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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
44413FB660D8-323E-4DC6-8097-D75E3F492CB1S622501Rikudim for Flute and Harp(not set)Flute, Harp
44423FBA7EBA-901E-4EAF-9058-9B1E71A3D694A004490POP - See M984490 - Die Meistersinger von Nuerenburg: Prelude2+1, 2, 2, 2 - 4, 2, 3, 1, timp, perc, str
44433FBA8D6B-1B1A-4CC3-8E46-371FCAA07F8C50250027King William's MarchIf you liked Trumpet Voluntary, you're going to love Percy Hall's setting of King William's March. Composed for an unknown occasion for William of Orange, the King of England, the march shows Clarke at his melodic best. All the pomp and pageantry of the Renaissance comes to life in this sure-to-be-a-classic arrangement.String Orchestra
44443FBAE74D-460F-47FA-82EB-6EB713A2F4CEST313Trio, AFlute Trio
44453FBC8A0D-5479-411D-9A86-AFCFE28E717052703581Suite Espagnole(not set)String Quartet
44463FC05986-5BBD-4C20-B749-B8F12B1B7E3FM307291Noels, Op. 60, Book 2(not set)Organ
44473FC3BD23-F014-4F84-AD92-5E3DE0CF0068M392391Horn Trio, Op. 24, No. 23 Horn
44483FC5CE96-5E07-4672-84B9-9D74D4109AEFR01476Santa and Isolde: A Holiday Opera Fantasy for BrassCommissioned by The Metropolitan Opera Brass, Santa and Isolde brilliantly combines popular Christmas and Hanukah tunes with well-known opera themes creating a thoroughly enjoyable holiday delight.Brass Choir (3 C Trumpets, 3 Horns, 2 Trombones, Bass Trombone, Tuba)
44493FC8CEBA-4842-4D25-8083-52791E077B8FEBM0610062Overture in DCommissioned by the Springfield Symphony orchcestra, Evan Whallon, Director. Duration ca. 8'2.2.2.2: 4.3.3.1: Timp.Perc(3): Str
44503FC8D548-91E6-43C3-9C51-814B71302B8ASC672The Aspen Trees2003 Texas University Interscholastic League Sightreading For 1B and 1C Varsity Treble (SSA) Choirs and 3B, 2B, 1B, 3C, 2C, and 1C Non-Varsity Treble (SSA) ChoirsSsa
44513FD5BD0F-840E-405C-B720-82B79A09ACD1EBM0610014Songs of Innocence and ExperienceA full-length song cycle encompassing musical styles from romantic to modern, from country to rock, utilizing more than 200 vocalists and musicians. The 2004 recording by the University of Michigan School of Music Orchestra and Choruses under the direction of Leonard Slatkin was honored with four Grammy awards: • Best Classical Album • Best Choral Performance • Best Classical Contemporary Composition • Best Producer of the Year, Classical Performances have taken place in Stuttgart, Germany; Ann Arbor, Michigan [twice]; Chicago, Illinois; Brooklyn, New York; St. Louis, Missouri; New York, New York; London, England; Costa Mesa and La Jolla, California; and Minneapolis, Minnesota “A masterpiece of our time and place … gigantically ambitious.” — N.Y. Times “One of the finest and most important new American works of the decade.” — Chicago Tribune “The greatest achievement of synthesis in American music since Porgy and Bess.” — The Boston Globe5-10 vocalists (Sop M-S Contr Ten Bar Bs BoySopr Country/Rock/Folk singers), 3 Choruses (SATB, Madrigal, Children's): 3.3.3.3: 2 Sax: 6.5.5.3: Perc(7).Org.Pno.Hp: Gtr.EGtr.EBass
44523FD6678C-4082-4E85-A9C5-C9AD92B542E1SU167COTrumpets Of CastileThis fanfare-like piece is great as an opener for recitals or a short solo and ensemble. Brass parts: 2 trumpets, horn in F, trombone, baritone [T.C. or B.C], and tuba. It includes three optional percussion parts, which include: snare drum, bass drum, maracas, tambourine, claves and guiro.Brass Sextet with optional Percussion
