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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
470143967CB4-F891-4792-BCD0-48169EA1533BR00447Cincy in CIncluded as the first movement of "Rewind."1+Piccolo.1+English Horn.3.2: 4.3.3.1: Timpani.Percussion(3): Strings
4702439A82DA-7083-4811-B49F-5429D21CFBB9A790502Verklaerte Nacht, Op. 4 (composer’s 1917 transcription)VERKLÄRTE NACHT (TRANSFIGURED NIGHT), Op. 4, originally written for string sextet in one movement, was composed by Arnold Schoenberg (1874-1951) in 1899. Composed in three weeks, it is one of Schoenberg’s earliest important works. It was inspired by Richard Dehmel’s poem VERKLÄRTE NACHT and Schoenberg’s feelings upon meeting his future wife. The piece can be divided into five distinct sections which refer to the five stanzas of Dehmel’s poem. VERKLÄRTE NACHT premiered on March 18, 1902, in the Vienna Musikverein by the Rosé Quartet. This version, transcribed for string orchestra by the composer, premiered in the English city of Newcastle upon Tyne in December of 1924. This reprint edition is edited by Clinton F. Nieweg and Mark Laycock. Instrumentation: String Orchestra (8-8-3.3-3.3-5 in set).String Orchestra (8-8-3.3-3.3-5 in set)
4703439C24AD-48DC-40D8-9E24-D4CF5D085DDCS662501Spin
470443AAEEFE-3FD1-4A0E-BF44-CBDA47C29067SU552SeaSkye Songs for Soprano and Mixed QuintetDedicated to Robert White, this collection contains five wonderful settings of poems by Karen Wagner, evoking mystical Irish landscapes and exploring universal human themes.High Voice, Oboe, Violin, Cello, Percussion, Piano
470543C4E44E-3CE6-4C6E-A4BB-CA854AAF505AST294Dreams Within DreamsFlute, 2 Percussion
470643C5CC95-71CE-4A47-8002-75BBADCB0800ST471Andante, Menuetto and FinaleAndante, Menuetto and Finale is an easy AATB piece for young saxophone players.Sax Quartet
470743C77725-529B-42B0-9EB4-3C931A6645F0SU793COSerenade for WindsSerenade for Eleven Winds and Double Bass, op. 149 was commissioned by the University of Kansas School of Music to celebrate the re-opening of Swarthout Recital Hall in 2015, after renovations were completed for its 50th anniversary. The composer had contemplated writing a wind serenade for years, having long admired the wind works of Mozart and Richard Strauss. The music begins with a simple tune in flute, followed by entrances by other woodwinds, making a rather placid setting. This lyric, pastoral mood continues for some time before the work builds to the Allegro vivo. Here the oboe introduces a contrapuntal subject built on perfect fourths, answered by flute, then bassoon. Crisp statements by brass interrupt this free counterpoint that eventually evolves into a mad dash of linear development, employing octatonic melodies accompanied by polychordal textures. After several dramatic statements, the serenade rather abruptly returns to its original, pastoral mood, re-stating the melody first heard in oboe and eventually concluding with an almost inaudible, dry tutti chord.Flute, Oboe, Clarinet, Alto Saxophone, Bassoon, 2 Horns, 2 Bb Trumpets, Trombone, Tuba, Double Bass
470843D04B3D-B699-4B2A-8B12-FDBC827CE024SC710The VultureText from "More Beasts for Worse Children". 2004 Texas University Interscholastic League Sightreading for 1B and 1C Varsity Treble (SA) Choirs and 3B, 2B, 1B, 3C, 2C, and 1C Non-Varsity Treble (SA) Choirs.SA
470943DBA677-5B6B-4490-927A-3EBECC71E760S927Eastern Intermezzo: Youthful Suite Mvt. 4The fourth movement of Grainger's "Youthful Suite," this piece was inspired by an early interest on the part of the composer for Oriental music. "Stomping rhythms" featured in the work were inspired by the description of the elephant's dance from Rudyard Kipling's "The Jungle Book." This transcription for band from the original orchestra work was the first of its kind, meticulously arranged with Grainger's idiomatic wind band scoring in mind. Movements 1, 2, 4, and 5 are available from the publisher.(not set)
471043DFEED8-3A88-44B6-80EF-A6A97B1815D8W720791Pique Dame (The Queen of Spades), Op. 68(not set)Vocal Solo
471143E10903-5520-41F5-B59F-DD935820E2E0M311091Centennial Album(not set)Low Voice and Piano
471243E5AFCF-A7FB-4F65-84DB-797F2BB5B06FM296591Three Pieces(not set)Solo Piano
