Titles
Showing 14,581-14,600 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 14581 | D699ED2B-C176-4BB7-9ECE-BBA7746F07F3 | SU550 | Sonatine | (not set) | Flute/Piano | |
| 14582 | D69BE838-ECE3-4D04-814A-50ADBA1AEB96 | A920102 | Orpheus Quadrille | |||
| 14583 | D69D125B-74FC-4272-9706-E47F0A208296 | X814035 | Two Catullus Songs | Two Catullus Songs (1999) is a set of two settings of two poems by the Ancient Roman poet Gaius Valerius Catullus (84?–54? BC). The work is dedicated to Jill Crooker. The poems are set in their original classical Latin and a classical Latin pronunciation (not church Latin) should be used when performing the work. The text is used verbatim although elisions are not used in the musical setting. The first song, Iam ver egelidos, is a setting of a poem about travel and the arrival of spring. The second song, Odi et amo, is a brief musing on the perplexing nature of love. | Voice, Piano | |
| 14584 | D69F05F7-E835-4EF8-AEED-0F27D7E24C20 | X503016 | Piano Trio No. 2 | (not set) | Violin, Cello, Piano | |
| 14585 | D6A0B392-6AB3-4688-BC41-7A1C4DA58F2B | 50260020 | Sicilienne for Violin, Flute, or Oboe and String Orchestra | Sicilienne is in G major in a gently lilting 6/8 and is a wonderful opportunity for your orchestra to work with a soloist (either flute, oboe or violin). This work is a tribute to the masters of the Baroque Period, while the harmonies are lush and romantic. There is no position work involved (except for basses), which allows your students to work on blend, ensemble and tone production. There is a brief cadenza for the soloist (which can be omitted if desired). | Solo Violin, Flute or Oboe with String Orchestra | |
| 14586 | D6A35F95-9878-4401-8BC0-8A770C72A1C5 | DIP002 | NEW BLUE FUNK | |||
| 14587 | D6AAE9C8-B4E2-4A82-89F0-854E16626A66 | A721402 | Czech Suite for Wind Ensemble, Op. 39/B. 93 | Dvo?ák’s five-movement Czech Suite was originally composed for pairs of oboes, bassoons, horns, and strings in 1879, then first published in 1881. Adolf ?ech conducted the premiere. Dvo?ák had only recently become introduced to Fritz Simrock by Johannes Brahms, but had already become displeased with several of his new publisher's business practices, including releasing older works with high opus numbers, implying they were new. Dvo?ák offered this work, recently written, to Simrock with a somewhat earlier number as part of his response. This arrangement for double woodwind quintet was written by Graham Sheen, teacher, arranger and former principal bassoonist of both the BBC Symphony Orchestra and the Academy of St Martin in the Fields. | Double Wind Quintet 2.2(2dEH).2.2: 2.0.0.0 | |
| 14588 | D6AB1FF1-180E-4845-B250-8513C6D0A092 | F805 | Musidex File Set Recordings, 500-numbers | Forms | ||
| 14589 | D6B2F784-0231-461F-BBE3-1FF8839CBB62 | SS281 | Petite Piece | (not set) | Clarinet and Piano | |
| 14590 | D6B740B1-77BC-4FD2-A7E1-8DE7C4DE3288 | W711691 | Three Duets | (not set) | Violin and Viola | |
| 14591 | D6BD5011-E697-4842-A0D9-15C736CF6456 | 53260002 | Crazy Train | Osbourne, John/ Daisley, Robert/ Rhoads, Randy | String Orchestra with Optional Rock Rhythm Section | |
| 14592 | D6C35DA5-D771-455D-9B6A-4FFA3EBC2B51 | M159291 | Partitas, Nos. 1-3 | (not set) | Piano Solo | |
| 14593 | D6C3B540-59FD-4750-BEFF-DFAEEF9C6814 | R00743 | Three Minor Desperations | Composed for Florence DeFotis and the San Francisco Symphony Orchestra | Mezzo-Soprano Solo 1.2.2.1: 1.1.1.1: Percussion(3).Harp: Strings (maximum 4.4.2.2.2) | |
| 14594 | D6C612D9-9D09-4359-9A6F-1511E415CDB2 | M215791 | Pavane pour une infante defunte (Pavane for a Dead Princess) | Originally written in 1899 by Maurice Ravel (1875-1937) for solo piano, and later orchestrated by the composer, Pavane pour une infante défunte (Pavane for a Dead Princess) remains one of the enduringly popular of Ravel's works, though the title can be a curiousity for many. Ravel said of the work, "Do not attach any importance to the title. I chose it only for its euphonious qualities. Do not dramatize it. It is not a funeral lament for a dead child, but rather an evocation of the pavane [a stately, 16th-century Spanish court dance] which could have been danced by such a little princess as painted by Velázquez." This version for horn and piano has been transcribed by Alfred Piguet. Reprint edition. | Horn and Piano | |
| 14595 | D6C93AA0-729E-42EF-8645-BCB137F37A81 | SC87 | Lark Now Leaves His Wat'ry Nest, The | Satb | ||
| 14596 | D6D135B9-AAC1-4594-B523-1F632090BFFA | ST233 | Sonata in Baroque Style for Flute and Harpsichord | Flute, Harpsichord | ||
| 14597 | D6D1A639-227D-41EA-9C95-E52CEA1B5A43 | M192491 | Violin Sonata No. 1 in F, Op. 8 | (not set) | Violin and Piano | |
| 14598 | D6E53F72-E44A-48B8-9E0D-64728B3D897A | R01271 | Symphony No. 5, Op. 109 | (not set) | 2+Piccolo.2+English Horn.2+Bass Clarinet.2+ContraBassoon: 6.3.3.1: Timpani.Percussion(2).Harp: Strings | |
| 14599 | D6E54DA6-FEE3-489D-8569-29CF55661C99 | POP3779182 | POP VOC CONN FRNT SLPSHEET | |||
| 14600 | D6E5F9D4-785A-4D7D-A8CA-3C7B015FD96E | R01525 | Elegy for Clarinet and Orchestra | Lukas Foss was asked by Artie Shaw for a new work to which Foss responded with his Elegy for clarinet and orchestra in 1949. As a world premiere with Shaw unfortunately never materialized, Foss later gave the manuscript to Richard Stoltzman just before his death 60 years later. Though the two concertized together for many years, a performance of the Elegy would not yet come to pass. Finally, Stoltzman edited this beautiful work and presented the world premiere transcription for clarinet and piano in 2014, unveiling this previously unknown Foss gem to audiences and clarinetists for the first time. Full orchestra materials are also available on rental from the publisher, as well as a piano reduction. | Clarinet Solo: 2.2.0.2: 2.2.1.0: Timp.Perc(1): Str |