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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
14761D91C3643-127E-477D-A2DA-AC92FBC8DF0DSS331NocturneThis arrangement of Chopin's Nocturne by Albert J. Andraud shows range of the Horn. This is a great addition to the intermediate horn player's recital.Horn
14762D920DEAB-CAB5-4F43-9661-916EDF246ABCLL118I Longed to Find the Risen LordSatb
14763D9222EF4-D081-4075-ABA6-CC4DB1AA00ABM981390Die Fledermaus OvertureThis flashy work will be a challenge, but it will also be an exhilarating accomplishment! Edited and arranged from the original by Tom Kennedy, only a few of the most complex parts have been changed, making this the edition of choice for advanced orchestras.Full Orchestra
14764D925E3DE-B683-45C6-AC0D-6871BBD5B783X105024In the Same BreathThis work was commissioned by the Dorian Wind Quintet. Movements: I. Unexpected Turbulence; II. On That Note; III. It Follows That; IV. Winding Up.Woodwind Quintet: Flute, Oboe, Clarinet, Bassoon, Horn
14765D92E66EC-CF14-4A3B-8C16-4E54BDC4B4C95270112715 Duets for Violin and ViolaIncludes works by Bach, Handel, Telemann. Both parts to third position. Compatible with 52711028 (Violin Duets) and 52701111 (Violin/Cello Duets).Violin and Viola
14766D9305D88-02C4-4CEE-B02E-9555D25E7678MP946301Earth Sky Sea Trees Birds House Beast Flowers for Mixed Chorus, Flute, Trombone & PercussionBenson set 11 nature poems from Kenneth Rexroth’s New Poems in a continuous movement. Commisioned by the Ohio Music Educators Association. Premiered Feb. 6, 1976 at the OMEA “Bicentennial” Conference, Columbus, OH, by the Whetstone High School Chamber Choir, James Gallagher, Music Director, conducted by Warren Benson.SATB Choir: Fl, Tbn, Perc
14767D93CE777-41B7-42B5-8DC0-F1CE7B0826A8B562Songs for Sight Singing Vol. 3: JH/ SASONGS FOR SIGHT SINGING provides a collection of literature for use in the choral classroom. Each selection was composed according to the criteria designed by Texas choral directors and commissioned by the Texas University Interscholastic League for use in its annual sight singing contest. These graded materials were created specifically for young musicians by recognized composers and comprise a valuable resource as they contain many of the problems encountered in sight singing. This collection can be used effectively as a supplement to the daily instructional sight singing program after an approved system (movable “do”, fixed “do” or numbers) and a rhythm system are established within the choral curriculum.SSA
14768D940875A-2094-4169-BD92-35F092F5827DX504041Letters to the World: Reflections on the Poetry of Emily DickinsonFive short pieces for piano quartet. Each movement is inspired by a particular Dickinson poem which may be read aloud before the music. Movements: I. Invocation, II. Spring, III. Nobody! (or, The Frog Pond), IV. Passion, V. Indian Summer - Thine Immortal WineViolin, Viola, Cello, Piano
14769D945C4D0-E7FE-4902-9F25-BDADF58E1473B209Theory Work Book 1 (out-of-print)Workbook
14770D946621E-C8B6-4510-91A4-5A49FF8DDC4BSS217Andante and ScherzoThis solo for flute and piano is dedicated to Paul Taffanel and was a Paris National Conservatory contest piece .Flute, Piano
14771D9487404-DD43-46E4-92C0-94C3D280F3C652720005Three Pieces for Viola and Piano, Op. 40Expertly adapted from the violin version, the solo part fits the viola idiomatically without changes to the piano part. In Beach's signature chromatic, romantic style, these are a great addition to the viola recital repertoire. I. La Captive; II. Berceuse; III. Mazurka.Viola, Piano
14772D94CB9CD-301B-43E8-A8F6-96B20E0CAD9CM803890American Rondo from the Quartet in F, Op. 96 for String OrchestraAdapted from one of the composer's string quartets (known as the 'American'), this high-spirited piece suggests the style of American folk music. Dvorak spent several very happy months in a small town in Iowa during his visit to the United States, and it's possible this music was intended as a jolly souvenir of those times.String Orchestra
14773D94CBF6A-4EC6-4A07-A2E2-7AB460696C48M290191Three PiecesThese three pieces by Isaac Albeniz (1860-1909) were transcribed for saxophone quartet (SATB) by French classical saxophonist Marcel Mule (1901-2001). Included: Chant D'Amour; Berceuse; and L'ete.Four Saxophones (SATB)
14774D9540D78-7A97-40BB-94CB-EB74450A0D5FRCSS422LegendeFlute, Piano
14775D9596A92-09C6-43DA-8083-876549062982A353702Romeo and Juliet, Act IV, Chamber Scene: Nuit d'Hymenee (soprano, tenor)Charles Gounod (1818-1893) completed the five-act opera ROMÉO ET JULIETTE (ROMEO AND JULIET) in 1867. With a libretto by Jules Barbier and Michael Carré, the opera tells the tragic story of Shakespeare's play with little deviation. The work is well-known for the series of four duets sung by the main characters and the waltz song AH! JE VEUX VIVRE as sung by the soprano lead. It premiered on April 27, 1867, at the Théâtre Lyrique in Paris, Adolphe Deloffre conducting. The aria NUIT D'HYMENEE (Chamber Scene) opens Act IV and is sung by Romeo and Juliet as they awaken in Juliet's room.2.1+EH.2.2: 4.2.3.0: Timp: 2Hp: Str (4.4.3.3.3 in set): Solo Sop and Ten
14776D95C1171-7091-48DF-A82E-2EC8F9A79C4ESS4Innovation in 2/4 (only-in-b226/17+1)Snare Drum Unaccompanied
14777D960365B-2E64-4472-9643-D87430E5C95BM801990Radetzky March, Op. 228Viennese Transcriptions Marches Youth/Community Orchestra, StringMastersString Orchestra
14778D96406EA-25F6-4B1A-A532-14BAA0425C39S510004Episode I
14779D9644820-06C9-4963-9BE2-0C1C8077042E10460161TarantelleA light solo work, this classic is very approachable for players gaining increased confidence. A band version allows for solos by tenor saxophone, cornet, trombone, baritone, or tuba, and each instrument also has a version with piano accompaniment.Tenor Saxophone and Piano
14780D9685730-8F05-4B56-A37E-451F49AC14C6B460SCSight Reading for Band, Bk. 1A carefully designed and tested method, Sight Reading for Band, Volume 1 focuses on the basic elements of music reading: rhythm and pitch. The pieces in the collection are arranged progressively, beginning with the unison reading approach and advancing towards ensemble reading as players' abilities and confidence increase. Instrument ranges, tempi, meters and key signatures are thoughtfully selected to match the abilites of the players as they progress through this series of three volumes.Band Method