Titles
Showing 4,561-4,580 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 4561 | 4151E182-C573-400B-8EAE-2BA7C84BBF3F | M230491 | Shepherds Christmas Music | WW5 | ||
| 4562 | 41528F29-CD6E-421D-820C-967E93BD91B0 | R01416 | For Peace and Hope: A Benediction | Orchestral interpretation of the American spiritual, "Let Us Break Bread Together" suitable for both youth and adult ensembles. | 2+1.2.2.2: 4.3.3.1: Perc(2): Str | |
| 4563 | 4152E756-B52F-4114-8A5D-09E621690C81 | M901502 | Ceremonial Dance | Originally written for orchestra in 1983 through a commission from the Okayama University Symphony Orchestra, this beautiful transcription for wind band was completed by the composer. For more advanced ensembles, Ceremonial Dance is wonderful addition to any program. | Concert Band | |
| 4564 | 41554029-D193-43FC-A734-0F853898476D | A344902 | Symphonic Sketches, Nos. 1 & 2: Jubilee and Noel | SYMPHONIC SKETCHES was written by American composer George Whitefield Chadwick (1854-1931) between 1895 and 1904. Each of the four movements (1. Jubilee; 2. Noël; 3. Hobgoblin; 4. A Vagrom Ballad) were inspired by a scene depiction. And each movement also included an accompanying bit of poetry, to be printed opposite each title page. The work premiered on February 2, 1908, with the Boston Symphony Orchestra, Max Fiedler conducting. Sketch No. 1, the jaunty JUBILEE, calls for "No cool gray tones" but rather "the warmest red and green,/ A cornet and a tambourine,/ To paint my Jubilee!" Sketch No. 2, NOËL, was written for the birth of Chadwick's son, whose name Noël is French for Christmas. He creates a feeling of serenity of homeyness in the movement, which starts with an English horn solo reminiscent of the start of second movement from Dvo?ák’s 9th Symphony. Instrumentation: 2(2nd dPicc).2+EH.2+BCl.2: 4.2.3.0: Timp.Perc(3-4): Hp: Str (9-8-7-6-5 in set). | 2(2nd dPicc).2+EH.2+BCl.2: 4.2.3.0: Timp.Perc(3-4): Hp: Str (9-8-7-6-5 in set) | |
| 4565 | 41559C73-DB2F-4D30-BF4C-6D7F43E7CFD8 | 52702158 | Wedding Album 2 - String Trio | Scored for 2 Violins and Cello and includes optional Violin 2 for Viola. Titles include: Bach-Wachet auf, Arioso, and Sheep may Safely Graze; Schumann-Traumeri; Beethoven-Ode to Joy; Franck-Panis Angelicus; Mozart-Alleluja from Exultate Jubilate and Andante from Piano Concerto #21; and Tchaikovsky-Sleeping Beauty Waltz. | String Trio: Violin 1, Violin 2 /Viola and Cello | |
| 4566 | 415A0A3F-59EA-4497-97FD-2621BB052612 | R01095 | What Goes on in the Ether | Dance Suite in Seven Movements, explores special pizzicato and fingered harmonics effects; introduces a less-than-traditional tango. | String Orchestra | |
| 4567 | 415DF3FA-0C1F-436A-89B1-A4DB05C5BA55 | A739602 | Concerto for Violin and Cembalo | (not set) | str, solo harpsichord in sc, solo violin in set | |
| 4568 | 415E7C5C-0A80-41BA-B4A7-A47B1F77D5FD | MP814005 | Lift Every Voice and Sing for High Voice and Piano (key of B-flat) | High Voice, Piano | ||
| 4569 | 415F6A62-3D7D-4215-89D2-A305A2C4C698 | R117CB | Fanfare, Chorale and Fugue | A freelance pianist and television and film composer working in Los Angeles, Caesar Giovanni wrote a variety of works for band. His Fanfare, Chorale and Fugue is scored for concert band by Wayne Robinson. | Band | |
| 4570 | 4166371F-358D-4CD8-B0DA-5F9E6D713DA3 | RCSS811 | Under the Double Eagle | Flute quartet (3 flutes and alto flute) | ||
| 4571 | 416ABC7D-71D6-4254-99A3-D2438DB94C4A | 52785214 | The Cafe Suite for Piano Quintet | (not set) | Piano Quintet | |
