Titles
Showing 4,341-4,360 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 4341 | 3E35763E-A052-41F5-B846-425AE6720BDF | 20100701 | Pirate's Cove | This bold overture is a dramatic statement for your young band. The strong opening, which uses several easy meter changes, leads into the quiet middle section that has a mysterious air. The powerful theme returns for a rousing finish. | Band | |
| 4342 | 3E388FEB-7CC2-4281-948E-152667420752 | A191402 | Scheherazade, Op. 35 | The Sultan Schariar, convinced of the falseness and faithlessness of women, vowed to kill each of his wives after their bridal night. The Sultana Scheherazade, however, saved her life by interested the Sultan in the stories she told him during 1001 nights. In his curiosity for the sequels to her stories, the Sultan postponed Scheherazade's execution from day to day until he finally abandoned his sanquinary resolution altogether. In her stories, Scheherazade frequently included the verses and songs of the poets, and interlaced her narratives of marvels and adventures so as to link them together. Nikolai Rimsky-Korsakov (1844-1908) wrote this work in 1888, and it premiered in Saint Petersburg on October 28 of that year with the composer conducting. The work has remained a popular staple of the repertoire ever since. Edited by Clinton Nieweg and Drew Holmes. Study score. | 2(2nd dPicc)+Picc.2(2nd dEH).2.2: 4.2.3.1: Timp.Perc(5): Hp: Str (9-8-7-6-5 in set) | |
| 4343 | 3E38C2AC-05E8-4A53-91C8-E6D90EE252B4 | MP814034 | I Will Breathe a Mountain: A Song Cycle from American Women Poets | |||
| 4344 | 3E3CD599-727E-4ADA-B866-33B3D63DB370 | 20443152 | Leaves Are Falling | LEAVES ARE FALLING is a descriptive composition for four clarinets. The first four measures depict the autumn breeze that stirs the falling leaves. The descending scales of the next four measures imitate their gentle fall to the ground. | Clarinet Quartet | |
| 4345 | 3E3F1CFA-6490-4BCF-BBE2-7A0B3B8C7C2A | B382 | 40 Progressive Melodies | This collection includes 40 etudes that have been adapted for clarinet from oboist A.M.R. Barret's marvelous melodic studies. Each of the studies includes a clarinet accompaniment part adapted from Barret's original that can be performed by a teacher or fellow player to help develop ensemble skills. Students will also find "Eight Progressive Exercises" by Jakob Dont in this collection as an addendum to the Barret's melodic studies in addition to scale studies by the editor David Hite. These Barret studies can be used following most elementary and intermediate method books, and can be augmented and complemented with the "Melodious and Progressive Studies I", also available from the publisher. | Clarinet | |
| 4346 | 3E450B44-2461-481C-A446-F75942340D33 | X131024 | Hajiani (Reality Music No. 1) for Clarinet in A and Electronics | This work for clarinet in A and electronic audio offers detailed suggestions and alignment points for the performer to co-ordinate easily with the electronic audio accompaniment, which consists of two Ney Anbâns (Persian bagpipes). The electronic audio may be attained from the publisher's website. | A Clarinet and Electronic Audio | |
| 4347 | 3E477BFF-93F0-4D0F-81AB-D053ABCE8815 | B518 | Songs for Sight Singing Vol. 2: JH/ TB | SONGS FOR SIGHT SINGING provides a collection of literature for use in the choral classroom. Each selection was composed according to the criteria designed by Texas choral directors and commissioned by the Texas University Interscholastic League for use in its annual sight singing contest. These graded materials were created specifically for young musicians by recognized composers and comprise a valuable resource as they contain many of the problems encountered in sight singing. This collection can be used effectively as a supplement to the daily instructional sight singing program after an approved system (movable “do”, fixed “do” or numbers) and a rhythm system are established within the choral curriculum. | Tb | |
| 4348 | 3E4EEC51-685E-4C25-AA50-8B1E7605B989 | S728CB | Heartland Sketches | (not set) | Concert Band | |
| 4349 | 3E5BF5E6-8E29-49FE-B92B-6D9736C7C7A0 | R27 | Serenade for Clarinet and Orchestra | This work is one of a group of three pieces for solo wind instruments and band commissioned by the G. LeBlanc Corporation as performance vehicles for their artist/clinicians, the other two being "Ode for Trumpet" and Ballade for Alto Saxophone". This serenade was written for clarinetist Robert E. Lowry. Set in the form of a freely developing lyrical idyl in variation form involving an almost continous musical development, the solo clarinet line together with a constantly shifting harmonic background paint a pastoral scene of Sioux life that suggests an overall three-part song form. Versions for orchestra, band, and piano accompaniment are available from the publisher. | Clarinet Solo, Full Orchestra | |
| 4350 | 3E5DD69E-DF28-4319-980D-37A42293A8C9 | EBM0690016 | DUPLICATE; SEE EBM0670039: Wedding, A: (reduced orchestration) | Based on the motion picture by Robert Altman and John Considine. World Premiere: Lyric Opera of Chicago, Dennis Russell Davies conducting, Dec. 11, 2004 “A Wedding is his best operatic score to date: accessible, singable, eclectic, consistently inventive and great fun.” — Chicago Tribune “…half ironic, half tender, and fully enchanting…” — The New Yorker “Audience laughter sprang not only from the hilarious plot situations but from the witty, perceptive libretto by Arnold Weinstein and [Robert] Altman, as well as from Bolcom’s frothy concoction of musical styles … Bolcom’s music swings and sways. It rocks and rolls. It dances a snappy samba. The wedding ceremony reels to a pompous march. It’s all in good fun — sort of a Bernstein meets Gershwin meets the Beatles.” —Charles H. Parsons, Opera News Online [Indiana University production, February 2008] Full Orchestration also available: 3(Pi)3(EH)3Eb A Bs)3(Cbsn) 4331 Timp 3Pc Hp(opt) Kbd Str, onstage 5-pc dance band | Cast of 14: 2*2*2**2 22**11* 2Perc(Timp) Kybd Str; onstage 5-pc dance band | |
