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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
14721D8921D6E-3A81-4A8F-9208-35D91A738707MP302001Praeludium for Organ and VibesAudio: Marilyn Mason, organ, and Michael Udow, vibraphone. Composed November 3-9, 1969. Dedicated to and premiered by William Albright, organ, 1970.Vibraphone, Organ
14722D893A24E-E1E0-432B-BB93-0E9598F29023M803490Russian Christmas Festival: 2. GlorificationInspired by the current music of Russian composers, Mitrofan Belyayev, a major Russian publisher, initiated a series of chamber music concerts in his palatial home. The regular concerts came to be known as 'Quartet Fridays.' Russian Christmas Festival was apparently written for the Christmas concert given in December, 1888. In this collection of three separate works, the original quartet music has been scored for a string orchestra.String Orchestra
14723D8985EAA-D55A-4235-BC1E-DE2FE0432CE8ST890Dozen Plus OneThis collection of thirteen beginning duets samples works from the likes of: Humperdinck, Berbiguier, Beethoven, and Correli- plus an old Netherlands folk melody and an orginal blues by E.A. Wienandt. Versions for bassoon and trombone are available from the publisher.2 Trombones
14724D8A1A5EB-A847-4629-98F7-0EA5ED7BA2A0R01636Ukrainian Poem for Solo Violin and Chamber OrchestraYevhen Stankovych (1942-present) originally wrote the Ukrainian Poem for violin and piano in 1997. He later scored it as Ukrainian Poem for Solo Violin and Chamber Orchestra.Solo Vn: 1.1.1.0: 0.0.0.0: Pno: Str
14725D8A3EE34-8691-456B-96A3-EE7B758E13B9SS153Concertino, K370Originally written for oboe, violin, viola and violoncello, this Concertino (Op. 101, K370) has been transcribed for oboe and piano by Yvonne Desportes. It is a wonderful recital selection for the advanced oboist. Movements: I. Allegro, II. Adagio, III. Rondo: Allegro ma non troppo.Oboe
14726D8A524F6-A562-4F7B-9A48-19AA4DAFEA8ES723CBAll Pleasant Things, Op. 100Subtitle "A Song for Barbara", this piece is dedicated to Barbara Beuhlman (1936-1997), an incredibly talented teacher, a fine musician, and a first-rate organizer, who in her later years ran the Midwest International Band and Orchestra Clinic. The composer has written of her, "In a way, Barbara always seemed to me to be the 'Emily Dickinson of the band world': she was quiet, shy and possessed her own soft dignity. And, like Dickinson, she probably never realized how much good she had done in the world, and how many people's lives were affected by her. People like Barbara seldom do. And even if she did, she would never have told anyone: that wasn't her style. So this is a song for Barbara; just for her."Concert Band
14727D8A71B4B-F4AF-467F-9D4F-7FB2B1F4C83ASS632Sweet Tooth (only-in-b170/so-special)Snare Drum Unaccompanied
14728D8A79DAC-995D-494A-9DC7-8B45E0E8BD5BST521Music for Alto Saxophone and PianoThis quirky jazz piece is full of mystery, suspense, and intense dynamics, sure to highlight an excellent saxophonist! A clever addition for a concert or competition.Alto Sax and Piano
14729D8A8160D-7C7E-41E4-955F-41090FF70D93A570290Andante Festivo (Op. 117a)Originally composed in 1922 for string quartet, ANDANTE FESTIVO was arranged by Jean Sibelius for string orchestra and timpani in 1938 when New York Times critic Olin Downes requested him to "conduct a piece of music as Finland's greeting to the world in a radio broadcast to celebrate the New York Wold Exhibition." The first performance took place in a direct radio broadcast on January 1 1939 by the Finnish National Radio Orchestra, conducted by the composer himself, the only recorded example of the composer interpreting one of his own works. Hymnlike in nature, the music is constructed as a smooth, continuous stream of similar melodic phrases that flow into and out of each other. Combining a rich sonority with a sense of poignance, the work projects an almost religious statement in a world before the Second World War. While no opus number was assigned by the composer, it is commonly referred to as Op. 117a.String Orchestra (8-8-5-5-5 in set), Timpani
