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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
42213C340F37-350B-47FC-91AE-B197DEF32559S991CBCarpe DiemCarpe Diem was written for the Argyle Secondary School in Vancouver and premiered at the final senior band concert of 2016, with the composer conducting his peers. The work is intended to have fun parts for all of the band to play. From loud, brassy trombone parts to a triumphant fanfare of trumpets; from wind runs to percussion swells, the piece is very satisfying to perform. With the triumphant nature of the piece, the school's motto, "Carpe Diem," was chosen as its title.Concert Band
42223C34A809-9F6E-4C4B-9AD0-651503ABEEC052733011Andante Cantabile (from String Quartet No. 1) for Cello QuartetFrom String Quartet No. 1, this is sure to be a best-seller. This beautiful arrangement is quite accessible to advanced-intermediate students. Will require treble and tenor clef reading for upper parts.Cello Quartet
42233C34CD45-3B4D-4038-96E0-97AC4845D58CS70Tympendium (timpani with band)Cb: BandTimpani Solo, Concert Band
42243C36172C-D03C-46A0-B717-3BFBAA2B9F8BJ06402CibolaWritten by Native American composer Phillip White Hawk, this arrangement alludes to the sounds of the thundering hooves of horses as they race from the whistles and calls during the clash of cultures. The repetition of the name "Cibola" heightens the drama and visions in one's imagination. Bass and guitar parts are available from the publisher, along with arrangements for Mixed Chorus and Male Chorus.TTBB, Pno, Guitar, Bass Guitar
42253C3E3C5C-60F3-4081-A1A2-5858BACC106FM909802Zampa Overture(not set)Concert Band
42263C48AFC2-AF53-40BF-B72D-4706DCC9729EM247191Rapsodie for Saxophone and Piano, CD 104/ L 98In 1901, American saxophonist Elise Hall commissioned works from numerous composers for her instrument, and among those composers was Claude Debussy (1862-1918). While Debussy took the money at the time, he was so focused on his opera Pelléas et Mélisande that he gave little thought to writing Hall's work. When suddenly Hall (whom Debussy referred to as "the saxophone lady") and her teacher, French oboist Georges Longy, appeared in Paris unannounced and asked after the commission, the reluctant composer was prompted to finish most of the work in a rough score, at least. He followed this with a contract with his publisher to purchase the work, which resulted in his being paid twice for a work he had not yet fully completed yet. At this point, Debussy turned his attention to La Mer and never fully returned to this solo work which was eventually titled Rapsodie pour Orchestre et Saxophone, L. 98, although other titles were considered prior to this: Rapsodie Arabe; Rapsodie Mauresque pour Orchestre et Saxophone Obligé; Rapsodie Orientale; Esquisse d’une‘Rhapsodie Mauresque’ pour Orchestre et Saxophone Principal. Debussy died in 1918 before he could put the finishing touches on the work or orchestrate it, so composer Jean Roger-Ducasse was given the Rapsodie by Debussy's second wife, Emma, to complete, along with all of her late husband's other remaining incomplete works. Roger-Ducasse completed the orchestration and the final piano reduction in 1918, and it is these versions with which everyone is now familiar. At this point, Elise Hall had gone completely deaf, so the premiere of the work fell to saxophonist Pierre Mayeur with the Société nationale de musique at Salle Gaveau in Paris on May 14, 1919, André Caplet conducting.Alto Saxophone and Piano
42273C496507-6881-49FB-8813-7E3048E33BB910440466Happy SongOffering both clear dynamic, articulation contrasts, and a great melody, all within the playable range of a new student, this work is perfect for a young musician's first recital or contest. The piano accompaniment can also be performed by a one or two year private study middle-school level piano player. And the variety of solo instrument parts makes it possible for one student to accompany many different students. A prepatory "warm-up" exercise for young acccompanists is printed on the last page of the piano part. Instruments available from the publisher: flute, clarinet, bassoon, saxophone (alto and tenor), cornet/trumpet/baritone T.C., horn, trombone, baritone B.C., tuba, and electronic keyboard.Clarinet and Piano