| 4351 | 3E5E35CD-E3D4-4E0F-9D1E-A7E9CCC4B44F | EBM210373 | William Bolcom Piano Works | The first major comprehensive collection of William Bolcom's piano music. Contents: Abbacadabra; Bird Spirits; Conversations with Andre; The Dead Moth Tango; Dream Shadows; Estela: Rag Latino; The Eternal Feminine; Graceful Ghost; Knock-Stuck; A Little Night Fughetta; Lost Lady Rag; The New York Lights; Night Meditations; Nine Bagatelles; Nine New Bagatelles; Old Adam; The Poltergeist; Romantic Pieces; Seabiscuits Rag; The Serpent's Kiss; A 60-Second Ballet (For Chickens); Spring Dances; Three Dance Portraits; Three Ghost Rags; Through Eden's Gates | Piano solo | |
| 4352 | 3E5F05A5-DF39-4A76-8716-0C43113A7005 | EBM0620005 | Meditation on "I Am for Peace" | Composed to celebrate the completion of The National Cathedral in Washington, D.C., September 1990. The music was inspired by a text written in 1676 by Peter Folger, grandfather of Benjamin Franklin. | 3(3dPicc).2(+EH).3(+BCl.+CBCl).2(+CBsn): SATB Sax: 4.3.3.1.(+Euph): StrBs: Timp.Perc(5) | |
| 4353 | 3E6C1E68-93C4-4DFB-8FA4-250510B78C0E | MP814023 | Cabaret Songs: Toothbrush Time | This orchestration of the 7th of William Bolcom's "Cabaret Songs" was created by the composer on commission from Deutsche Gramophone expressly for soprano Measha Brueggergosman. It may be heard on her 2007 CD, "Surprise!". The full set of ten songs and each individual movement is available for rent. | Solo Sop. and Piano | |
| 4354 | 3E6EDDCA-677B-488F-A823-1C9D6140FAF1 | 10505616 | Diversions | DIVERSIONS, for brass sextet, was written in memory of the composer's father - a man who had been particularly fond of music for brass instruments. Written in three movements, this work attempts to present to the listener a series of contrasting brass moods: a mood that is energetic and straightforward (I. Prologue), one of qiuet and thoughtful reminiscence (II. Reminiscence), and a mood of rhythmic light-heartedness (III. Rondel). Instrumentation: 2 trumpets in Bb, horn, 2 trombones, and tuba | 2 Trumpets in Bb, Horn, 2 Trombones, and Tuba | |
| 4355 | 3e6f5276-9e3b-11f0-a418-0022482c9682 | MP944015 | Fly Blackbird: Rivers to the South | In 1960, James V. Hatch and his UCLA colleague C. Bernard Jackson, collaborated to write the civil rights musical Fly Blackbird. Inspired by the student ‘sit-ins” in Greensboro, North Carolina, the growing movement for civil and human rights, and the pursuit of justice for African Americans throughout the United States, the production reflected the times and the means by which they believed change would come to American society. Opening at the Metropolitan Theater in Los Angeles in 1961, the multiracial cast and underlying message of the production challenged young people to stand up and use their voices to affect change. Fly Blackbird became a call to arms for students on the UCLA campus to join the movement, and won the 1962 Obie Award for Best Musical. Libretto, synopsis, cast, and perusal score available upon request. | Tenor and Baritone Solos: SATB Chorus, Piano | |
| 4356 | 3E796A9E-214A-4C8B-994F-525075E04331 | A128302 | Concerto for Piano No. 5 in E-flat, Op. 73 'Emperor' | Ludwig van Beethoven (1770-1827) completed his Piano Concerto No. 5 in E-flat shortly after Vienna surrendered to Napleon's invading forces in the spring of 1809. It received its premiere on November 28, 1811 in Leipzig with Friedrich Scheider as the soloist and Johann Schulz conducting the Gewandhaus Orchestra. Its nickname, "The Emperor", stems from the character of the work, as well as its E-flat major tonality, which Beethoven often used to express the heroic, as did many composers after him. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano. Piano solo edited by Eugene d'Albert. Reprint edition. | 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Piano | |
| 4357 | 3E80615D-1B40-4CC5-821C-CED164BA4850 | ST338CO | Monteverdiana | This guitar quartet was written for and is dedicated to the Romeros. It is a suite in four movements. I. Toccata, II. Balletto, III. Concertato, IV. Sonata | 4 Guitars | |
| 4358 | 3E813CA8-DA42-43C5-8682-DDB63CA02157 | SC567 | Come, Live With Pleasure | Text by Thomas Morell. The highest note in the soprano is an D. Versions for SAB and SATB are available from the publisher. | Satb | |
| 4359 | 3E834F32-9077-4C7E-A487-2933F209F824 | S673 | Children's March: Over the Hills and Far Away | This critical performance edition of one of Grainger's greatest masterpieces for band captures the composer's vivid orchestration and delightful melodies. The unique feature of this publication is that in its preparation, three original sources were utilized including Grainger's own manuscripts of the compressed score and parts, restoring the music as closely as possible to the composer's original intentions within the context of the modern wind ensemble. | Concert Band | |
| 4360 | 3E88E31C-62F9-4B7C-A721-25FC256724A6 | SU360 | Click Up Sticks | (not set) | Snare Drum Unaccompanied |