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14841DA799DE8-1AFF-43DC-AEE7-794AAEE54C3CJ93103Hold On!Native American composer/singer/guitarist Phillip White Hawk has been writing songs about America almost all of his life and has over 300 songs in the Phillip White Hawk Collection, including HOLD ON!. Portraying Phil’s beautiful song is Connie Bellet’s meaningful depiction in oils of Native American symbols. The nest is made of human hands and forearms showing diverse ages and races; the egg in the “nest” is the earth; and the eagle is bringing the peace pipe to the nest. In such a beautiful way, we are shown how to “Hold on together every day.” The rhythmic variety in the main vocal line of Hold On! is both challenging and intriguing. It is, in all cases, a direct vocal response to the original guitar part developed by Phil. In fact, the two elements are so closely interlinked that it would be hard to determine which came first, or if both occurred simultaneously, each responding to the other. This arrangement for chorus maintains each of these elements and attempts to remain as true as possible to Phil’s original recording. Rhythm parts are available for bass and guitar. Optional percussion may include shakers or shakers simulated with brushes on snare drum, while playing verses in "half-time" feel and the choruses in "double-time." The original TTBB version and an SATB version are available from the publisher.SATB Chorus with Piano, Guitar, Double Bass, and Percussion (opt.) accompaniment
14842DA8353F3-350C-44D5-ABA4-47C3DAE791FE52783002Christmas ClassicsThis collection contains some of the best-known Christmas carols including Jingle Bells, Silent Night, Carol of the Bells, Angels We Have Heard on High and more. Selections are arranged at the intermediate level for piano trio (violin, cello, and piano).Piano Trio
14843DA856123-9A80-4370-9E4A-F66DFFAA8ED010100484Columbian MarchColumbian is one of King's great mid-level marches. Composed early in his career, it is brimming with all of the characteristics which have made his marches favorites with bands for almost a century: Great melodies, counter melodies and effective writing for each instrument. This new edition has been arranged to conform to today's bands while remaining true to the King style.Concert Band
14844DA86E745-D3DF-4912-AF91-D02EDD70F4C5A827490Zacatecas, Mexican MarchComposed in 1891 as a result of friendly bet between Genaro Codina (1852-1901) and fellow composer Fernando Villalpando to see who could write the better military march, the ZACATECAS MARCH is perhaps the best known march to come from Mexico, is the anthem of the State of Zacatecas, and is considered the second national anthem of Mexico. Originally written on Condina's preferred instrument, the harp, the good natured loser of the original bet arranged a band version for the premiere. This edition for orchestra was transribed by Alfred Roth. Instrumentation: 1.1.2.1: 2.2.1.0: Perc(2): Str (9-8-7-6-5 in set). Reprint edition.1.1.2.1: 2.2.1.0: Perc(2): Str (9-8-7-6-5 in set)
14845DA8700FC-062B-4115-9C93-20CCCE9C203BP1Here Comes the ParadePiano
14846DA8D2F97-A81D-4130-AB4A-0992593AD1FEEBM0610025Choral Overture: from George M!Taken from the overture of the Broadway musical "George M!", about the life of George M. Cohan, this edition for SATB chorus and orchestra was arranged by Joseph Erskine and Chuck Cassey.SATB Chorus: 3.2.2.2: 4.3.3.1: Perc: Str
14847DA911AC9-9150-4F40-9C50-8D67E540805EM392991Five Elizabethan Songs(not set)Voice and Piano
14848DA966101-3B51-4D85-AD00-CDAD8C232C96SS940WALTZ AND BEGUINE (OUT
14849DAA24743-91C8-4D47-82F0-59CA4E4E3C00R167Suite After Old English Songs (English Horn, Alto Sax or Horn solo with band)The Suite was originally commissioned by Roger Rush as a solo vehicle for English Horn and band after he experienced difficulty finding suitable repertoire for this combination. The successful 1996 premiere led to the composer making additional versions of the solo part for F horn and alto saxophone, with piano reductions for all three instruments and an arrangement with string orchestra accompaniment. The work is comprised of four movements, each based on a combination of English folk melodies: I. Early One Morning, II. Green Bushes, III. I'll Love My Love, IV. The Wraggle-Taggle Gypsies. Duration ca. 20'.English Horn, Alto Sax, or F Horn Solo: Band
14850DAA3C288-5DAB-4083-9851-3A8A737017A5A494402L'Italiana in Algeri; No. 4: Act I, Coro e Cavatina: Quanto roba!; Cruda sorte! Amor tiranno! (contralto)Premiering on May 22, 1813, at the Teatro San Benedetto in Venice, L’italiana in Algeri (The Italian Girl in Algiers) by Gioachino Rossini (1792-1868) was a success, with subsequent performances in Vicenza, Milan, and Naples. It was later performed at His Majesty’s Theatre in London in 1819, and again in New York in 1832. Rossini’s mixture of opera seria and opera buffa is notable – L’italiana in Algeri tells the tale of Isabella, an Italian girl who uses her wiles to trick unwitting Mustafà, the Bey of Algiers, into freeing her and her lover, Lindoro from his palace. The opera itself fell somewhat out of favor in the 19th century but has been revived frequently since World War II with many successful productions. The sorrowful cavatina Cruda sorte! Amor Tiranno! takes place in Act I, and serves as the introductory aria of Isabella, who finds herself shipwrecked in Algiers. The aria is preceded by the chorus Quanto Roba! Instrumentation: 2.2.2.2: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Contralto: Mixed Chorus.2.2.2.2: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Contralto: Mixed Chorus