44533FD711CF-9CE8-4752-819A-F892CC046FC6M327991Five SongsGabriel Fauré’s (1845-1924) exquisite art songs, including "Après un rêve" (Op. 7, No. 1; 1877), "Au bord de l’eau’" (Op. 8, No. 1; 1875), "Ici-bas" (Op. 8, No. 3; 1874), "Les Berceaux" (Op. 23, No. 1; 1879), and "Nell" (Op. 18, No. 1; 1878), stand among the most cherished works of the French mélodie tradition, admired for their seamless lyricism, refined harmonic language, and delicate interplay of voice and piano. These songs were originally premiered in the salons and concert halls of late 19th-century Paris, where Fauré was establishing himself as a leading composer of mélodie. In recent years, American organist and arranger Sterling Procter has created a sensitive transcription of these five works for horn and piano, reimagining their colors and textures while preserving their intimacy and expressive beauty. Today, these songs remain central to the vocal repertoire, beloved by singers and audiences alike, and Procter’s version offers performers and listeners a fresh perspective on some of Fauré’s most enduring musical gems.Horn and Piano
44543FDC56AC-84E3-4516-83F0-90156FD4333350250157Allegrador Paso DobleThe keys of G major and G minor are used in this delectable paso-doble. Simple shifting is required, mostly stepwise and easy to execute for all except second violins who do not shift. Violas play a brief melodic passage in treble clef.Concert Strings
44553FE0347C-B1D8-49E8-9122-0698EBE822C0M335791La Musica NotturnaUnpublished during his lifetime, Boccherini's La Musica Notturna Di Madrid is a colorful evocation of the musical atmosphere of Madrid at night. It depicts the ringing of a church bell, a minuet danced by blind beggars, street singing, and finally, the retreat of the military night watch. The original version for string quintet, as edited by Gustav Lenzewski, is available in this LudwigMasters edition.Two Violins, Viola and Two Violoncello
44563FE2757B-8A21-46E9-BA15-2A600058977BX065005Celestial Mechanics for Oboe and String QuartetCommissioned by the Los Angeles Chamber Orchestra. Recorded by Allan Vogel, oboe; Ralph Morrison, violin; Richard Altenbach, violin; Roland Kato, viola; Rowena Hammill, cello on CRI label.Oboe Solo, String Quartet
44573FE4E482-2FC5-4C9F-89CA-8BB85CB8EA64MR00508Essay for Horn and String OrchestraEssay for Horn and String Orchestra is a short lyrical piece which endeavors to utilize the expressive qualities of the French Horn. The thematic material stated in the first four measures constantly recurs in varied form throughout.Solo Horn and String Orchestra
44583FE5A711-6070-471C-A3FC-53E5C28B1BAEM267891Trois Valses Romantiq(not set)Solo Piano
44593FEB7F95-836D-4012-B093-165F7D0B542AA907190Captains and the Kings, The (full orchestra)Leroy Anderson wrote: "The idea for this piece came from a passage in a poem by Rudyard Kipling" titled 'Recessional.' Anderson continued, "It's unusual for a march. It goes from 2/4 into 3/4. Most marches are two beats to a measure. It's in two parts - Captains first, King's second... In THE CAPTAINS AND THE KINGS, the first part is very martial and describes the captains. The middle section is more melodic and suggests the kings... It always seemed to me that while captains may be very military men, that kings are just ordinary people like the rest of us. It's just that they have an exalted position." This work that underscores the uncertain fate of captains and kings is available in both this original orchestration, and also as a band transcription. Instrumentation in set: 2+Picc.2.2.2: AATSAx(opt) :4.3.3.1: Timp.Perc(2): Pno(opt): Str (9-8-7-6-5 in set).2+Picc.2.2.2: AATSAx(opt) :4.3.3.1: Timp.Perc(2): Pno(opt): Str (9-8-7-6-5 in set)
44603FF29B71-AFF5-450A-992A-702D72461FCBSS310Napoli for Trumpet and PianoNapoli is perhaps the most famous solo by Sousa arranger and cornet virtuoso Hermann Bellstedt. Conceived as a theme and variations on a wildly popular 19th Century song, this edition for trumpet and piano was collated by Bellstedt's student and Sousa band successor Frank Simon. Arrangements for trumpet and piano, trombone and piano, and trumpet or trombone and full orchestra are also available from the publisher.Trumpet, Piano