Titles

Create Title

Showing 4,301-4,320 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
43013DB1D61B-0557-4048-909A-161D1BDEFA7CSO154CFinlandiaThis arrangement keeps the dramatic character of the original, but in changing the key to D minor, avoids some of the messy chromaticism. The introduction features the low strings and there are moments for just the first 2 desks to shine. This rousing work will most certainly enhance the tone production of your group!String Orchestra
43023DB37385-EB35-4F93-8BDC-DD981BB3AE0FR00426Messiah, Prince of Peace(not set)2+Piccolo.2+English Horn.2+Bass Clarinet.2: 4.3.3.1: Timpani.Percussion(2).Harp: Strings
43033DB91FF9-8579-4613-9BA4-5717E2BBD66EEBM0630065EntropyEntropy seeks to create a musical experience of “entropy.” Beginning with a definition of entropy found in “Webster’s 7th New Collegiate Dictionary, 1965,” read by Tom Bryant of WSM Nashville, the music alternates greater and lesser degrees of order culminating in a final improvisatory section in which previously presented electronic materials are heard at high speed while the pianist abandons ordered pitch to move freely with mallets on the strings and soundboard of the piano. Commissioned by the Nashville Youth Symphony Orchestra, Willis Page, conductor, Entropy is for double brass sextet [4431], improvisation group (flute, piano, celesta, and harp), and electronic tape and was premiered in 1967. The tape part was created in the Electronic Music Studio of the Peabody College School of Music (in Nashville). Recorded on 33rpm on Golden Crest Records – CR 4085Brass (4431), Improvisation Group (Fl, Pno, Cel, Hp), Stereo Tape
43043DBBA663-FD38-4769-94D7-0F57F77DF6BFO28Passion Is (out-of-print)Jazz Band
43053DBC1AB5-6197-4371-8AA9-5F280FFFB924X622504Folk Songs: Set No. 9 for Flute and CelloThese eight movements are written for: flute (doubling Piccolo, Alto Flute, Bass Flute, Tambourine) and cello (doubling 6 crystal glasses, Tom-Tom)Flute (d Piccolo, Alto Flute, Bass Flute, Tambourine), Cello (d 6 crystal glasses, Tom-Tom)
43063DBE927A-AEA1-4034-8E1E-6D076982614DS456WWCHLa Clemenza Di TitoThis delightful overture from Mozart's light opera La Clemenza di Tito is made ready for your woodwind choir by arranger Nilo Hovey.Woodwind Choir
43073DC0B0C6-FDB7-4F78-97B2-D72DBBE314F0S731CBWhen Honor Whispers and ShoutsThis piece is composed of three sections in one movements: I. A Call, II. A March, and III. The Victory. When Honor WHISPERS AND SHOUTS was commissioned by the United States Marine Band as part of the celebration of the band's 200th birthday. It is dedicated to the United States Marine Band, Col. John Bourgeois and Lt. Col. Timothy Foley, conductors. The work is subdedicated to Bob C. Riley, former Lt. Governor and Governor of the State of Arkansas, who was the composer's favorite Marine. Bob Riley was severely wounded in Okinawa when he was seventeen years old, and was the composer's best friend until his death in 1995.Concert Band
43083DC30A87-2FD4-499E-BAA3-F5AEC338FA06M124591Five Old French Dances(not set)Violin and Keyboard
43093dc3dc51-9e3b-11f0-a418-0022482c9682MP814049Fare WellThis setting of text by Walter de la Mare was written for SongFest.Medium Voice and Piano
43103DC725BE-F2CF-4420-8F38-24686E064183SC165O Lovely May! Op. 93a No. 3Satb
43113DCB8B9E-442B-47B8-BCE1-B68E3CD72F66M162591Suite Pour Le Piano(not set)Piano Solo
43123dcc1197-9e3b-11f0-a418-0022482c9682MP814050I Can See a TimeText by Arnold Weinstein.Medium Voice and Piano
43133DCC3BD3-DA87-407F-A275-DBF029D36376SC197Psalm 150Sab
43143dd5562a-9e3b-11f0-a418-0022482c9682MP814051Walrus and the Carpenter, TheThis setting of the text by Lewis Carroll was commissioned by Jeff and Jamie Barnett for their friend, mezzo-soprano Sasha Cooke, who premiered the work with pianist Pei-Yao Wang on February 11, 2018 in Milton, Massachusetts.Medium Voice and Piano
