Titles
Showing 4,681-4,700 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 4681 | 43042317-3A3C-4F99-A4F9-63C54322388A | 10250120 | How Lovely is Thy Dwelling Place | One of the most beautiful works of the German romantic era is now available for string orchestra. The central movement of Brahms' German Requiem provides the opportunity to stress a rich, warm string sound and introduce students to an important landmark of music history. | String Orchestra | |
| 4682 | 430662CA-368F-4F65-82CE-67D32D9C8908 | 52741005 | Duos For Double Bass 2 | Intermediate/Advanced level duets for high school bassists. All duets are in bass clef and to the G harmonic. | Double Bass Duet | |
| 4683 | 43066925-D2D1-4D79-B960-5D8AE49E4CE1 | SS141 | First Fantasie | This was composed for the Paris National Conservatory Contest in 1897. Using Daniel Bonade's version for soprano clarinet, this edition for bass clarinet was transcribed by Albert Andraud. | Bass Clarinet | |
| 4684 | 430A8FA9-EB89-4CAA-B142-40731C9DCEF0 | ST249 | A Little Joke | Tenor Sax | ||
| 4685 | 430CCE46-AA0F-4D56-B287-39F85ED1EC9D | X121001 | Sonic Landscapes for Oboe and CD (accomp. listed with Soprano Sax vers.) | Also available for Soprano Saxophone/ Tape or CD. | Oboe, Tape or CD | |
| 4686 | 43156263-842F-49BF-A683-76763D173F5D | A718902 | Shropshire Lad, A (Rhapsody) | George Butterworth (1885-1916), an English composer whose life was cut short at the Battle of the Somme, wrote two song cycles based on A SHROPSHIRE LAD, a collection of 63 poems by A.E. Housman. Conceived as an epilogue, the orchestral rhapsody to A SHROPSHIRE LAD is widely considered to be his masterpiece. The London Symphony Orchestra gave the first performance at the Leeds Festival on October 2, 1913 under the direction of Arthur Nikisch. Originally titled THE LAND OF THE LOST CONTENT, it looks back at an idyllic world threatened, perhaps prophetically, by the fear of uncertainty and loss. Instrumentation: 2.2+EH.2+BCl.2: 4.2.3.1: Timp: Hp: Str (9-8-7-6-5 in set). | 2.2+EH.2+BCl.2: 4.2.3.1: Timp: Hp: Str (9-8-7-6-5 in set) | |
| 4687 | 4322AE99-BDB0-40D0-A965-F2516DEDC04E | 18800006 | Lamp Unto My Feet | (not set) | SATB, Organ | |
| 4688 | 43275B10-0EDC-41E9-8AC9-4FA14B60DE9B | M304091 | Suite, Op. 90 | (not set) | Solo Piano | |
| 4689 | 43281B59-E72C-4221-92AB-DB9AF0009D09 | A138602 | Violin Concerto in E minor, Op. 1 | Russian violinist and composer Julius Conus (1869-1942) composed his Violin Concerto in E minor, Op. 1 in the mid-1890s. It premiered in Moscow in 1898 and was subsequently performed by renowned violinists such as Fritz Kreisler and Jascha Heifetz. It is considered a staple in the conservatory violinist’s repertoire due to its technical demands and virtuosity. Instrumentation: 3.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Violin. | 3.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Violin | |
| 4690 | 432C8DC5-09B1-4095-B08C-5A64A4388310 | ST735 | Paris 1987 | Dedicated to the composer's instructor, composer Eugene Kurtz. Movement Titles: I. Moderato II. Duet III. Allegro con spirito | Woodwind Trio | |
| 4691 | 433171AA-6286-43F7-8409-1D41129C0956 | 50603002 | Yard Sale | Suppose your students went to a yard sale, bought all kinds of interesting items, and returned to school to play a concert with those items? Yeah, we think it would be really cool, too. Such is the premise for Yard Sale, a tour de force for young percussionists. | Percussion Quartet (almost entirely household items as non-traditional percussion instruments) | |
