Titles
Showing 4,381-4,400 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 4381 | 3EC8F65A-5F9C-4DCD-B302-DF5A39465086 | R01045 | The Particle Zoo | Resulted in an innovative and unusual collaboration whereby the music was created after the choreography. Subsequently the work was adapted for concert performance in 1991. | Flute, Oboe, Clarinet(d BCl), Bassoon, Trumpet, Trombone, Perc(1), Synth, Violin, Cello, Electric Bass | |
| 4382 | 3EC9E977-E79A-43F9-9AA3-BD13F56F8BEA | 51672067 | Amazing Grace | 2-3 Octave Handbells | ||
| 4383 | 3ECB0BFB-F33F-4E60-AF23-B2DA1C43835B | 20160528 | Ave Maria | One of the most beautiful and beloved melodies ever written, this arrangement allows you to feature a variety of soloists, including a vocalist, clarinet, saxophone, trumpet, horn, trombone or euphonium. The arranger has meticulously maintained the character of the original piano accompaniment while using the best attributes of the modern wind ensemble. This is a great vehicle to feature an outstanding student or guest artist. | Voice or flex instrument, Band | |
| 4384 | 3ECB88CB-540C-4A27-A5E4-ED210CEB1D46 | 60703003 | String Quartet No. 3, Op. 30 | Written almost 20 years after his STRING QUARTET No. 2, Arnold Schoenberg (1874-1951) composed the STRING QUARTET No. 3, Op. 30 in 1927, ostensibly for a commission by Elizabeth Sprague Coolidge, although the work was largely already finished. It is the first of his string quartets to utilize the 12-tone system that he had developed, though Schoenberg returned to the traditional four-movement structure that he had rejected in his first two string quartets. The premiere performance was given on September 19, 1927, by the Kolisch Quartet. Reprint edition. | String Quartet: 2 Violins, Viola, and Violoncello | |
| 4385 | 3ECE33A0-03D0-481B-8D5F-2AADC03435B8 | R00853 | Nova | (not set) | 4+2 Piccolo.2.12+2E-flat Clarinet+2A Clarinet+2Bass Clarinet+1 contra-A Clarinet(+1 optional contra-A Clarinet). AATB Saxophone Ensemble: 4.8.4.2 Euphonium.2: Percussion(10) | |
| 4386 | 3ECF6B55-60F6-4EAD-8592-352ABDE2F8F1 | 50100199 | Gladiator, The | (not set) | Concert Band | |
| 4387 | 3ECFB398-E034-437C-9B68-1C8BB310E199 | SU99CO | Allegro Moderato | (not set) | Clarinet Quartet | |
| 4388 | 3EDF7A78-02D0-4D93-BA35-78C21E90B9F3 | M319291 | Two Pieces, Op. 102 | These two works for solo piano by Amy Beach (1867-1944) include: 1. Farewell, Summer, and 2. Dancing Leaves. | Solo Piano | |
| 4389 | 3EE8736B-CD82-491B-ADC1-F9B6ABE713B6 | SC805 | Tiger Tiger | Text by William Blake. 2008 Texas University Interscholastic League Sightreading for 3A, 2A, and 1A Varsity Tenor-Bass (TBB) Choirs and 5A and 4A Non-Varsity Tenor-Bass (TBB). | TBB | |
| 4390 | 3EF094F5-856B-47A9-B17B-C9A816BE255F | S132001 | Three Birthday Duets | |||
| 4391 | 3EF6EE55-DD84-4217-B334-129A79894994 | SC655 | Where Go the Boats? | This poem by Robert Louis Stevenson is here set to music and arranged for TB choir by Shari Riley. | Tb | |
| 4392 | 3EF9353B-611F-4B86-A874-CB56AF7E6965 | A162102 | Le Roi d'Ys: Overture | French composer Édouard Lalo (1823-1892) wrote Le roi d'Ys, an opera in three acts and five tableaux, between 1875 and 1888. He was prompted by his wife, contralto Julie de Maligny, to use the Breton legend of the city of Ys as a subject, as she was from Brittany. The opera, with a libretto by Édouard Blau, depicts two daughters of the King of Ys, both of whom love the knight Mylio. Mylio only loves Rozenn, so her jealous sister Margared collaborates with the city's enemy, Prince Karnac, to open the sluice gates and drown the city on the day of Rozenn and Mylio's wedding. Wracked with guilt for what she has done, Margared throws herself into the sea, and the city's patron saint, St. Corentin, saves what remains of Ys. Following failed attempts to see it