Titles
Showing 14,821-14,840 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 14821 | DA297F0B-586C-4641-BB50-D37E88A0D1C0 | R00099 | Shades of Blue | Commissioned by the Roanoke Symphony Orchestra and recorded by the Prague Radio Symphony, Albany Records. Movements: I. Boogie II. Melancholy Blues III. A Blues Waltz IV. Blues for a Dancer | 2.2.2.2: 4.3.3.1: Timpani.Percussion(3).Piano: Strings | |
| 14822 | DA2D9786-E093-4DD2-8E84-E03EEB36661B | 10100424 | I Sit Alone in Martin's Church | The question is: Who is Martin? The immediate candidates are Martin Luther and Martin Luther King, Jr. Both represent religious heritages born from the energies of protest and oppression. These concepts support the program of this composition - someone sits alone in Martin's church. The echoes of past services float around, the glisten of light off and through stained glass reflects and flashes through the space, and the fundamental sounds of both traditions float from foreground to background. Solitude, reflection, hope, oppression, sadness, melancholy, and the incredible weight of history and tradition all become embodied in sound and echo through Martin's church. | Concert Band | |
| 14823 | DA3C6B4E-8EC7-4A64-80BA-D4490AE4CE6B | SC319 | O for a Thousand Tongues to Sing | Satb | ||
| 14824 | DA3D6F44-05FC-4BF8-B2AD-9CFF7BF5F181 | A100802 | Grosse Fuge (Great Fugue), Op. 133 | The GROSSE FUGE (Great Fugue) remains the most controversial work by Ludwig van Beethoven (1770-1827), with it considered incomprehensible by his contemporaries, though the critical opinion of the work began to rise steadily in the early 20th century to the point where is now considered by many to be Beethoven's greatest achievements, with Igor Stravinsky describing it as, "an absolutely contemporary piece of music that will be contemporary forever." Originally composed as the fourth movement of his QUARTET NO. 13 in Bb Major, Op. 130, the dismal reception led his publisher to request of Beethoven to rewrite the final movement so as to not impact sales of the larger work, something to which the usually stubborn composer surprisingly agreed. The single movement string quartet was then published as a standalone work, Op. 133. This arrangement by Felix von Weingartner for string orchestra was completed in 1933. | String Orchestra (8-8-5-5-5 in set( | |
| 14825 | DA409337-4C88-49AD-B056-ABDD6EE0D27E | RCST265 | Waltz from Suite in Bb for Flute and Orchestra, Op. 116 | Flute, Piano | ||
| 14826 | DA42BE8E-7A43-4B4B-B9C2-0C8F43D483DF | A815502 | Symphony No. 36 in C, K. 425 'Linz' (critical edition) | Wolfgang Amadeus Mozart (1756-1791) composed the Symphony No. 36 in C Major, K. 425, knows as the "Linz Symphony," within a few days in October/early November 1783 in the palace of Count Johann Joseph Anton von Thun-Hohenstein in Linz were, together with his wife Constanze, he stayed for three weeks on the way back from a trip to Salzburg. "On Tuesday, the fourth of November," wrote Mozart to his father on October 31 (the day after his arrival in Linz), "I will be giving a concert in the theater - and since I have no symphony with me, I am writing one as fast as I can, for it must be ready by then." Accordingly, this work was performed for the first time in the theater in Linz on November 4, 1783. This critical edition based on the composer's manuscript has been completed by Friedrich Schnapp. Instrumentation: 0.2.0.2: 2.2.0.0: Timp: Str (4-4-3-3-3 in set). | 0.2.0.2: 2.2.0.0: Timp: Str (4-4-3-3-3 in set) | |
| 14827 | DA473785-C89A-4FB5-9CB5-7A2D11DA775B | RCST647 | Three Watercolors: No. 1 On a Clear Morning | Flute, Cello, Piano | ||
