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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
478144F95FA1-7C24-4853-87FF-6B6255B83EBCM297891The Classic Flute Book 1(not set)Flute and Piano
478244FB4121-D80F-4BDE-8B1F-9B9B1C498DCE10530203Evening in the Country for Trombone or Baritone B.C.This captivatingly beautiful solo by Bartok is artfully arranged for trombone/ euphonium by Floyd O. Harris, true to the original but just one minute shorter with some of the repetition removed. A short but interesting solo full of singing melody and quirky, fun, flashy rhythmic interlude. Perfect for a variety of settings and programs.Trombone or Baritone B.C. Solo and Piano
478344FCFDD9-2F78-4930-A3E2-D15EF58BC4BER00820Celebration - Principium2 Trumpet, 2 Trombone, Percussion(4)   (optional video)
4784450100BA-6E62-49D9-AD92-62A763548C15S599001GlyphVa solo, str. Orch,piano
47854501854A-88AF-404C-A51A-59A8DFF8D349S549CBIntermezzo from Manon LescautManon Lescaut in an opera in four acts composed between 1890 - 1893. This publication is an arrangement for symphonic band of the Intermezzo by Francis McBeth.Concert Band
478645103D55-A99D-44BC-8352-97AE6CE2E1D6M803590Russian Christmas Festival: 3. Round DanceInspired by the current music of Russian composers, Mitrofan Belyayev, a major Russian publisher, initiated a series of chamber music concerts in his palatial home. The regular concerts came to be known as 'Quartet Fridays.' Russian Christmas Festival was apparently written for the Christmas concert given in December, 1888. In this collection of three separate works, the original quartet music has been scored for a string orchestra.String Orchestra
478745131C4A-4267-440C-B1F4-B50206D85F39SU812Revelation for Clarinet and PianoComposed originally for flute and alto flute duo with chamber orchestra, this tuneful and songlike piece was later arranged by the composer for various duo and solo combinations with both orchestra and piano accompaniment. Versions for flute, clarinet, soprano saxophone and alto saxophone are available from the publisher.Clarinet and Piano
47884513269D-FA6B-451A-B4D5-80888DC1FAEE50100106The National FenciblesThe word "fencible" describes an army regiment raised in Great Britain or in the United States whose duties entailed defense against invasion. The National Fencibles of Washington, D.C., for whom John Philip Sousa composed this march, were organized on June 21, 1887, by a number of young men who had been members of the National Rifles' Cadets and later of the National Rifles. THE NATIONAL FENCIBLES MARCH was carefully edited by Sousa scholar Loras John Schissel to reflect Mr. Sousa's own unique performances of this work. The edition was initially prepared for the superb Copperas Cove (Texas) High School Band and its conductor, Randy Kelley, and this new published edition is dedicated to this outstanding conductor and to Cove bandsmen, past, present, and future.Concert Band
478945143B0D-7CBB-46B5-806B-C9C60DE8E6B0SS907Trio No. 1(not set)Clarinet Trio
479045159D91-617E-4636-A91D-41AB78E88E5CSC620The Day is DoneSSA setting of an Irish folksongSSA
4791451A2941-E5A5-49EE-B0F3-2D20FCD3C5FDA930490Pulcinella: Complete Ballet - Deferred until material available
4792451A723B-29AE-4B30-B3FF-E4AC82769624F48CO8 to 5 Football ChartsDrill Design
4793451C8C8C-23FC-4408-A818-F8062ED9D4A8F44Teacher's Journal Sheets (out-of-print)Chart
4794451DCED3-EE15-49F6-8310-AC57012B3680S131011ConcertinoWritten for virtuoso clarinetist Heinrich Baermann, Concertino would become the first work of an impressive oeuvre for clarinet, one which along with that of Mozart, Spohr, and Brahms constitutes the backbone of the repertoire. Internationally-recognized clarinetist Charles Neidich unites for the first time Weber’s original text with the edition published by Baermann’s son, which had formed the basis of most subsequent editions. Also presented are examples from Cyrille Rose’s 1879 edition which was the foundation of the French tradition and which held much more closely to Weber’s original. This new critical edition inspires those learning the piece to develop their own personal, yet informed interpretation of Weber’s premiere clarinet masterpiece.Clarinet, Piano
479545288060-943A-4BA2-B1EB-81309E7C5F3ES349MBOur Defenders MarchMarching Band
4796452975B9-CD23-4D32-BE9B-CECD64ECEA27SC612As I Was Going to Derby TownSab
4797452AF1F4-F891-48D8-8382-E3FB89EA3C61O24JBSubtle Samba(not set)Jazz Band
4798452EAF2A-C2E9-4731-928C-5339BA414F0BST776CO3/4 for Four (Three/four for 4)(not set)Brass Quartet
4799453075E2-4E4F-4514-8553-38E8C700C87AA213002Concerto for Violin in D minor, Op. 8Richard Strauss (1864-1949) wrote his VIOLIN CONCERTO IN D MINOR, Op. 8, between 1881 and 1882, and it remained his only foray in that genre. Composed while a teenager and still in school. While still very much a product of the Romantic era tradition, the work is not considered as distinctive as the works he would produce only a few years later, and Strauss himself later ridiculed the work. Still, with inventive and bold writing in the solo and hints of his mature harmonic style to come, there is much to enjoy in the work, including its warmth, youthful sincerity, and lyrical expression, so that it should not be dismissed as mere juvenilia, either by contemporary audiences or Strauss himself. The chamber version of the concerto was first performed in Vienna on December 5, 1882, with the dedicatee Benno Walter on the violin while Strauss played his own piano reduction. The premiere for the orchestral version would take place seven years later in Cologne on March 4, 1890, with Walter again performing the solo with an orchestra conducted by Franz Wüllner. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin.2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin
4800453181E6-A9FD-47EB-B11E-027E92FEF9B820250691Still Still StillIf your strings are capable of lyrical sustained phrasing, this one is for them! Beautiful in its simplicity, this arrangement might be the one to bring your players to the next level. Calling for expressive use of vibrato, bowing and dynamics, this willString Orchestra