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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
43813EC8F65A-5F9C-4DCD-B302-DF5A39465086R01045The Particle ZooResulted in an innovative and unusual collaboration whereby the music was created after the choreography. Subsequently the work was adapted for concert performance in 1991.Flute, Oboe, Clarinet(d BCl), Bassoon, Trumpet, Trombone, Perc(1), Synth, Violin, Cello, Electric Bass
43823EC9E977-E79A-43F9-9AA3-BD13F56F8BEA51672067Amazing Grace2-3 Octave Handbells
43833ECB0BFB-F33F-4E60-AF23-B2DA1C43835B20160528Ave MariaOne of the most beautiful and beloved melodies ever written, this arrangement allows you to feature a variety of soloists, including a vocalist, clarinet, saxophone, trumpet, horn, trombone or euphonium. The arranger has meticulously maintained the character of the original piano accompaniment while using the best attributes of the modern wind ensemble. This is a great vehicle to feature an outstanding student or guest artist.Voice or flex instrument, Band
43843ECB88CB-540C-4A27-A5E4-ED210CEB1D4660703003String Quartet No. 3, Op. 30Written almost 20 years after his STRING QUARTET No. 2, Arnold Schoenberg (1874-1951) composed the STRING QUARTET No. 3, Op. 30 in 1927, ostensibly for a commission by Elizabeth Sprague Coolidge, although the work was largely already finished. It is the first of his string quartets to utilize the 12-tone system that he had developed, though Schoenberg returned to the traditional four-movement structure that he had rejected in his first two string quartets. The premiere performance was given on September 19, 1927, by the Kolisch Quartet. Reprint edition.String Quartet: 2 Violins, Viola, and Violoncello
43853ECE33A0-03D0-481B-8D5F-2AADC03435B8R00853Nova(not set)4+2 Piccolo.2.12+2E-flat Clarinet+2A Clarinet+2Bass Clarinet+1 contra-A Clarinet(+1 optional contra-A Clarinet). AATB Saxophone Ensemble: 4.8.4.2 Euphonium.2: Percussion(10)
43863ECF6B55-60F6-4EAD-8592-352ABDE2F8F150100199Gladiator, The(not set)Concert Band
43873ECFB398-E034-437C-9B68-1C8BB310E199SU99COAllegro Moderato(not set)Clarinet Quartet
43883EDF7A78-02D0-4D93-BA35-78C21E90B9F3M319291Two Pieces, Op. 102These two works for solo piano by Amy Beach (1867-1944) include: 1. Farewell, Summer, and 2. Dancing Leaves.Solo Piano
43893EE8736B-CD82-491B-ADC1-F9B6ABE713B6SC805Tiger TigerText by William Blake. 2008 Texas University Interscholastic League Sightreading for 3A, 2A, and 1A Varsity Tenor-Bass (TBB) Choirs and 5A and 4A Non-Varsity Tenor-Bass (TBB).TBB
43903EF094F5-856B-47A9-B17B-C9A816BE255FS132001Three Birthday Duets
43913EF6EE55-DD84-4217-B334-129A79894994SC655Where Go the Boats?This poem by Robert Louis Stevenson is here set to music and arranged for TB choir by Shari Riley.Tb
43923EF9353B-611F-4B86-A874-CB56AF7E6965A162102Le Roi d'Ys: OvertureFrench composer Édouard Lalo (1823-1892) wrote Le roi d'Ys, an opera in three acts and five tableaux, between 1875 and 1888. He was prompted by his wife, contralto Julie de Maligny, to use the Breton legend of the city of Ys as a subject, as she was from Brittany. The opera, with a libretto by Édouard Blau, depicts two daughters of the King of Ys, both of whom love the knight Mylio. Mylio only loves Rozenn, so her jealous sister Margared collaborates with the city's enemy, Prince Karnac, to open the sluice gates and drown the city on the day of Rozenn and Mylio's wedding. Wracked with guilt for what she has done, Margared throws herself into the sea, and the city's patron saint, St. Corentin, saves what remains of Ys. Following failed attempts to see it staged in 1885, and