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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
452140D4F491-3041-4935-9F51-45C74D0045E9X530022Before Words and AfterFor Matt HaimowitzSolo Cello
452240D61E73-FDA5-4294-A876-3E5183C51608SU413Suite After Old English Songs (alto saxophone)The Suite was originally commissioned by Roger Rush as a solo vehicle for English Horn and band after he experienced difficulty finding suitable repertoire for this combination. The successful 1996 premiere led to the composer making additional versions of the solo part for F horn and alto saxophone, with piano reductions for all three instruments and an arrangement with string orchestra accompaniment. The work is comprised of four movements, each based on a combination of English folk melodies: I. Early One Morning, II. Green Bushes, III. I'll Love My Love, IV. The Wraggle-Taggle Gypsies. Duration ca. 20'.Alto Saxophone, Piano
452340D97436-F531-4364-9278-D8E6F93239BBS754CBOverture-FanfareThis overture-fanfare was dedicated to Kenosha Band-o-Rama and its director, Ralph Houghton.Concert Band
452440DB6871-84C3-4A95-89D1-05783AB6F001X521017Legend from the Mountains (Viola, Piano Reduction)Single movement, duration ca. 5'Viola, Piano; reduced from: Viola solo, Str (6.5.4.3.2)
452540E2E27A-1265-4AB3-AEAD-1779A01EFDF4ST498Sixteenths (16ths) for SnaresSnare Drum Trio
452640E4D5FD-EC0F-4BA8-9D73-DC5FAF69B9BD20100660Taking My Walrus for a WalkA fun selection featuring foot stomps in all sections and glissandos for the trombones. An excellent introduction to staccato articulation and slurs for all players, the work uses eighth note patterns in easy combinations to develop technique.Concert Band
452740E71199-5DCC-4EBB-82D7-FB6CF6365942SC517Evening PrayerSab
452840EACC33-374E-4FC1-BA38-D8929B7E9E0BX652712Celestial CityA Serge Koussevitzky Foundation Commission for Spectrum Concerts of Berlin , a Berlin Philharmonie partner, featuring Janine Jansen. At the Berlin Philharmonie Kammermusikaal.Clarinet, Violin, Viola, Cello and Piano
452940EC9D1C-34A7-40AA-A6BC-7E4342527DABA176202Concerto for Piano No. 20 in D minor, K. 466PIANO CONCERTO NO. 20 in D minor, K. 466, is one of two piano concerti (the other being No. 24 in C minor) that Wolfgang Amadeus Mozart (1756-1791) composed in a minor key. Completing it on February 10, 1785, he performed the solo part for its premiere at the Mehlgrube Casino in Vienna the next day. He was unable to finish the last movement due to the time it took to supervise the copying of the parts beforehand. After his death, the concerto made an impression on the young Beethoven, who wrote two cadenzas which are frequently heard in modern interpretations of the work. Its restless energy and pathos made it popular with 19th century audiences. Instrumentation: 1.2.0.2: 2.2.0.0: Timp: Str (4.4.3.3.3 in set) [Solo Piano not included].1.2.0.2: 2.2.0.0: Timp: Str (4.4.3.3.3 in set) [Solo Piano not included]
453040F27E42-861A-4843-8B16-93E3CC9818F4A234602Un Ballo in Maschera (complete)Un Ballo in Maschera (A Masked Ball) is an 1859 three act opera by Giuseppe Verdi (1813-1901) with a libretto by Antonio Somma. Initially based on Eugène Scribe’s libretto for Daniel Auber’s 1833 five act opera Gustave III, ou Le bal masqué about the assassination in 1792 of King Gustav III of Sweden who was shot while attending a masked ball, Verdi’s version ran afoul of numerous censorship regulations in Naples, Rome, and France. As a result, the opera underwent a series of significant transformations and title changes, among which include the eventual change in setting from Stockholm, Sweden to Boston, Massachusetts during the colonial era. Taking over two years from commission to production, it became one of the most frustrating experiences of Verdi’s career. The opera is now a regular part of the opera repertory. Instrumentation: 2(2nd dPicc).2+EH.2.2: 4.2.3.1: Timp.Perc(2): Hp: Str(4.4.3.3.3 in set): Vocal Soli (10 roles, SSATTTBBBB): Chorus: Banda.2(2nd dPicc).2+EH.2.2: 4.2.3.1: Timp.Perc(2): Hp: Str(4.4.3.3.3 in set): Vocal Soli (10 roles, SSATTTBBBB): Chorus: Banda
453140F334D5-7EE1-42F8-998A-2D33C58EC2E8SO91CViola RondoThis piece was written afte the same composer's "Cello Rondo" continued to be so popular after many years. It features the violas in a five part rondo form, giving the viola section an enjoyable opportunity to shine!String Orchestra