| 4692 | 4332BDCA-F8DB-42F1-823F-788785D9EFF5 | M394491 | Medailles Antiques | This trio evokes images found on a pair of "medailles antiques" (ancient medallions). Nymphes a la fontaine (Nymphs at the Spring) opens with closely interlocking figures divided amon the flute, violin and piano, effectively evoking the glitter and splash of a bubbling spring - and reminding us that Gaubert learned a thing or two from his great compatriots Ravel and Debussy. The nymphs are depicted in languid, sensuous violin solos, abetted intermittently by the flute. The piano's proposal of a Danse vif (Lively Dance) is first ignored, then taken up by the violin and finally by the flute, in a playful, light-footed conclusion. Editor Fenwick Smith has intervened in the text as little as possible, correcting obvious errors and inconsistencies, but adding no further suggestions as to style or interpretation. | Flute, Violin and Piano | |
| 4693 | 43354ECF-78DE-44E0-BDF3-FB5FAD3B9D61 | A788290 | O Tannenbaum | This traditional Christmas carol has been orchestrated and arranged for SATB choir and orchestra by Arthur Harris. The score/parts (A788290) and choral octavo (A788292) are available separately. Instrumentation: 3+Picc.3.2+BCl.3+CBsn: 4.4.3.1: Timp.Perc(4): Hp: Str (9-8-7-6-5 in set): SATB Chor. | 3+Picc.3.2+BCl.3+CBsn: 4.4.3.1: Timp.Perc(4): Hp: Str (9-8-7-6-5 in set): SATB Chor | |
| 4694 | 43465B48-DD7F-4A0F-9C8F-8532A5175437 | S654 | Variants on a Moravian Hymn | Commissioned by the Freedom High School Band to celebrate the 250th Anniversary of that school's hometown: Bethlehem, Pennsylvania. Realizing that Bethlehem was in the very center of the many settlements of Moravian Baptists who founded this city, the composer searched for some sort of musical identity that would be appropriate, and found an obscure, but very beautiful, Moravian Christmas hymn entitled "Morning Star, O Cheering Sight". Instead of composing a normal "theme and variations" based on this hymn, Barnes opted to save the tune in its entirety until the very end when introduced by a trombone choir, so it is essentially a "variations and theme". The instrumentation was chosen because the Moravians are most famous for their wonderful trombone choirs accompanying the singing in their church services. If the trombonists cannot play the hymn, multiple alternative instrumentation options are offered. | Concert Band | |
| 4695 | 434EDBFB-777F-45EC-A70A-C553DEF0F0F0 | C7 | Carnaval for Clarinet Choir | |||
| 4696 | 434FDC69-1710-4A7D-960C-A7FBD8E8166E | W705491 | Newest School, Op. 61 | (not set) | Piano Solo | |
| 4697 | 43581FE1-5BD1-4885-8661-D06A87230E78 | 10310121 | Sound Training: 26 Chorales of J.S. Bach, C Treble Clef | A collection of instructional chorales and supplementary materials playable by any combination of instruments. Highly economical in that you can order just the books needed for your particular instrumentation. Easy enough for early grade levels, it is helpful for musical training of all levels of players. | C Treble Clef | |
| 4698 | 43626B2E-2BC6-45EA-85A5-2A84939CF6FB | 52701507 | Dancing Duets | This collection features five enjoyable duets for violin and cello and is arranged with the professional player in mind. Including several pieces by Joplin, the set requires that players be comfortable with flat keys and double-stops and will provide both challenge and enjoyment to both players. | Violin, Cello | |
| 4699 | 4372DAF7-5AE1-43F6-9017-9ED1E591B835 | M122291 | Rapsodie Espagnole, M. 54 | Maurice Ravel (1875-1937) completed his first published work for orchestra, RAPSODIE ESPAGNOLE, between 1907 and 1908, dedicating the work to the Belgian violinist Charles de Bériot. The Orchestre des Concerts Colonne gave the first performance on March 3, 1908 at Châtelet Théatre in Paris, Édouard Colonne conducting. It seemed to evoke an authentic Spanish flavor, drawing the enthusiastic praise of composer Manuel de Falla. The piece, performed without break, begins with a nocturnal prelude (Prélude à la nuit). The three following sections, the Malagueña, Habanera, and Feria, depict a gaudy selection of folk dances and festivals. Before orchestrating the work, Ravel completed this version for piano four hands. Reprint edition. | Piano Four Hands | |
| 4700 | 4394CF94-A622-40BE-AAA2-FF05974ABE60 | M323191 | Solo De Concours | (not set) | Clarinet and Piano |