Titles

Create Title

Showing 14,681-14,700 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
14681D7FA84AC-3A1D-4C92-AEAE-4337E4E9F32EB516Songs for Sight Singing Vol. 2: HS/ SATBSONGS FOR SIGHT SINGING provides a collection of literature for use in the choral classroom. Each selection was composed according to the criteria designed by Texas choral directors and commissioned by the Texas University Interscholastic League for use in its annual sight singing contest. These graded materials were created specifically for young musicians by recognized composers and comprise a valuable resource as they contain many of the problems encountered in sight singing. This collection can be used effectively as a supplement to the daily instructional sight singing program after an approved system (movable “do”, fixed “do” or numbers) and a rhythm system are established within the choral curriculum.SATB
14682D7FD5BA9-9C7C-4AA6-BB5E-6A45A9F52F88A848602Symphony No. 2 in D, IEM 20Étienne-Nicolas Méhul (1763-1817), whose artistic career coincided with the French Revolution, earned the admiration of both Beethoven and Napoleon. As a composer of more than forty operas, he also wrote five innovative symphonies filled with lyricism and drama. SYMPHONY No. 2 in D Major, completed in 1809 and first performed on March 26th, invites comparison to the early symphonies of Franz Schubert. A breezy optimism flows from the first page to the last, rounded off by a zestful timpani part in the finale which Beethoven might have smiled at. This edition by Clinton B. Fairlamb is part of the Nieweg Performance Edition series. Instrumentation: 2.2.2.2: 2.0.0.0: Timp: Str (9.8.7.6.5 in set).2.2.2.2: 2.0.0.0: Timp: Str (9.8.7.6.5 in set)
14683D8057219-67E7-4A36-86BD-19D4B11F2272M207091Romance in D-flat, Op. 37Saint-Saens' early Romance, in a reprint of the first published edition. Includes two solo parts, for flute and for violin.Flute and Piano
14684D80A69B0-F58F-4E5C-BC2C-B94CAF3516EFSS718Larghetto from Clarinet Quintet, K581This arrangement for clarinet and piano was prepared by celebrated clarinetist and teacher David Hite. It is a great lyrical showpiece for the advancing clarinet student.Clarinet and piano
14685D80D5CD6-AD10-4BFF-B952-07A3F4FD091EST678RomanceThis composition offers players the opportunity to play expressively on music that borders on atonality. Arrangements for trumpet, alto saxophone, baritone saxophone, baritone, and cello are available from the publisher.Baritone
14686D81126D4-64C3-4143-A9BF-B672B3A2CDB9A168990Cavalleria Rusticana: Intermezzo SinfonicoThis is the beautiful slow movement from Mascagni's CAVALLERIA RUSTICANA in the original edition and orchestration, including two harps and organ. Instrumentation: 1+Picc.2.2.0: 0.0.0.0: Hp(2): Org: Str (9-8-7-6-5 in the set).1+Picc.2.2.0: 0.0.0.0: Hp(2): Org: Str (9.8.7.6.5 in set)
14687D813996E-3841-4BBD-8215-3F4B9C2CE694M806090Camptown RacesStephen Foster's classic American folksongs translate well into the harmonic and rhythmic idioms of the twenty-first century. Intriguing chromatic movement with rhythmic surprise around every corner, this arrangement is an absolute delight.String Orchestra
14688D816FD11-03F9-4BC3-A668-E7778AA9212CMP504003String Quartet No. 9: NovellaDedicated and in honor of Darius Milhaud on his 80th birthday. Premiere: The Concord Quartet, Pittsburgh, PA, March, 1973. Movements: 1. Lyrical; Rag; Prestissimo, 2. Larghetto; Reprise; Allegro giojosoString Quartet
14689D81FFD0D-D6FD-4988-BA6F-67F927CC56C2A203890Symphony No. 2, Op. 14 'To October'IMSLP: 2+Picc.2.2.2: 4.3.3.1: Timp.Perc(Tri, SD, BD, Cym, Glock, Factory Siren): Str (9-8-7-6-5 in set): Mixed Chor
14690D82953DA-ED45-4770-B0F2-2DFB3C92613F20712105Irish Air and DanceThese two familiar Irish tunes (Londonderry Air & Galway Piper) offer a different experience for string ensembles who so often are relegated to Baroque music. There is no song in the world more beautiful than Londonderry Air which calls for expressive playing of the highest order. Parts are all in first position range in this song, but rubato of tempo and sensitive musicianship are absolutely necessary for a quality performance. Galway Piper does require skill in third position and rapid bow technique to bring out the excitement of that familiar Irish dance. An optional part for viola is supplied in lieu of 3rd violin.Violin 1, 2 and 3 (opt. Viola)