| 4572 | 416CDE90-71B9-44DB-946E-8C704E6F9646 | 50100278 | Echoes from the Highlands | A suite of Scottish folk songs, this work has the beautiful and memorable melodies that make a concert something special. Rich, too, in historical relevance, the arrangement affords conductors the opportunity to delve into multiculturalism. Movements may also be performed individually: 1. The Highland Watch, 2. I Lo'e Na A Laddie But Ane, 3. Annie Laurie. | Concert Band | |
| 4573 | 416EA86F-77C8-48F8-B4C5-546C9F3CC691 | X410112 | Six Songs Without Words (and an Encore) | David Schiff: When Portland Piano International asked me to propose a project for new piano compositions that could be played with a work from the standard repertory I immediately thought of composing a group of pieces that could be played with selections from Mendelssohn's Songs Without Words. I first played Mendelssohn's pieces when I was eight years old and they were the first works I encountered that seemed to place access to musical beauty in my own hands. I have tried here to write pieces with a contemporary feeling that are within reach of younger players in the hope that they can kindle the love of music that Mendelssohn's atmospheric and perfectly crafted miniatures inspired in me. Songs included: 1. Simple Song, 2. Wedding Dance, 3. Ballad (for B.E.), 4. Elegy (Blues for A.C.), 5. Tarantella for Puck, 6. Venetian Boat Song, 7. Encore: Ballad for M.P.A. | Piano Solo | |
| 4574 | 41701B65-0C40-4A57-858B-3D53114FAB26 | A149302 | Hansel and Gretel (Haensel und Gretel): Prelude | Hänsel und Gretel, a Märchenspiel (Fairy-tale opera) in three acts, was written by Engelbert Humperdinck (1854-1921) in 1890-1892, with a libretto by his sister Adelheid Wette. Humperdinck began to work on the opera upon the request of his sister for a set of four songs for her children to perform, based on the well-known Brothers Grimm tale. From these four songs, the composer worked it into first a singspiel, then a full opera that premiered on December 23, 1893 at the Hoftheater in Weimar, under the baton of the composer's friend, Richard Strauss. An immediate success, the opera was quickly associated with Christmas and is most frequently performed during the holiday season. The overture/prelude is also often performed around Christmas time. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(3): Str (9-8-7-6-5 in set). Reprint edition. | 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(3): Str (9-8-7-6-5 in set) | |
| 4575 | 4170FEFA-1D58-4A33-B87C-94BD00502124 | M315091 | Two Classical Manuscripts | Cello and Piano | ||
| 4576 | 4178E1AC-A01B-42D5-948A-9A815E257695 | A820502 | El Sombrero des Tres Picos (The Three-Cornered Hat) | 2d1+1, 2+1, 2, 2 - 4, 3, 3, 1, timp, perc, hp, cel, pf, str (2.2.1.1.1) solo Mezzo, men's chor | ||
| 4577 | 417B0353-676F-43EA-B2FF-C3BC642F51F4 | M317991 | Solo for Oboe and Piano | Oboe, Piano | ||
| 4578 | 417F92E8-64CA-419F-8DF6-BD2B20335309 | SC689 | Afternoon on a Hill | To Jennifer Zaccagni and the Lee High School Women's Chorale, San Antonio, Texas. Versions for SA and SSA available from the publisher. Text by Edna St. Vincent Millay. | Ssa | |
| 4579 | 4185DB7A-20EA-4DCB-BE36-8D932943239C | S504007 | The Janus Quartet | String Quartet and CD | ||
| 4580 | 41884CDB-0920-40C6-9DEB-3D826100CF1B | 20412105 | Song and Dance | Edvard Grieg is Norway's most revered composer. "The Song of the Watchman" is lyrical in style in contrast to the marcato-staccato style of "The Sailors' Song" which follows. Rhythms are not difficult but are independent, and articulations are well marked. Both pieces are quite short. This is quality music by a quality composer offering an excellent ensemble experience. | Flute Trio |