Titles
Showing 4,721-4,740 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 4721 | 43FAB5A1-C28B-4C0F-B03C-2EC573FB24BC | 10450260 | Cumberland | This short, intermediate solo alto saxophone piece with piano accompaniment, in C Major (concert), is a great choice for a recital or competition. It features a simple melody with the feel of a beautiful rustic mountain valley. | Alto Saxophone and Piano | |
| 4722 | 43FDD08F-8FCC-4BC5-A43D-8C3C27E651F2 | SS11 | Saxet No. 2 | Sax Quintet | ||
| 4723 | 440279AA-4E1B-4586-930F-65EAFE9A2B87 | 10160248 | Concerto for Horn No. 1 (band accompaniment) | This classic work for horn and orchestra has been faithfully crafted for horn soloist (horn part edited by Philip Farkas) and band by John Boyd. More than just a vehicle for the soloist, it also allows ample opportunities for ensemble players to display their musicianship. Also available with piano accompaniment at 10520429. | Concert Band with Horn Solo(s) | |
| 4724 | 440361A3-1394-428D-AC63-A8BF9545FA0F | SJ690501 | Ms Biz Pts | |||
| 4725 | 44066A40-D049-48B2-B298-2F0309937B06 | RCST109 | Sonata No. 1 in B Flat, K. 378 | Flute, Piano | ||
| 4726 | 4406B134-D3F2-44B8-912F-C70D6B416D8B | ST206 | Sonata No. 2 | This three-movement sonata for timpani requires four drums. It is a wonderful contest or recital selection for the advancing timpanist. | Timpani Unaccompanied | |
| 4727 | 440FC877-3230-47DB-BF27-59F4888ACAB4 | A100402 | Eight Little Organ Preludes and Fugues, BWV 553-560 (spuriously attributed) | The EIGHT LITTLE ORGAN PRELUDES AND FUGUES, BWV 553-560 is a collection for keyboard and pedal formerly attributed to Johann Sebastian Bach. It is now believed that the works were composed by one of Bach's pupils, though neither which pupil or a date of composition can be determined. These short pieces, written to teach organists or pedal clavichord players, translates well to string orchestra and have been transcribed by Isidore Russ and edited by Alexander Richter. String count in set: 8-8-5-5-5. | String Orchestra (8-8-5-5-5 in set) | |
| 4728 | 440FE281-346B-48A4-9571-2B23E2F2A759 | SS742 | Sonatina | (not set) | Baritone B.c. | |
| 4729 | 441950C0-8788-4B98-98E2-12B44FB53CBB | S27MB | Gallantry | (not set) | Marching Band | |
| 4730 | 441ED468-A5AE-4526-9CB7-44A80625400B | SU835 | Chamber Concerto for Viola and Strings: solo/ piano reduction | This famous concerto, originally for lute, seemed the perfect fit for solo viola with a few minor adjustments. In the key of D Major and in 3 short movements, this work will delight audiences and gives an outstanding violist a chance to shine without being overly technically taxing. String orchestra accompaniment also available from the publisher. | Viola, Piano | |
| 4731 | 4422DA5E-8BA2-4903-A4A0-2EB6EAFB3177 | M143691 | Two Pieces, H. 108 for Piano | (not set) | Piano Solo | |
| 4732 | 4427C8D4-EBCA-49E1-B6B7-5E59DEA0C54D | S530002 | Invocation No. 3 | |||
| 4733 | 4428CE71-AC91-4203-9932-1EFD7F10ADF5 | R00117 | The Frog Who Became a Prince | An Opera in One Act for Young Audiences | Soprano, Baritone / CounterTenor: Piano or Piano/Percussion | |
| 4734 | 442B4357-0FAB-4927-89F0-2BBEAEA922EE | M226791 | Concertino in B-flat for Clarinet and Piano, Op. 48/BV 276 | Known for its lyrical melodies and intricate harmonies, characteristic of Busoni's style, the CONCERTINO in B FLAT is written in four movements and has a blend of classical and romantic influences. This arrangement by Otto Taubmann for clarinet and piano is approximately 11 minutes. Reprint edition. | Clarinet and Piano | |
| 4735 | 442F63F9-F0D4-466C-90CB-3AE1EFDADCA0 | SC701 | One True Love | (not set) | Sab | |
| 4736 | 44303FBA-BA7E-4E07-B647-B82EF1B4C978 | 10100304 | Shakata | Dana Wilson always strives to introduce students and audiences to new ways of thinking about music and performance practices. This work serves somewhat as an incantation, a summoning up of, by means of a group music ritual, the goodness of the earth and, consequently, ourselves. Rhythmic vocalizations abound, juxtaposed with rhythmical, percussive ensemble writing. Dana Wilson is a master and his works light up any program in which they are performed. | Concert Band | |
| 4737 | 4430760E-1F1E-4F89-AB76-1E8C3448E25E | MP103001 | Motion Sonata | |||
| 4738 | 4431D48C-4283-461D-8A80-E8AA7D168AD2 | SU5 | Andante and Scherzo | Clarinet Quartet | ||
| 4739 | 444106FB-7941-439A-9F2F-9BC1CA63234B | A505102 | Hungarian Dance No. 8 (WoO 1) | Originally written for piano four hands in 1879, Hungarian Dances (WoO 1), a set of 21 lively dance tunes mostly based on Hungarian themes, are among Johannes Brahms’ (1833-1897) most popular works today. They have been arranged for many different instruments and ensembles over the years. In 1850, Brahms was introduced to “gypsy-style” music through Hungarian violinist Ede Reményi, including the csárdás “Bártfai emlék” (Memories of Bártfa) by Hungarian composer Béla Kéler, which became the basis for Hungarian Dance No. 5. Hungarian Dance No. 8 in A Minor, here orchestrated by Sam Dennison, invites comparison with the celebrated fifth dance and features lilting dotted rhythms and sudden key changes. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(1): Str (9-8-7-6-5 in set). | 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(1): Str (9-8-7-6-5 in set) | |
| 4740 | 444785D8-D488-4544-982C-BCAA284B96D4 | MR00502 | A Betrothal: A Chamber Musical | A BETROTHAL is as much a piece of musical theater as it is an extended art song for two singing actors with accompaniment. Ms. J.H. Joslyn and Mr. Kermit Wasserman, two horticulturalists, meet by chance at a flower show. Through the course of their charming encounter they discover that their prize irises may be the perfect mates for each other. The music underscores Joslyn’s and Wasserman’s encounter, highlights their disparate personalities, and characterizes how two very different people move from an uneasy chance meeting to an easy alliance. | Mz-Sop & Bar Soloists and Piano |