14691D82FDD7F-BA53-46D8-92E3-9D45710BF45550250052A Little Bit Of IrelandFrom the first note of Who Put the Overalls in Mrs. Murphy's Chowder to the last note of McNamara's Band you'll feel transported to the Emerald Isle. John O'Neill's original tune Sweet Rosie O'Toole will have you dreaming of romance in the beautiful Irish countryside. We can't be responsible for your urge to wear green and put shamrocks in your hair!String Orchestra
14692D83006E2-0B92-4FF8-96FC-3AF2E29D01C0M172691A La CubanaWoodwind Quintet
14693D83BE288-6C1A-47E3-BCBE-141242B75CA6R01132Arnica Montana(not set)2(2d Piccolo).2.2.2: 4.3.3.1: Timpani.Percussion(3).Piano(d Celesta).Harp: Strings
14694d83c75b5-9e39-11f0-a418-0022482c9682A299602Boheme, La: Act III, Aria: Donde lieta usci; Addio, senza rancor (soprano)LA BOHÈME (THE BOHEMIAN), one of the most beloved and commercially-successful operas, is based on the 1851 novel "Scenes of Bohemian Life" by Henri Murger. With a libretto by Luigi Illica and Giuseppe Giacosa, Giacomo Puccini (1858-1924) worked on it from 1893 to 1895. It first appeared at the Teatro Regio in Turin on February 1, 1896, conducted by 28-year-old Arturo Toscanini. Weighed negatively against Turin’s recent Italian premiere of the Wagner opera GÖTTERDAMMERUNG, it received a lukewarm response from audience and critics. A few months later, concertgoers filled opera houses on both sides of the Atlantic to hear it. Breaking up with Rodolfo in Act III, Mimi sings "Donde lieta usci; Addio, senza rancor," telling him she has no hard feelings and offering her pink bonnet in memory of their love. Instrumentation: 2+Picc.2+EH.2+BCl.2: 4.0.0.0: Hp: Str (4.4.3.3.3 in set): Solo Sop.2+Picc.2+EH.2+BCl.2: 4.0.0.0: Hp: Str (4.4.3.3.3 in set): Solo Sop
14695D847AC37-6922-43CA-8603-ABD2ED361993B43224 Flute Concert Studies of J.S. Bach and Famous Flute SolosThis exemplary flute repertoire collection is an extraordinary value for the serious flute player/student. In addition to the studies based on the works of J.S. Bach, it includes significant flute repertoire of 16 other major composers (flute solo parts only): Andersen, Bach, Bizet, Chopin, Debussy, Faure, Gluck, Godard, Langer, Molique, Mouquet, Mozart, Quantz, Rimsky Korsakoff, Saint-Saens, Tillmetz, and Widor.Flute Unaccompanied
14696D8497315-4785-492C-AF54-094AFA2BEA50LV203CBDixieland Blues(not set)Concert Band
14697D84CC869-4A13-44E8-A937-265A1D198854EBM0610116Music for Harp and Chamber OrchestraWritten for Gloria Agostini. Hale Smith (1925 – 2009) was an American composer, pianist, educator, arranger, and editor born in Cleveland, Ohio. Smith studied at the Cleveland Institute of Music, graduating with a B.M. degree in 1950, and obtaining an M.M. in 1952. There, his instructors included Marcel Dick (composition), Ward Lewis (theory), Dorothy Price (piano), and Robert U. Nelson (calligraphy). In 1953 Smith's opera Blood Wedding premiered in Cleveland.Harp: 1(dPicc&Afl).2(dEH).1.2: 2.0.0.0: Str
14698D84D6951-55E8-47BE-A197-8115753A4239MP412005Concerto for Piano with Piano ReductionPiano reduction for 2 pianos, 4 hands. Commissioned by the Seattle Symphony and premiered on March 8, 1976. Includes 3 movements: Andante spianato – Allegro, Regrets, and Finale.2 Pianos, 4 Hands
14699d84e9cd1-9e39-11f0-a418-0022482c9682A299802Boheme, La: Act I, Finale: Che gelida; Si. Mi chiamano Mimi; Oh soave fanciullaLA BOHÈME (THE BOHEMIAN), one of the most beloved and commercially-successful operas, is based on the 1851 novel "Scenes of Bohemian Life" by Henri Murger. With a libretto by Luigi Illica and Giuseppe Giacosa, Giacomo Puccini (1858-1924) worked on it from 1893 to 1895. It first appeared at the Teatro Regio in Turin on February 1, 1896, conducted by 28-year-old Arturo Toscanini. Weighed negatively against Turin's recent Italian premiere of the Wagner opera GOTTERDAMMERUNG, it received a lukewarm response from audience and critics. A few months later, concertgoers filled opera houses on both sides of the Atlantic to hear it. The Act I finale, in which the lovers Rodolfo and Mimi meet for the first time, includes the much-loved arias "Che gelida manina," "Si. Mi chiamano Mimi," and "Oh soave fanciulla." Instrumentation: 2+Picc.2+EH.2+BCl.2: 4.3.3+BTbn.0: Timp.Perc(2-3): Hp: Str (4.4.3.3.3 in set): Soli Sop.Ten.2Bari.Bs. Reprint edition.2+Picc.2+EH.2+BCl.2: 4.3.3+BTbn.0: Timp.Perc(2-3): Hp: Str (4.4.3.3.3 in set): Soli Sop.Ten.2Bari.Bs
14700D84E9CE0-AEFA-41D1-A649-DC2791383D5FST292QuintetPercussion Quintet (3M, 2P)