14851DAA46B69-259E-4C8C-B909-3602881E9E03S821Star Spangled SaluteThis medley of patriotic music by George Michael Cohan has been wonderfully arranged by James Barnes. Songs included: 1. Give My Regards to Broadway, 2. Harrigan, 3. All in the Wearing, 4. Over There, 5. Yankee Doodle Boy, and 6. Your're a Grand Old Flag. Dedicated to Colonel Finley R. Hamilton and the United Stated Army Field Band.Concert Band
14852DAA7E0EC-EA6E-4E88-8967-DA6E7C87C265F43Keyboard Staff and Signature ChartChart
14853DAA8565F-AC5E-4059-991F-793A9134119EF57Ralph Smith Football Chart(not set)Drill Design
14854DAAE27F3-F27D-41AA-8D78-DEB813FD8CF8A155802Symphony No. 22 in E-flat ‘The Philosopher’ (Hob. I:22)Written in 1764 during composer's long employment with the benign Prince Nikolaus Esterhazy, the subtitle "The Philosopher" does not appear on the manscript of this earlier Haydn symphony, and was unlikely to have been added by the composer himself, though it was found on a manuscript in Modena dated 1790, so it was at least dated from Haydn's own lifetime. Regardless of who came up with it, the title is likely to have derived from the question and answer between the horns and English horns in the first movement and the tick-tock effect that evokes an image of a philsopher in deep thought. The work is unique in the orchestra literature for scoring two English horns, but no oboes. The original version from 1764 is structured as a standard 4-movement work, though a version from 1773, referred to as the Venier version, includes only 3. This seldom performed 2nd version is likely not by Haydn at all. Instrumentation details: 0.0+EH(2).0.0: 2.0.0.0: Str(4-4-3-3-3 in set).0.0+EH(2).0.0: 2.0.0.0: Str(4-4-3-3-3 in set)
14855DAB00A12-773A-48BC-B62D-93B3134C68CBR00744To an EndSATB Chorus: 2.2.2.2: 2.2.3(3rd opt).1(opt): Timp.Perc(1).Celesta.Hp: Str
14856DAB43D1C-25B5-470C-B086-9FEEABEE2F44X066015(See individual movements) Letters from ArgentinaPiano, Clarinet, Violin, Bandoneon, Double Bass, Percussion
14857DAB4B753-D875-402E-8529-BE877AA715A452783007Jolly Rockin' ChristmasFresh new arrangements of these holiday classics by Bert Ligon. Contents: Frosty the Snowman; Holly Jolly Christmas; Rockin' Around the Christmas Tree; Rudolph, the Red-Nosed Reindeer; Winter WonderlandPiano Trio
14858daba9963-9e39-11f0-a418-0022482c9682A314002Rigoletto: Act II, Duetto: Tutte le feste al tempio (soprano, baritone)Based on the 1832 play LE ROI S'AMUSE by Victor Hugo, Guiseppe Verdi’s (1812-1901) RIGOLETTO was the composer’s sixteenth entry into the genre and is widely considered one of the first operatic masterpieces of his career. Despite serious initial problems with the Austrian censors who had control over northern Italian theaters at the time, the tragic tale of the licentious Duke of Mantua, his hunch-backed jester Rigoletto, and Rigoletto's beloved daughter Gilda was triumphantly premiered on March 11, 1851 to a sold-out La Fenice Opera House under the direction of Gaetano Mares. RIGOLETTO has remained as popular with audiences today as it was at its debut. While initially critics condemned the work for its tragically dark plot partnered with what they claimed was “popular” but insubstantial music, the opera has since gained overwhelming positive reception. Igor Stranvinsky even remarked, “… there is more substance and feeling [in the aria “La donna è mobile”] than in the whole of Wagner’s Ring Cycle.” The Act II aria “Tutte le feste al tempio” (“On all the holy day”) is Gilda’s confession to her father of her lost honour and he attempts to console her. Instrumentation: 1+Picc.2.2.2: 4.2.3+BTbn.0: Timp: Str (4.4.3.3.3 in set): Solo Sop. 2 Bar: Men's Chorus.1+Picc.2.2.2: 4.2.3+BTbn.0: Timp: Str (4.4.3.3.3 in set): Solo Sop. 2 Bar: Men's Chorus
14859DABDD32C-E400-4F2F-B1EB-24B0BB574E39S844CBFifth Symphony: PhoenixCommissioned in 2000 to commemorate the 50th anniversary of the formation of the Japanese Ground Self-Defense Force Central Band in 1951 at the conclusion of Allied occupation. Scored for a very large band, including six antiphonal trumpets, the work is in four movements: I. Eulogy, II. Scherzo, III. Reverie, and IV. Jubilation. Subtitled "Phoenix", the composer writes: "Like the legendary Phoenix bird, which self-immolates, then arises from its own ashes more resplendent than ever, Japan has recovered from the massive devastation of World War II to become a greater and more respected nation than ever before."Concert Band
14860DAC048D3-64CE-45B5-B4EC-BF4AA2A282E9A919790Jesu, Joy of Man's DesiringThis well-known piece is based on a chorale by Johann Schop first published in 1642. Included by Johann Sebastian Bach (1685-1750) as the 10th and final section of his cantata Herz und Mund und Tat und Leben, BWV 147, he transformed Schop's work into a four-part choral composition, devising an obligato melody that has become one of his most recognizable pieces. This edition has been completed by internationally renowned and awarded conductor Sir Neville Marriner, founder of St. Martin in the Fields. Instrumentation: 0.2.0.1: 0.0.0.0: Org: Str (2-2-2-1-1 in set).0.2.0.1: 0.0.0.0: Org: Str (2-2-2-1-1 in set)