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41CBCC0F-35E1-4174-8A71-C73F90EC244B
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Update Title: 41CBCC0F-35E1-4174-8A71-C73F90EC244B
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"(untitled) was the name of a store in the SoHo section of Manhattan that sold nothing but art postcards -- thousands of them. I had three such postcards taped to the music rack of my piano and one day in early 1968 I decided to write a set of musical miniatures somehow depicting these paintings." Movements: I. Perro Ladrando a la Luna (Joan Miro), 2. Ausgewogen (Wassily Kandinsky), 3. Fruhling in Paris (Max Ernst). Instrumentation: Clarinet in Bb, Bass Clarinet in Bb, Violin, Cello and Piano
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Clarinet, Bass Clarinet, Violin, Cello, Piano
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(untitled) was the name of a store in the SoHo section of Manhattan that sold nothing but art postcards -- thousands of them. I had three such postcards taped to the music rack of my piano and one day in early 1968 I decided to write a set of musical miniatures somehow depicting these paintings. The first, "Perro ladrando a la luna" by Miró, is the most literal. The opening sustained chord represents the horizon line, the rising clarinet duo is a ladder with five rungs (the piano chords). The piano tremolo at the end is the moon shining, and the violin, as the dog, barks at it. I consider this piece to be my Opus Zero, the first piece where I managed to achieve my musical goals
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sub code 43254 - R00371
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I. Perro Ladrando a la Luna (Joan Miro) 2. Ausgewogen (Wassily Kandinsky) 3. Fruhling in Paris (Max Ernst)
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