471343E6F26A-1FC4-4674-B3B6-3DC141700CC9MR00435Poems of Life: 12 Poems by Judith G. Wolf for Countertenor, Cello and OrchestraThis piece, along with three others, earned the composer a Grammy for the 2018 Best Classical Compendium. Composer's program note excerpt: Judith G. Wolf ’s expressive poems take us on a memorable journey through everyday life, the support of family and friends, the joy of love, and the pain of grief and loss. I was moved by her work to compose Poems of Life, an orchestral song cycle that sets to music twelve poems from Wolf ’s most recent volume of poetry, Otherwise. The poems weave a narrative of eternal love, the pain of loss through death, emotional transformation through grief, and spiritual enlightenment. Prologue 1. Ethereal 2. Time Slips Away Movement 1 3. Gary Died 4. Just Like That 5. Watching for Death 6. Face Movement 2 7. Sisters 8. Forever Gone 9. The Retreat Movement 3 10. The Dream Epilogue 11. Conversation 12. Epiphany. Orchestra accompaniment rental item, soli/ piano score, and individual cello part are all available separately from the publisher.Countertenor, Cello soli: 1.EH.1(d A Cl).0: 1.1.0.0: Hp: Str
471443E7D79F-E15E-4382-A0B0-FA354317F64A50100203Big Cat MountainStriking harmonies, bold melodies, and stirring rhythms mark this exciting offering from the pen of Thom Sharp. It will be just the picturesque soundscape to capture the attention of your students.Concert Band
471543EBA1F3-5BFA-4153-A975-73C449FF7417R01513Warum: Chamber Symphony No. 5 for StringsDedicated to Valerii Matiukhin. (2002) ca. 10'String Orchestra
471643EBA7F1-0E3B-4278-BECF-C3343739F911A205302En Saga, Op. 9Jean Sibelius (1865-1957) first composed the tone poem En Saga, Op. 9 in 1892, with the work premiering on February 16th, 1893, with Sibelius conducting the Helsinki Philharmonic. While one might imagine some epic, adventurous inspiration, Sibelius was largely adamant that no program existed. The piece received wider acclaim in 1902 when the composer's friend Ferruccio Busoni asked Sibelius to supply an orchestral piece for a series of concerts in Berlin, with the composer himself conducting his work. Sibelius chose En Saga in the end but revised the work first. This revised version was first performed with the Helsinki Philharmonic again on November 2nd, 1902, as a sort of trial run, although the Berlin concert that followed was also a success for Sibelius, if not for the other composers on the program. This revised version is what is commonly performed today. Instrumentation: 2(2nd dPicc).2.2.2: 4.3.3.1: Perc(3): Str (9-8-7-6-5 in set).2(2nd dPicc).2.2.2: 4.3.3.1: Perc(3): Str (9-8-7-6-5 in set)
471743F0CDB5-05E3-4118-ADE0-B71099D181CDS504004Yet Another Tango
471843F2FCD8-C6FC-484E-9FA2-59C4BEB88D3FM115291String Quartet No. 1 (Kreutzer Sonata)Written quickly by Leoš Janá?ek between October 13 and 28 in 1923, the STRING QUARTET No. 1 is also referred to as "The Kreutzer Sonata," Janá?ek having taken inspiration from the Leo Tolstoy novella of the same name. Tolstoy's story was itself inspired by Beethoven's VIOLIN SONATA No. 9, which is known as the "Kreutzer" due to its dedicatee, Rodolphe Kreutzer. Despite having been requested by the Bohemian Quartet, the work was actually premiered by the Czech Quartet on October 17, 1924, at a concert at the Mozarteum in Prague presented by the Spolek pro moderní hudbu (Contemporary Music Society). This reprint edition has been revised by violist, and member of the Smetana Quartet, Milan Škampa. Parts only.Two Violins, Viola and Violoncello
471943F4C81B-6819-4016-A77F-3BECC3DADDC2X503029SpiralsViolin, Viola and Cello
472043F625D7-9274-4154-A0BD-8A17805B6668A134802Double Concerto for Violin and Cello in A minor, Op. 102Johannes Brahms (1833-1897) composed the Double Concerto in A minor for Violin and Cello, Op. 102 in 1887, marking his final work for orchestra. Written for cellist Robert Hausmann and estranged friend and violist Joseph Joachim, the concerto functioned as a gesture of reconciliation with the latter. It premiered on October 18, 1887, at the Gürzenichsaal in Cologne, Brahms himself at the podium. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Soli Violin, Cello.2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Soli Violin, Cello