after some rounds of revisions, the opera premiered on May 7, 1888, at the Opéra-Comique in Paris. The opera was met with great success in Paris, and it was regularly staged for many years, though its popularity began to wane after World War I, when tastes began to move away from more romantic, lyrical operas. Occasional revivals have occurred in the 20th and 21st centuries. The dramatic overture, which depicts many of the opera's principal melodic ideas, is considered among the finest in the concert repertoire, and it regularly finds itself on concert programs. Instrumentation: 2.2.2.4: 4.2+2Crnt.3.1: Timp.Perc(2): Str (9-8-7-6-5 in set). Edition by Clinton Nieweg and Nancy Bradburd.2.2.2.4: 4.2+2Crnt.3.1: Timp.Perc(2): Str (9-8-7-6-5 in set)
43933EFCD948-F2C8-4FD9-B654-B56AA2F5A239A927090The Firebird Suite (1919): L'Ouiseau de feuThe 1919 version of Stavinsky's Firebird Suite has become one of the most often performed works in the 20th Century classical repertoire. This all-new edition by Mark Rogers is a vast improvement over any other published previously. It is the first completely redone modern engraving of the score and parts. Meticulous care has been taken in comparing it with all prior publications and correcting errors that have persisted for over 100 years. Many rehearsal numbers have been added in musically significant locations, allowing time to be utilized most efficiently by the conductor. In addition, clarinet and trumpet parts in B flat have been added to allow this masterpiece to be more readily performed by amateur, student and professional orchestras alike. Study score.2(2dPicc).2(2dEH).2.2: 4.2.3.1: Timp.Perc(5).Pno(dClst).Hp: Str
43943F00099C-13AF-4F80-B272-94D01AE0E7DBB49925 Famous StudiesMost Drouet's large volume of music has been lost. These excellent studies, however, have survived, and they are most useful at the intermediate level. As with all studies, their value can be enhanced by varying rhythms, dynamics and articulations, or by transpositions to other keys.Flute
43953F027D27-6B41-4B41-914F-06BFED04B5D7SS245Concerto in GOriginally composed by Cimarosa (1749-1801) for two flutes and orchestra, Louis Moyse revised this piano reduction version and wrote cadenzas for the flutes. It may be performed with two flutes or flute and oboe. Chamber orchestra and piano reduction versions are available from the publisher. Movements: I. Allegro Vivo, II. Lento, III. Rondo2 Flute (alt Fl, Ob), Piano
43963F0379C5-1723-4E29-B609-FAEC20B28FDAM340291Children's Suite(not set)Alto Saxophone and Piano
43973F0764DD-96B6-49A4-A683-B661AE43BCE610100283Morning Alleluias for the Winter SolsticeSimply stated by its title, this is a celebration of each day's bright morning sunshine and the optimism it brings. Calling for extensive mallet percussion and piano, vocalizations through the players' horns, and attention to the explicit markings, this is a marvelous and beautiful work. Staying at m.m.=62 throughout, the key to success in the work is control and balance. A terrific recording is available through Ludwig Music on Kosei KOCD 31993569.Concert Band
43983F0D4C48-2673-4709-B010-980FFE95AEEBSC709The Vulture2004 Texas University Interscholastic League Sightreading for 1B and 1C Varsity Treble (SSA) Choirs and 3B, 2B, 1B, 3C, 2C, and 1C Non-Varsity Treble (SSA) Choirs. Text from "More Beasts for Worse Children" by Hillaire Belloc.Ssa
43993F10A7F1-2990-48EF-B1D1-EA49749D9D3DR65Symphony No. 3, Op. 27Received the Howard Hanson prize in 19632(2dPicc).2.2(2dBCl).2: 4.3(Bb Tpt).3.1: Timp. Perc(3, Vib opt.).Pno(opt.): Str
44003F140895-A0B5-41FB-8517-E958646CDC7EST989SerenadeTrumpet