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460141CBCC0F-35E1-4174-8A71-C73F90EC244BX652709Untitled: Three Miniatures for Clarinet, Bass Clarinet, and Piano Trio"(untitled) was the name of a store in the SoHo section of Manhattan that sold nothing but art postcards -- thousands of them. I had three such postcards taped to the music rack of my piano and one day in early 1968 I decided to write a set of musical miniatures somehow depicting these paintings." Movements: I. Perro Ladrando a la Luna (Joan Miro), 2. Ausgewogen (Wassily Kandinsky), 3. Fruhling in Paris (Max Ernst). Instrumentation: Clarinet in Bb, Bass Clarinet in Bb, Violin, Cello and PianoClarinet, Bass Clarinet, Violin, Cello, Piano
460241CE0497-342B-4702-8592-94AA180CAEBES327Heroes Of Luzon (out-of-print)Marching Band
460341D5BE93-5946-45C5-87C8-8CB25C3304EAM908202L'arlesienne Suite No. 1Concert Band
460441D6D4A1-B03F-4A4F-B7FB-3118278753D060720001Harold in Italy, Op. 16/ H. 68 (Piano reduction with a Viola Solo, S.472)In January 1834, the great violinist Niccolo Paganini asked Hector Berlioz (1803-1869) to write a viola concerto so that he could showcase his newly-acquired Stradivarius, though Paganini rejected the work when he saw that he would not be playing continuously. HAROLD EN ITALIE (HAROLD IN ITALY), Op. 16/ H. 68, inspired by the travels of the Byronic hero, premiered on November 23, 1834, with the Orchestre de la Societe des Concerts du Conservatoire. Chretien Urhan performed as soloist instead of Paganini under the baton of Narcisse Girard. Rather than a concerto, it is more accurately described as a symphony with viola obbligato. Hearing it at a December 1838 concert, an ecstatic Paganini pulled the composer back onto the stage and knelt to kiss his hand. Franz Liszt prepared a piano transcription with viola accompaniment of the work in 1836 as S.472. Reprint edition.Piano with Viola accompaniment
460541DEECD4-B737-4BAA-859C-CCCE4CB025ADS510CBCelestium
460641E3A039-4395-42F2-BC2A-D8DF7D18399350100256LusitaniaFresh and exciting program music that grabs the listeners' attention from the outset. The music describes the famous last voyage of the RMS Lusitania, beginning with it steaming across the open seas. Gradually the music turns ominous as danger looms. Growing more intense, the drama mounts as the climactic moment approaches.Concert Band
460741E3EA8D-A184-472C-8054-CB16A1B07134SS167Morceau SymphoniqueWhile Gaubert (1879-1941) was a distinquished performer on the flute with the Paris Opera, following his appointment as Professor of Flute at the Paris Conservatoire and principal conductor of leading orchestras, he began composing for wind instruments. It was during this time that he composed "Morceau Symphonique", a piece that addresses many technical features including semiquaver passages, a wide range, lyrical melodies, unusual intervals, chromaticism and complex rhythms. It is a challenging, yet riveting and stirring piece for aspiring advanced tenor trombone players.Trombone
460841E8CA4F-0BE2-4D06-90AF-CCEEE7BC6DBC50250184A SertanejaA Sertaneja: “To Her, from the Hinterlands,” originally composed for voice and piano, musically paints a picture about Chiquinha’s love of “the hinterland- the land behind the body of water” in Rio de Janeiro, Brazil. Through flowing slurs, dotted rhythms, 3/4 time in D minor, and the passing of melody between the strings at a Level 2, Dión Morales’ arrangement celebrates the lapping waters around Rio de Janeiro and a graceful dance from Brazilian culture by one of its beloved composers. Students will love playing A Sertaneja.String Orchestra
460941ECFBBD-B126-4EC6-9CCD-0353D7C621CAM241591Three Improvisations, H. 134(not set)Piano Left Hand