42283C49BD44-E788-4656-9673-AADAA7E16846SC831Pleasant Changes(not set)TB
42293C521E84-BC88-4EF2-90CA-A29B2D5A668FR00622DodecaCelli(not set)12 Cello
42303C584DA7-C479-4DAC-866D-19D2B5E86BCDR186Ballade for Bass or Tenor Trombone, Harp and String OrchestraBallade for Bass or Tenor Trombone is based on an earlier work for clarinet and string orchestra. This arrangement was written for Charles Vernon of the Chicago Symphony in 1996, who later recorded the work on Albany Records (Troy 479). Comes with separate bass and tenor trombone parts. Duration ca. 12'.Bass or Tenor Trombone Solo: Hp.Str
42313C5C5442-5FF3-43BA-804C-A50EE482C0B2R00473TRIPTYQUEViolin, Piano Soli    2(1d Piccolo).2(1d English Horn).1+E-flat Clarinet+Bass Clarinet.2: 3.2.1.1: Timpani.Percussion(4).Celesta.Harp: Strings
42323C6F5E14-7E58-4629-9586-C1342EFA6A44R01351Dictum 2: Chamber Symphony No. 10Yevhen Stankovych is pioneer in the rebirth of the neo-romantic style in the second half of the 20th century At the beginning of the 1980’s he developed his own musical system, which he calls "polyphony of layers": Dictum for piano and strings is among the works written in this manner, composed shortly following the Chornobyl disaster is regarded as the only composition which adequately expresses the tragedy.Pno, Str
42333C78C7B0-DD62-45B1-B47A-73C97859CAF310550001Concerto for Tuba (piano reduction)Seldom does the tuba receive the proper attention it deserves as a melodic instrument. It is true that its value as the foundation of the sound of both bands and orchestras somewhat hinders its use melodically, but the instrument possesses a true beauty of tone that should be heard more often. The tuba is capable of exquisite emotional range and sensitivity. It is far more versatile than most would believe and can execute rhythmic passages with surprising agility. This concerto explores these capabilities, placing the instrument above, below, and inside the accompaniment, creating unique sonorities while giving the tuba player the melodies he or she has always wanted to play. Concerto for Tuba was composed for Ronald Bishop, long-time principal tuba of the Cleveland Orchestra. Band, orchestra, and piano accompaniments are all available from the publisher.Tuba Solo with Piano
42343C7E6E0D-2AA0-4024-9690-1A668C35BC4152250971Cayo CocoEnjoy a 16th note Latin-jazz rock piece with improvised solo room in C modal minor. The notes are not difficult, but this is rhythmically intense for all sections. Drum set and rhythm parts suitable for guitar and/or keyboard are provided. Suggested solos are included for violin, viola and cello, as well as changes for the improvisers in the group.String Orchestra, Rhythm, Drum Set
42353C81B470-3914-415E-B1DC-DEF1117B8914S511019Wieniawski Polonaise Brillante No 2Competed at the zenith of Wieniawski's career in 1869, this virtuoso piece showcases the playing of many fast, short and accented notes on one bow stroke, called the Wieniawski staccato, while the slow midsection in F major contains some of his most lyrical themes.Violin, Piano
42363C83D30B-BA60-4A7E-AF99-6A0603AE6088SS280Concerto in B-flat, K622(not set)Clarinet, Piano
42373C84577F-9A1B-4AE4-99A3-FAF299FF82CFLV221CBSong and Polka(not set)Concert Band
42383C85AD7D-811B-4D68-897C-AC8C65907C82SU166If Thou Be Near (Bist Du Bei Mir)This arrangement of Bach's Bist Du Bei Mir melody is provided by Richard Thurston and makes for a great contest or recital piece.Horn and Piano
42393C88EE60-1C70-4353-8603-A6F479573EB7R00455Two Christmas CarolsAudience participation. Contains the carols "Stille Nacht" (Silent Night and "Dormi, Il Mio Bimbo".1+Alto Flute.2.1+Bass Clarinet.2: 4.2.3.0: Percussion(2).Harp: Strings
42403C8BE94A-F8B7-40C4-820F-05768547F796A710102Wo Soll Ich Fliehen(not set)str (2.2.1.1.1), soli STB in set, mx chor