Titles
Showing 4,281-4,300 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 4281 | 3D4600DD-86DD-4DA4-97D4-20A564CADB0E | SO145C | Bow Lift Boogie-Woogie | This is a fun elementary work using the G, D and A strings with nothing more complicated than quarter and eighth notes. Everyone gets the melody at some point, which includes making bow circles during rests. 1st violins are independent, 2nd violins double violas, and cellos and basses are in octaves. Swinging the 8ths is optional. | String Orchestra | |
| 4282 | 3D49F210-9127-4063-B947-509EFA981EF3 | 52250346 | First Finger Suite | This work requires only open strings and first finger only! (The bass will need 2nd finger briefly in the last movement.) The three movements are: Rain Dribs; Little Japanese Girl and Autumn Rhumba. There's also a very handy set of preparatory exercises and warmups to help your students. | String Orchestra | |
| 4283 | 3D4A7F56-6210-4C88-8FCD-BE999CEE88C2 | R01277 | The Gathering: Light Overture | Designed to serve as an instrumental demonstration for use on children's concerts and other audience development programs | 2+Picc.2.2.2: 4.3.3.1: Timp.Perc(2).Hp: Str | |
| 4284 | 3D51EDCD-EA44-440F-9AB7-DDB27AD02361 | ST187 | Sonata | Alto Sax | ||
| 4285 | 3D5923FB-CAD1-49B6-9F4A-19AF5057FD7B | 10620124 | Menuet | (not set) | Mallet Instrument Solo and Piano | |
| 4286 | 3D5CC109-5563-4649-89DB-574517EE408B | SS711 | Concert Piece | This concert piece is the 1st movement (Allegro non Troppo) from Friedrich Seitz's Concerto No. 2, Op. 13 for violin. It has been revised, edited and arranged for clarinet by David Hite. | Clarinet and Piano | |
| 4287 | 3D5E2C30-D8FC-4B98-AE39-59A1A1E602A0 | A170602 | Concerto for Violin in E minor, Op. 64 | Felix Mendelssohn (1809-1847) wrote his Violin Concerto in E minor over a six-year period from 1838 to 1844 for his childhood friend, the violinist Ferdinand David, who contributed the cadenza in the version of the concerto most performed today. The concerto premiered on March 13, 1845 in Leipzig, but Mendelssohn himself was unable to conduct due to illness. Unlike most concerti of the time, Mendelssohn has the violin enter immediately without any orchestral introduction, and its cadenza is unusually placed after the development of the first movement instead of at the end of the movement. The concerto remains one of the most ubiquitous pieces in the violin repertoire. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vn in set. Study score. | 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vn in set | |
| 4288 | 3D6C99EB-C0FA-4397-8436-3B75E949A17B | A622402 | Symphony No. 70 in D (Hob. I:70) | (not set) | 1, 2, 0, 1 - 2, 2, 0, 0, timp, str | |
| 4289 | 3D724B4F-5151-4A1A-B969-0B07C0C952C8 | S68 | Texas Tempo (out-of-print) | Marching Band | ||
| 4290 | 3D76A56A-3BDF-4B14-8039-862E4BDC3F01 | S594CB | Fanfare and Dance Segments | This work is an ideal concert opener for intermediate to advanced bands. It is an ideal choice for larger percussion sections. | Concert Band | |
| 4291 | 3D78096F-0824-48AA-B842-9A89A1367DE4 | MP412001 | Interlude for Two Pianos | |||
| 4292 | 3D7E64CD-E620-4AA2-96ED-F1A7D9B9673A | ST98 | Four Caprices | Clarinet | ||
| 4293 | 3D8DF257-52B7-45AA-950E-8762E73E6621 | 60710002 | Valse Romantique for Violin and Piano, CD 79/L.71 | Claude Debussy (1862-1918) composed VALSE ROMANTIQUE (F minor; CD 79/L.71) in 1890 for solo piano, during a period when he was short piano works in traditional genres, seeking his own style. Unlike the impressionism for which he later became known, this waltz is written in a late romantic style. Not particularly difficult, it is ideal for teaching or for a recital. This transcription for violin or flute and piano was created in 1924 by Alexandre Roelens. Reprint edition. | Violin and Piano | |
| 4294 | 3D948E30-603D-4748-AAA0-A78C38AC13C5 | S363 | Talisman March (out-of-print) | Marching Band | ||
| 4295 | 3D976454-EFE7-4393-A64E-347DB7E2DAFB | 10505700 | Pebble Beach Sojourn | This fun work, written for brass choir, organ, and percussion, strips away what people come to expect of an organ and ensemble work. | Brass Choir, Organ, Percussion | |
| 4296 | 3D97B960-9BAA-4D22-AF93-448DE9200374 | A186502 | Helios Overture, Op. 17/F. 32 | Danish composer Carl August Nielsen (1865-1931) wrote his Helios Overture in 1903 during a prolonged stay in Athens, Greece. Inspired by the sun rising and setting over the Aegean Sea, Nielsen titled this concerto overture "Helios" after the Greek word for "sun." Nielsen inscribed the following on the score: "Silence and darkness,/ the sun rises with a joyous song of praise,/It wanders its golden way/ and sings quietly into the sea." The work premiered in Copenhagen at Odd Fellows' Hall on October 8, 1903, Johan Svendsen conducting the Royal Philharmonic Orchestra. Instrumentation: 3(3rd dPicc).2.2.2: 4.3.3.1: Timp: Str (9-8-7-6-5 in set). | 3(3rd dPicc).2.2.2: 4.3.3.1: Timp: Str (9-8-7-6-5 in set) | |
| 4297 | 3D97D4E2-A62C-472F-A26F-F440CCF1B49D | 10100193 | Rhenish Folk Festival | The beautiful, scenic Rhine river in western Germany has been the inspirational source for many great composers, poets and painters. It is a well-spring of many great legends, folk tales and songs. The RHENISH FOLK FESTIVAL has tapped the latter source basing its happy, lighthearted mood on three folk songs about the Rhine river and its regions. The first, "O You Beautiful, Wonderful Rhine," is a robust waltz, full of sprightly melody with a charming regional lilt. The familiar "Lorelei" of song and legend, develops both the woodwind and brass choirs into some distinctive ensemble sonorities which strive for a gentle flowing sound with only slight dynamic undulations. The final movement, "What Does the Grapevine Bring Us?," is one of collegiate reminiscing, festive dancing and simple good-fellowship. This is not profound music in the traditional sense; it is joyful music, brimming with life and good fun. | Concert Band | |
| 4298 | 3D9D8647-D052-4DCD-93DC-25B90D694DB6 | O18 | Let's Get Some (out-of-print) | Jazz Band | ||
| 4299 | 3DA314E6-AC4D-41F2-94AC-4F89DB0DBE48 | S131005 | Piece for Clarinet and Piano | |||
| 4300 | 3DAC90D8-56E6-4B15-BB02-CC2FF5CD1832 | BK00001 | 21st Century Counterpoint |