staged in 1885, and after some rounds of revisions, the opera premiered on May 7, 1888, at the Opéra-Comique in Paris. The opera was met with great success in Paris, and it was regularly staged for many years, though its popularity began to wane after World War I, when tastes began to move away from more romantic, lyrical operas. Occasional revivals have occurred in the 20th and 21st centuries. The dramatic overture, which depicts many of the opera's principal melodic ideas, is considered among the finest in the concert repertoire, and it regularly finds itself on concert programs. Instrumentation: 2.2.2.4: 4.2+2Crnt.3.1: Timp.Perc(2): Str (9-8-7-6-5 in set). Edition by Clinton Nieweg and Nancy Bradburd. | 2.2.2.4: 4.2+2Crnt.3.1: Timp.Perc(2): Str (9-8-7-6-5 in set) | |
| 4393 | 3EFCD948-F2C8-4FD9-B654-B56AA2F5A239 | A927090 | The Firebird Suite (1919): L'Ouiseau de feu | The 1919 version of Stavinsky's Firebird Suite has become one of the most often performed works in the 20th Century classical repertoire. This all-new edition by Mark Rogers is a vast improvement over any other published previously. It is the first completely redone modern engraving of the score and parts. Meticulous care has been taken in comparing it with all prior publications and correcting errors that have persisted for over 100 years. Many rehearsal numbers have been added in musically significant locations, allowing time to be utilized most efficiently by the conductor. In addition, clarinet and trumpet parts in B flat have been added to allow this masterpiece to be more readily performed by amateur, student and professional orchestras alike. Study score. | 2(2dPicc).2(2dEH).2.2: 4.2.3.1: Timp.Perc(5).Pno(dClst).Hp: Str | |
| 4394 | 3F00099C-13AF-4F80-B272-94D01AE0E7DB | B499 | 25 Famous Studies | Most Drouet's large volume of music has been lost. These excellent studies, however, have survived, and they are most useful at the intermediate level. As with all studies, their value can be enhanced by varying rhythms, dynamics and articulations, or by transpositions to other keys. | Flute | |
| 4395 | 3F027D27-6B41-4B41-914F-06BFED04B5D7 | SS245 | Concerto in G | Originally composed by Cimarosa (1749-1801) for two flutes and orchestra, Louis Moyse revised this piano reduction version and wrote cadenzas for the flutes. It may be performed with two flutes or flute and oboe. Chamber orchestra and piano reduction versions are available from the publisher. Movements: I. Allegro Vivo, II. Lento, III. Rondo | 2 Flute (alt Fl, Ob), Piano | |
| 4396 | 3F0379C5-1723-4E29-B609-FAEC20B28FDA | M340291 | Children's Suite | (not set) | Alto Saxophone and Piano | |
| 4397 | 3F0764DD-96B6-49A4-A683-B661AE43BCE6 | 10100283 | Morning Alleluias for the Winter Solstice | Simply stated by its title, this is a celebration of each day's bright morning sunshine and the optimism it brings. Calling for extensive mallet percussion and piano, vocalizations through the players' horns, and attention to the explicit markings, this is a marvelous and beautiful work. Staying at m.m.=62 throughout, the key to success in the work is control and balance. A terrific recording is available through Ludwig Music on Kosei KOCD 31993569. | Concert Band | |
| 4398 | 3F0D4C48-2673-4709-B010-980FFE95AEEB | SC709 | The Vulture | 2004 Texas University Interscholastic League Sightreading for 1B and 1C Varsity Treble (SSA) Choirs and 3B, 2B, 1B, 3C, 2C, and 1C Non-Varsity Treble (SSA) Choirs. Text from "More Beasts for Worse Children" by Hillaire Belloc. | Ssa | |
| 4399 | 3F10A7F1-2990-48EF-B1D1-EA49749D9D3D | R65 | Symphony No. 3, Op. 27 | Received the Howard Hanson prize in 1963 | 2(2dPicc).2.2(2dBCl).2: 4.3(Bb Tpt).3.1: Timp. Perc(3, Vib opt.).Pno(opt.): Str | |
| 4400 | 3F140895-A0B5-41FB-8517-E958646CDC7E | ST989 | Serenade | Trumpet |