453240F5A0B9-C201-4356-B9B8-A323266F21DCB11312 Famous Technical StudiesTrumpet
453340F7596A-50EC-44D1-815D-4D906D582A2ESS174Minuet and GavotteEd. E.A. WienandtFlute Duet
453440F9407E-1E4D-4928-902E-5B398766704FB513TGThe Games Of Music, Teacher's Guide (Revised)(not set)Text
453540F943A3-E323-4A78-B96A-C74E6721A488B544T.R.I. (Technique, Rhythm, Intonation)- Percussion partThis unique method takes a practical approach in teaching the essential musical skills to the entire band. With consistent attention to the three fundamentals addressed in this book — technique, rhythm, and intonation — combined with work on compound-tonguing, vibrato, and alternate fingerings for the woodwinds, presented in the supplementary section, developing ensembles of all levels have laid out for them the surest path to excellence in band performance. Separate books are available for the winds and percussion sections.Band Book (Percussion part)
453640F9745E-F194-4D62-85B9-17B801DA1B6BA500490Bartered Bride, The, B. 143: Act III, Trio: He's blessed, so blessed who loves (soprano, tenor, bass; Prodana Nevesta)With THE BARTERED BRIDE (PRODANÁ NEVESTA), B. 143, Bedrich Smetana (1824-1884) put Czech opera on the international map. Composed between 1863 and 1866, it was not immediately successful following its 1866 premiere at the Provisional Theatre in Prague on May 30. Performed in its final version, four years later, it achieved worldwide popularity. Set in a country village, the plot follows Jeník and his lover Marenka, opposing her parents who have a scheme to marry her off to the son of a rich landowner. In the Act 3 trio "He’s blessed, so blessed who loves," Jeník and Marenka contend with the marriage broker. Instrumentation:2.2.2.2: 4.0.0.0: Str (4.4.3.3.3 in set): Solo STB.2.2.2.2: 4.0.0.0: Str (4.4.3.3.3 in set): Solo STB
453740FB1889-FD3E-48ED-9F68-8FF1BB27CC9F10100137Prelude and MarchRay Luke received his education at Texas Christian University and the Eastman School of Music in Rochester. Upon graduating, he taught at Oklahoma City University and served as music director of the Oklahoma City Symphony Orchestra. He wrote a variety of orchestral and chamber works, in addition to opera and ballet. Among many distinguished awards, he received the 1969 Grand Prix Gold Medal in the International Competition for Composition, as well as the 1979 New England Conservatory Opera Competition Award. The Prelude and March, written for concert band, captivates with its memorable tunes and rhythmic energy.Concert Band
453840FD562C-DE91-4DB1-B816-F2DA421B6410ST875AdagioAlto Sax
453940FE0645-37B1-45F2-90BE-5895E2669ABE52702478Six WaltzesThese six graceful, peaceful, and energetic original waltzes are the perfect addition to any "potted-palm" gig, whether people are dancing or not. Soaring melodies cascade throughout the ensemble with rhythmic accompaniments. Because all six waltzes are moderately difficult (grade 4 and above), sight reading at the job is not recommended. Flute may be substituted for Violin 1, and Violin 2 may be substituted for Viola. Waltz titles: 1. The Tangled Waltz; 2. Second Anniversary Waltz; 3. A Miller's Waltz; 4. Age and Remembrance; 5. Gypsy Waltz; 6. County Clare Waltz.Violin 1 or Flute , Viola or alt. Violin 2 and Cello
454040FFC46C-A838-4DE4-8F02-051B4B7BAF45A140302Sylvia, ou La Nymphe de Diane: Ballet SuiteLéo Delibes (1836-1891) looked to a play of the Italian Renaissance, Torquato Tasso’s AMINTA, for narrative material when composing his full-length ballet SYLVIA. Choreographed by Louis Mérante, with scenery by Jules Chéret, it premiered on June 14, 1876, at the new Opera Garnier in Paris. Commercially unsuccessful, it achieved a triumphant revival in 1952 and has since become one of the most-performed ballets in the repertoire. This suite produced in 1880 includes four of the movements from the complete ballet: 1. Prélude - Les Chasseresses; 2. Intermezzo et Valse lente; 3. Pizzicati; 4. Cortège de Bacchus. Instrumentation: 2(2nd d.Picc).2.2.2: 4.2+2Crnt.3.1: Timp.Perc (2-3): Hp: Str (9-8-7-6-5 in set).2(2nd d.Picc).2.2.2: 4.2+2Crnt.3.1: Timp.Perc (2-3): Hp: Str (9-8-7-6-5 in set)