461041F62355-5CA2-409F-AE25-2C44E5566A1BA212302Serenade, Op. 7Written in 1881, this Serenade for 13 wind instruments was written by Richard Strauss when he was only 17 years old. His father, the principal horn player with Munich's court orchestra, had a select list of older composers that he preferred, including Mozart and Mendelssohn, and his father's influence can be seen in his son's work, both in the inclusion of a larger horn section and the use of his father's more conservative musical preferences. The work is much more than simply a capable imitation of Mozart and Mendelssohn, though. It represents Strauss' filtering and distillation of these influences into something remarkably original and identifies the young man's future as one of the great composers.2.2.2.2(+CtrBsn or Tuba): 4.0.0.0
461141F97A44-33D2-46F6-8253-1E324DF0D26FM260491Etudes de Concert, Op. 35A reprint edition of this important piano work by the turn-of-the-century French composer, Cécile Chaminade (1857-1944). Affiliating herself with nationalist composers such as Saint-Saëns and Gounod, her style was very much rooted in both Romantic and French tradition, her tuneful and highly accessible works were also tremendous favorites in the United States. These six Études de concert, Op. 35, date from around 1885, as Chaminade was moving away from the salon-style pieces where she started to the successful concert tours on which she had begun to embark, and which would give her international fame. That said, while the Études de concert are larger works compared to her earlier salon pieces, they are not overly bombastic or virtuosic. Movements: 1. Scherzo, 2. Automne, 3. Fileuse, 4. Appassionato, 5. Impromptu, 6. Tarantelle.Solo Piano
461241FA8EBC-7A62-444D-A9AE-9C815B8F360FS827The White Rose MarchThis edition was introduced as part of the New Sousa Band Editions series, designed to make the musical sound and legacy of Sousa more easily available for modern bands. The original march was commissioned by the civic committee of York, PA to celebrate "White Rose Day," 1917 to create one of the "March King's" jolliest and most rollicking marches.Concert Band
461341FB27BC-8FC7-4376-A7A8-9559EC71B254CP072012LAUREN KEISER MUSIC PUBLISHING 2010 PUBLICATION CATALOG
461442003086-4F54-4890-B0A7-E1C4A6DF5C3DM224391Trio Elegiaque No. 1 in G minorWritten in 1892 by Sergei Rachmaninoff (1873-1943) when the composer was only 18, Trio élégiaque No. 1 in G minor premiered in that same year with David Kreyn at the violin, Anatoliy Brandukov on cello, and the composer at the piano. Cast in a single movement, the work has very clear similarities to the first movement of his mentor Tchaikovsky's Piano Trio in A minor, composed in 1882 after the death of Nikolai Rubinstein, Tchaikovsky's friend and mentor. While the first Trio élégiaque, which has no opus number and was not published until 1947, was a tribute to Rachmaninoff's own mentor, he wrote a 2nd in 1893 as an actual elegy to Tchaikovsky following his passing.Violin, Violoncello and Piano
461542019C92-B7DB-463F-B1FC-59DBD112A18952720317Fiocco Festival(not set)Viola and Piano
4616420AEB3D-27E3-4B98-864D-F730F449FEEBM281391Dance Wooden Dolls(not set)Solo Piano
4617420FDDD5-096E-4F46-BAE0-FF6C8B27C18850100079GreensleevesConcert Band
461842129C79-0ACF-477D-B2D6-1BB9EEE86B4251370603String SerenadesFlexible String Ensemble
46194217AF15-7433-4E27-8494-A07E8AFB415850100044White ShadowTasteful and judicious doublings make this piece playable with a wide variety of instrumentations. Contemporary harmonies and active percussion parts add to the excitement of this work. Well suited to schools with small bands.Concert Band
462042181F43-AB34-46E4-9F19-05BE9D08AEC2R01117Faith (DWF, 35): A Science Fiction RomanceOne Act, Nine Scenes.Soprano, Mezzo-Soprano, Speaker, Tenor, Flute, Violin, Cello, Percussion(1), Piano.  or Piano alone.