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486146193D64-3646-40D3-89A2-FCF322E8AA74ST856Blue HornsThis composition for 6-horn choir is, harmonically, straight-ahead blues piece. It is technically challenging and a great selection for the advanced horn ensemble.Horn Choir
48624619E886-C538-4358-94FD-F5DA1C779694BSMSO100Ballad in Blue: In memoriam Morton GouldA valuable addition to the concert literature which is also an excellent teaching vehicle: introduces various Musical elements including the study of triplets and accessible contemporary harmonies. There is an optional third violin part included. Grade 2.5 - 3.String Orchestra (8.8.5.5.5)
4863461CF46E-6024-4FC5-87B3-7B7E01208EF9S1033CBSortofa MarchSortofa March began as an exercise intended to acquaint woodwind players with essential alternate fingerings on their respective instruments, but it quickly and unexpectedly began to take on a march-like character. Not exactly a march, but “sort of a march.” Each of the woodwind parts has instructions for which alternate fingerings are to be used.Concert Band
4864461D65D3-8425-4E8E-BAF9-2B75F66AED2D50703010Ayre and Allegro(not set)Violin 1, 2, Viola and Violoncello/Double Bass
4865461EC982-0E33-4DC9-A733-05DD98FFD660SO123CSymphony in D Minor (Movement II: Allegretto)This string orchestra arrangement by Lauren Keiser of the second movement "allegretto" from Franck's Symphony in d minor. It is an ideal study in pizzicato for beginning to intermediate ensembles.String Orchestra with rehearsal Piano
4866461F9962-EE3E-4D95-82CE-FB9B2EAAA44CX103014Icicles for Piccolo, Oboe and Eb ClarinetCommissioned by and dedicated to Richard Page, 1976.Piccolo, Oboe, Eb Clarinet
4867463436DB-B49B-4CE4-8784-62AC21D46D2EX511006Sonata for Violin and PianoDavid Baker's three movement, blues inspired Sonata for Violin and Piano is a collaboration between the two instruments instead of a "solo with accompaniment." Movements: I. Flowing with Feeling II. Reverie III. With FireViolin, Piano
4868463657B0-9AE4-4ACB-A199-2150CBC23212SS705Fourth ( 4th) Adventure (out-of-print)Brass Choir
48694638080C-A460-413C-8657-2A0E8C9F50B2X504029String Quartet No. 2: Turning, ReturningConceived from the fascinating notion that seemingly epic dreams take place in only seconds of actual time, a single musical idea is presented in a variety of speeds, sometimes working in layers of tempo against a steady pulse.String Quartet
48704638DCC4-E448-4806-9A91-FCCEFC76D0E8S1007CBBallet for Band: Revised EditionGillis’ BALLET FOR BAND is music of the 20th century. The score is endlessly inventive and richly colored, with scoring for the full palette of sounds available in the symphonic wind band. The score contains both contrasting moments of lyrical beauty and muscular energy while never dissonant, with more than a few extended jazz chords a-la-Gershwin to be found. Both performers and listeners will discover much to admire in this exciting score.Concert Band
4871464366EB-1569-437D-BABB-674CAC427229SU410Trio ConcertinoDedicated to the Lexington Trio, Walter Hartley's Concertino is among the prolific composer's most performed works. Versions for trio accompanied by both piano and band are available from the publisher. Instrumentation: ATB. Duration ca. 9'. Movements: I. Allegro, II. Andante, III. Vivace.ATB Saxophones, Piano
48724647FF06-429B-4B55-A34E-D1B05FB4E430B198Little Music BookRecord Book
487346511437-4A87-438F-8034-5EB2CA5EADFEM239091Libro de Tientos: Vol. 7Francisco Correa de Arauxo (1584–1654) was a key figure in helping transition Baroque techniques into Spanish composition. Regarded as the finest Spanish organist of his generation, his works were regrettably long neglected, despite constituting a peak of organ literature in Spain and an exceptional bridge between the Renaissance and the Baroque, although interest continues to grow. His compositions, 69 works all for organ and progressively more difficult to suggest a pedagogical purpose, were published in 1626 in a single volume under the title Libro de tientos y discursos de música practica, y theorica de organo, intitulado Facultad organica. This edition, transcribed and edited by Santiago Kastner, has been released in eight volumes.Organ
48744654E101-C6BA-4D28-8C06-C1B120551C9118800009In the Morning(not set)SATB, Organ
4875465C8340-6995-4445-8A84-C52D9A730A33X503007Music for ThreePremiered at the National Gallery of Art and featured on the Daniel Saidenburg Chamber Music Series 2006 during Juilliard’s Perspective of the Music of George Walker events. A 7-minute work employing atonal techniques melodically and harmonically.Piano Trio
48764663CA0E-E560-46CD-94BC-11962DDFE473SC289Call, TheSab
4877466848DD-C5D3-4340-A6E6-B7BB42E51E36X510029Riff(not set)Violin Solo
4878466C7999-6B7B-436B-AF32-84659660F5E6V109Two Songs: Art Songs by American Women Composers v. 13The composer's intimate understanding of text setting and the vocal medium is very well evidenced by these two sensitive treatments taken from a cycle called "Four Songs." The pair embody a striking programmatic contrast between the jazzy rhythms of "Who'll that be?" and the lush, lyric flow of "Beautiful you are."Voice
4879467068BC-E2F8-42AE-B445-BA8CA54DF922SC278Missa BrevisThis piece was composed especially for the Cornell University Glee Club, and is dedicated to St. Maximilianis Kolbe, a Polish monk who was martyred during the Second World War. The initial inspiration for the work was sketched by the composer during a 1983 visit to the monastery near Warsaw where St. Maximilian had lived and worked and from which he was arrested by the Nazis. This work is thus a prayer, and act of rememberance and a statement of faith; the inscription on the score, drawn from the works of Kierkegaard, reads: "The tyrant dies and his rule is over; the martyr dies and his rule begins." This Missa Brevis was awarded the Medley P. Ray Award, established to recognize outstanding major compositions for male chorus.Tbb
48804670F6FB-9EFD-441B-B826-712361CA48CAR00437Curving Influence2+Piccolo.3(1d English Horn).3(1d Bass Clarinet).3: 4.3.3.1: Timpani.Percussion(3).Piano.Harp: Strings