician's first recital or contest. The piano accompaniment can also be performed by a one or two year private study middle-school level piano player. And the variety of solo instrument parts makes it possible for one student to accompany many different students. A prepatory "warm-up" exercise for young acccompanists is printed on the last page of the piano part. Instruments available from the publisher: flute, clarinet, bassoon, saxophone (alto and tenor), cornet/trumpet/baritone T.C., horn, trombone, baritone B.C., tuba, and electronic keyboard.Electronic Keyboard and Piano
14612D7092E3C-9219-48E4-853D-D6AC4DE8808BSC53TennisTbb
14613D70F18E5-B28A-49E7-B93E-B8731ADD3BC0A123802Concerto for Violin No. 1 in A minor, BWV 1041The CONCERTO FOR VIOLIN NO. 1 IN A MINOR, BWV 1041 was written by Johann Sebastian Bach (1685-1750) sometime around 1730. The work shows the influence of Italian composers such as Vivaldi, although this concerto stands apart from the Italian model in that the soloist and the ensemble, rather than competing against each other, collaborate to provide organic interest. This Kalmus edition was edited by Wilhelm Rust for the Bach-Gesellschaft Ausgabe (Bach Society Edition). Instrumentation: Hpschrd: Str (4-4-3-3-3 in set): Solo Violin in set. Study score.Hpschrd: Str (4-4-3-3-3 in set): Solo Violin in set
14614D70F6D26-C5EF-4726-A0FD-C1A8DDF21976MP412002Frescoes for Two Keyboard Players
14615D711DF3D-97C1-4B41-902C-9E07765BB5FE10100148March of the Spanish Soldiery for BandJean de Smetsky (1885-1954) of Belgium attained success with the works which he composed for the soldiers in the First World War. Because of this success he was awarded the Legion of Honor medal. MARCH OF THE SPANISH SOLDIERY was one of those compositions, and among his best known. The early editions of this march were performed by many Notable bands, which included the Sousa Band, the Frank Simon Band and the Cities Service Band of America. This edition was arranged by Mayhew Lake and has been rescored for the modern concert band by Paul W. Whear.Concert Band
14616D7168A5C-65A5-4DF1-9873-414AA5C6E0E7S699CBOverture for Band(not set)Concert Band
14617D72661D8-83BC-4A7E-A160-1F45C55ED534R01049PsalmsSchifrin's Psalms were written for the 3000th Anniversary of Jerusalem and premiered by the Israeli Philharmonic Orchestra and Chorus conducted by Zubin Mehta in 1996.2 sop, Mezzo-Soprano, Tenor, Bass Soli SATB Chorus 2+Piccolo.2+English Horn.2+Bass Clarinet.2+ContraBassoon: 4.3(1d Trumpet in d).3.1: Timpani.Percussion(3).Piano(d Celesta).Harp: Strings
14618D7288A2C-DD64-45B6-99C2-D94ECE058B83B370Songs for Sight Singing Vol. 1: HS/ SASONGS FOR SIGHT SINGING provides a collection of literature for use in the choral classroom. Each selection was composed according to the criteria designed by Texas choral directors and commissioned by the Texas University Interscholastic League for use in its annual sight singing contest. These graded materials were created specifically for young musicians by recognized composers and comprise a valuable resource as they contain many of the problems encountered in sight singing. This collection can be used effectively as a supplement to the daily instructional sight singing program after an approved system (movable “do”, fixed “do” or numbers) and a rhythm system are established within the choral curriculum.SSA
14619D729CD2D-A733-4C02-82BD-7D1A2CC7B89EM284491Priere, Op. 158Saint-Saëns composed Prière, or Prayer, for violoncello and organ, Op. 158 in 1919. It is a simple and catchy tune: The cantabile beginning is followed by an expressive middle section which leads back to the quiet beginning. The organ part can also be played on piano as it is meant for a double-manual instrument and the few pedal notes are marked "ad libitum" by the composer. In 1920, a year after the initial publication of Prière, the original publisher also published an adaptation for violin, Op. 158b. Due to their meditative character, both versions are ideal for concert or liturgical performances.Cello and Piano
14620d72baa62-9e39-11f0-a418-0022482c9682A292402Ch'io mi scordi di te; Non temer, amato bene, K. 505The great concert aria CH'IO MI SCORDI DI TE? ... NON TEMER, AMATO BENE (WILL I FORGET YOU/ ... FEAR NOT, BELOVED), K. 505, was written by Wolfgang Amadeus Mozart (1756-1791) in December of 1786 in Vienna. Mozart had previously written an insertion aria based (KV 490) on the same text by Giovanni Battista Varesco for a revised version of his 1781 opera IDOMENEO to be performed privately at Prince Auersperg's palace. The aria in that case was intended for the role of Idamante as a tenor voice. K. 505 sets the same text for soprano, and it was written specifically for Nancy Storace, likely for her farewell concert that was given on February 23, 1787, at the Theater am Kärntnertor. The work consists of two sections: 1. CH'IO MI SCORDI DI TE? (recitative), and 2. NON TEMER, AMATO BENE (aria). Instrumentation: 0.0.2.2: 2.0.0.0: Pno in set: Str (4-4-3-3-3 in set): Solo [soprano].0.0.2.2: 2.0.0.0: Pno in set: Str (4-4-3-3-3 in set): Solo [soprano]