14730D8A9C597-C459-48A3-8962-1A7CED0C04D9SS749Adagio and AllegroThis solo piece, originally written for oboe and continuo in C minor, includes the 1st and 2nd movements of Handel's Sonata No. 1., Op. 1, No. 8, HWV 366.Alto Sax, Piano
14731D8B3153A-8373-42BD-80C6-C29966BBF6E5SU181English Madrigal Suite 2Amy Dunker has taken several English madrigals and arranged them here for three trombones in two separate suites. Suites I and II of the English Madrigals, and a collection of Italian madrigals, are all available from the publisher. Movements: I. How Merrily We Live, II. Those Sweet Delightful Lilies, III. It Was a Lover and His LassTrombone Trio
14732D8B86866-7E3A-4A8E-BBB5-2B8B5F84C0E6B24248 Famous StudiesThese studies, which have been long established as one of the centerpieces of study repertoire for both the oboe and saxophone, is herer arranged for bassoon by James Thornton.Bassoon
14733D8B88405-46BC-43E0-8EC6-5BC8A877715F50394005Renaissance and Baroque Suites, vol. 1 - FThis collection of three suites of flexible quartets, playable on any four instruments, have been arranged from works written by Renaissance and Baroque period composers. Works by the following composers include: William Byrd, Jean M. Hotteterre, Carlo Verardi, Pierre Attaignant, Claude Gervaise, John Playford, Juan del Encina, Francesco Geminiani, and Emmanuel Adriaenssen. Books for all instrument keys and clefs are available from the publisher. This is the first of three volumes of progressive flexible quartets, with ten total suites included across all three volumes.Flexible Quartet, F instruments
14734D8BC6D2A-3054-4885-A2F7-B51DCD39363A60812005Album of Songs, Vol. 1: Two More Songs High VoiceA reprint edition of these important vocal works by the turn-of-the-century French composer, Cécile Chaminade (1857-1944). Affiliating herself with nationalist composers such as Saint-Saëns and Gounod, her style was very much rooted in both Romantic and French tradition. Her tuneful and highly accessible works were also tremendous favorites in the United States. Chaminade's Album of Songs was originally published between 1892 and 1893 and included thirty-seven total songs across two volumes, with versions for both high voice and low voice made available. LudwigMasters has made all thirty-seven songs available, with three books for each volume, totaling six books each for both high and low voices. Rosemonde (W298, 1878) and L'Été (W303, 1894) complete the Vol. 1 collection. These two songs were removed from Vol. 1 publications (M378091, M379991, M381391) due to being originally from a different publisher.High Voice and Piano
14735D8BD6206-0249-4090-A9AA-7E187D736AA2X131009Illusions(not set)B-flat Clarinet, Piano
14736D8BD9F6F-6404-4211-8458-A18BCAD5D76ATC1041Messe Basse(not set)Three-Part Treble Chorus with Keyboard
14737D8BF7DD6-BAEF-4AC2-8C1E-530000ABCAB6SS151Adagio(not set)Horn
14738D8C4EBF6-D08B-4DDA-A7BC-138BB9F95897R00813Shirat Sarah: Song of Sarah(not set)String Orchestra (min. 4.4.3.2.1)
14739D8C5538C-B459-4C01-9775-1CAFC99235DE52741006Bug SoupThese eight duets for beginning bassists have been carefully compiled by the composer. They work great for a teacher and student, a pair of students, or a whole group of students doubling or tripling the parts. When preparing these pieces, it is suggested that students learn both parts together and then take turns playing the 1st and 2nd parts.Double Bass Duet
14740D8C9DAF8-A205-4888-9AA3-8B983BD1E46150250120Hakenbogen Schottisch (Hooked Bow Schottisch)Alternating between the keys of G and D major, this light dance incorporates dotted rhythms galore. Every player must use hooked bowings and gets to play the melody. All instruments, except double bass, stay in first position. Upper strings must negotiate high and low 2s.String Orchestra