43153dddb415-9e3b-11f0-a418-0022482c9682MP814054Fly Blackbird: Fly BlackbirdIn 1960, James V. Hatch and his UCLA colleague C. Bernard Jackson, collaborated to write the civil rights musical Fly Blackbird. Inspired by the student ‘sit-ins” in Greensboro, North Carolina, the growing movement for civil and human rights, and the pursuit of justice for African Americans throughout the United States, the production reflected the times and the means by which they believed change would come to American society. Opening at the Metropolitan Theater in Los Angeles in 1961, the multiracial cast and underlying message of the production challenged young people to stand up and use their voices to affect change. Fly Blackbird became a call to arms for students on the UCLA campus to join the movement, and won the 1962 Obie Award for Best Musical. Libretto, synopsis, cast, and perusal score available upon request.Medium Voice and Piano
43163DE3B346-E848-4B98-AA4B-FA1AB3E66AEDST127ParticlesPercussion Ensemble
43173de70b3d-9e3b-11f0-a418-0022482c9682MP814055Fly Blackbird: Natchitoches, LouisianaIn 1960, James V. Hatch and his UCLA colleague C. Bernard Jackson, collaborated to write the civil rights musical Fly Blackbird. Inspired by the student ‘sit-ins” in Greensboro, North Carolina, the growing movement for civil and human rights, and the pursuit of justice for African Americans throughout the United States, the production reflected the times and the means by which they believed change would come to American society. Opening at the Metropolitan Theater in Los Angeles in 1961, the multiracial cast and underlying message of the production challenged young people to stand up and use their voices to affect change. Fly Blackbird became a call to arms for students on the UCLA campus to join the movement, and won the 1962 Obie Award for Best Musical. Libretto, synopsis, cast, and perusal score available upon request.Low Voice and Piano
43183DE9F4C9-A1ED-4A80-A983-977DC52CBD02M908302Roman Carnival Overture(not set)Concert Band
43193DEC9829-78A3-4E23-8E6C-784FC2D0E555M914702Now Cometh the Redeemer, Op. 119Based on the Lutheran hymn Nu komm, der Heiden Heiland, this work is a transcription of the second movement of the composer's String Sextet. The hymn tune acts as a cantus firmus most of the time as the work expands contrapuntally until there are six parts. The work is intricate and skillfully crafted to show off your group, while presenting mature music.Concert Band
43203DEF312C-8F95-4947-B511-6A8410E921A2EBM0610720MCMXC Tanglewood for OrchestraMCMXC Tanglewood was commissioned by The Boston Symphony Orchestra to celebrate the 50th anniversary of the Tanglewood Music Center in 1990. Built upon a motto fashioned from the Roman numeral letters and the 3-syllable word of its title, the work begins with a brilliant fanfare harmonizing the C-major motto chromatically, laying out, in essence, a 12-tone row. There follows a misterioso section for busy, whispering, muted strings, against a sinuous line in the oboes, gradually taken over by the other woodwinds. This turns into an energetic dance in 3/4 time, with each orchestral family taking enthusiastic part. Recollections of the opening motto introduce slower material with sustained, complex chords in the muted strings providing a background for elegant decorated lines in the celesta, flutes, and glockenspiel. A brief but vigorous 2/4 Presto brings teh fanfare-overture to a close, the last 10 bars consisting of reiterations of the note G, leaving a dominant effect to the C-major orientation of the composer’s row. Premiered by The Boston Symphony Orchestra, Dennis Russell Davies conducting, August 4, 1990.3(Pi)3(EH)3(BsCl)3(Cbn) 4331 Timp Pno/Cel Str