| 14828 | DA4C7ECB-6A2F-449C-95DB-FEDDB179EBEA | R01507 | Do You Dream in Color? | This is the original orchestration by Adolphe of his setting for voice and piano of a poem by blind Mezzo-Soprano Laurie Rubin. The work is both a personal memoir and a celebration of the human spirit. (2009) ca. 13' | Mezzo-Soprano Solo: 1.1+EH.1.1: 2.1.0.0: Mba.Vib.Hp: Str | |
| 14829 | DA4CA8BF-0325-46A2-BE1B-0B49629E4008 | R00998 | Remembrance of a People for Piano, Narrator and String Quintet | Composed for the Saint Louis Community Holocaust Observance (Yom HaShoah). Also available for orchestra | Narrator(optional), 2 Violin, Viola, Cello, Double Bass, Piano | |
| 14830 | DA4F41E0-1DDC-4532-9DCC-8C1C28E8BCE5 | S1045CB | Girl in Satin, The (band version - second edition) | This reimagined band edition by Mark Rogers breathes new life into an absolute gem by Leroy Anderson. This publication features the first full score offered with the parts—as well as an alternate transposition in C to avoid some of the technical difficulties bands may encounter with the composer’s original key. | Concert Band | |
| 14831 | DA55B090-B609-466F-8B61-99ECAC7081B0 | V87 | Prophecy Of Amos | Soprano, Organ | ||
| 14832 | DA55CB54-C6AF-4B3E-A513-8B0A90B1C67B | 50130009 | Bobsled Run (flex band arrangement) - digital only | Lloyd Conley vividly captures the feel of the cold wind in your face as you careen down the bobsled course. The magic of winter is evident in this captivating work, with some mild technical challenges such as repetitive eighth-note patterns for all sections. An excellent choice for the holiday concert, but you can program this work at any time of the year. Take a ride! This new arrangement for flexible instrumentation was created by Clarence Barber. | Flex Band | |
| 14833 | DA55D67A-D898-4708-8E6B-A505A89ADA68 | ST358 | Scherzo for Flute and String Quartet | Originally part of a set of two pieces entitled "Nocturne and Scherzo." The Nocturne was published individually under the title "A Night Piece." This is the first published performance edition of the "Scherzo" alone. Some of the musical material was used by Foote in previous compositions dating back to the 1890's. The manuscript sent by the New England Conservatory is entitled "Caprice." | Flute, String Quartet | |
| 14834 | DA60936E-C2E6-4223-AC7D-60CA32A2BC96 | R00443 | Expressed in Units | Flute, B-flat Clarinet, Percussion(1), Piano, 2 Violin, Viola, Cello | ||
| 14835 | DA6806E7-55D3-4BA8-BA26-981282CC014F | SC337 | My Heart's in the Highlands | Sab | ||
| 14836 | DA6C0DDE-B271-4DD3-B23D-05445551D0F4 | S642CB | American Patriots | (not set) | Concert Band | |
| 14837 | DA700C4D-706D-45A3-B3C3-374AA69C7F75 | EBM0650005 | Blessed Lord Jesus for SSATB and Small Ensemble | Blessed Lord Jesus by Dietrich Buxtehude for SSATB Chorus, 2 Flutes, Continuo, Piano and Strings (1.1.0.1.1). Duration ca. 6' | SSATB Chorus, 2 Flutes, Continuo, Piano and Strings (1.1.0.1.1) | |
| 14838 | DA721967-C092-49DF-9263-F8B4202D5BC6 | S732CB | Tales of a Traveler for Band | (not set) | Concert Band | |
| 14839 | DA72D84B-93F9-4267-8120-5B1A24AD01A2 | R170FO | Visions of Light: Concerto No. 2 for Trombone and Orchestra | Inspired by the photographs of Ansel Adams, this concerto for trombone was commissioned by Indiana University and the Midwest Clinic for Joseph Alessi and the Indiana University Wind Ensemble, conducted by Ray Cramer. In addition to the original wind ensemble, an arrangement with orchestra accompaniment by the compsoer and a piano reduction arranged by Mark Rogers are available from the publisher. (2003) ca. 22'. | Tenor Trombone Solo: 2(+Picc).2.2.2: 4.2.3.1: Timp.Perc(4).Harp: Strings | |
| 14840 | DA74934C-98B0-4926-9F9D-BD14C3180058 | A134202 | Alto Rhapsody, Op. 53 | (not set) | 2, 2, 2, 2 - 2, 0, 0, 0, str, solo A, men's chor |