Titles
Showing 4,941-4,960 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 4941 | 474F9CB4-83B2-4307-BCC4-AC5726F4DC32 | SU131 | After School Rag | This lively and fun-to-play rag features and interesting syncopated melody and changing meters. | Marimba and Piano | |
| 4942 | 4753403C-766F-4B75-9F43-5FA676E2A78A | ST212 | Air | This slow, sonorous piece offers intermediate players the opportunity to focus on intonation in a chamber ensemble setting. It is arranged for 8 parts, with 2 players on each part. | Flute Choir: 8 parts, 2 players per part | |
| 4943 | 4756513A-4A20-42AA-8668-AEA39FC1ABBC | SU530 | Romance No. 2: Tone and Performance Studies No. 18 | ROMANCE (2), NO. 18 (OP. 3): This is a beautiful, romantic work that should be played with careful attention to all of Weissenborn’s instructions. From the first dolce at the pickup to m. 13 to the final high Eb, the performer should try to play with as much feeling as possible. Weissenborn’s mention of espressivo, mit Wärme, con molto espressivo makes his intentions clear. I use a very good high Eb fingering for the last note using left hand second and third fingers, thumb C# and low D key and little finger Eb key, right hand second finger and thumb F# key. In measures 62 through 69, a few notes have been transposed enharmonically to eliminate double flats. | Bassoon, Piano | |
| 4944 | 475B146E-66BD-4F5B-AD36-38D94ABA172C | 20100730 | To the Spirit of Youth | Celebrate young people everywhere! The unrelenting tempo from start to finish is a fitting tribute to the energy and enthusiasm of youth. A positive statement from a respected composer. | Band | |
| 4945 | 475CE976-AC81-483E-A9D8-C65055B2AFF7 | SC561 | The Manger Bed | (not set) | Tb | |
| 4946 | 475FD299-D108-4D60-9929-25E7F77FBD9B | SC563 | An American Salute | UIL Sight-Reading Class 1B & 1C Varsity Tenor-Bass (TB) Choirs and Class 3B, 2B. 2C, 1B, & 1C Non-Varsity Tenor-Bass (TB) Choirs | Tb | |
| 4947 | 47644960-BB14-4C85-B888-1D0434BB222A | SS712 | Adagio and Gigue | This piece is a wonderful selection for the intermediate clarinetist looking for a contest or recital selection with contrasting sections. | Clarinet, Piano | |
| 4948 | 4764FE28-F2B4-4B3C-977A-E055DC621948 | SC386 | Maiden, A | Ssa | ||
| 4949 | 4766A085-C200-4782-8C5A-37DE2831AC4E | X504084 | Tenth String Quartet | David Stock is among the most prolific contemporary composers in the string quartet genre. His tenth quartet is a two-part work inspired by Eastern European itinerant Jewish preachers called "Maggid". | String Quartet | |
| 4950 | 476F79D9-96DE-4C68-A5B1-7208DA1B82E0 | SC738 | Stars Of the Summer Night | (not set) | Tbb | |
| 4951 | 4773DC41-5515-412F-8606-5646DD7DF489 | J87101 | Magnificat from the Glory of His Majesty | The text of the Magnificat, 'My soul doth magnify the Lord, and my spirit rejoices in God my Savior' has been set by master composers through the ages. The fascination with this text may lie with the number of scriptures (ten) given to Mary's response. It is a marvelous song of praise to God. Because of its beauty, parts of the Latin scriptures are interspersed within the Magnificat. | SATB | |
| 4952 | 477A465D-3333-414F-8730-C57C15E3D2E9 | R01290 | Symphonic Dances | (not set) | 2+Piccolo.2.2.2: 4.3.3.1: Percussion(3).Piano: Strings | |
| 4953 | 477C76EC-13F5-42CF-940E-1F542B9E26A0 | M183391 | Two Pieces, H. 104 For Cello | (not set) | Violoncello and Piano | |
| 4954 | 478070C4-2BD6-463C-B9A3-5E7A7C6DAACD | R00852 | No Man's Land | (not set) | 4(2d Piccolos).2.3+E-flat Clarinet+2Bass Clarinet.2.SATB Saxophone Ensemble: 4.6.4.1: Timpani.Percussion(4) | |
| 4955 | 478136C6-0700-4ED6-9567-36B57DF9A2F6 | R00254 | Dark Moons/ Bright Shadows | (not set) | 2(1d Piccolo).2.2.2: 4.2.3.1: Timpani.Percussion(3).Harp: Strings | |
| 4956 | 478800F9-0CFB-477A-8A8D-0E979950431F | F2 | Musidex Band/ Orchestra Composer Cards (Pack of 100) | (not set) | Forms | |
| 4957 | 47898132-5753-4265-A37C-54FF38034E68 | X816506 | Give and Take | The six movement work starts with a solo soprano and adds one additional instrument in each subsequent movement until the full complement is reached. Instrumentation: soprano solo, flute (doubling alto flute), oboe (doubling English horn), percussion, viola, and cello. Movements: I. The Branch of a Green Tree, II. The Gift, III. The Funeral is All, IV. They Will Not Tell, V. An Almost Death, VI. Canonization II | Soprano Solo: Flute (d AFl), Oboe (d EH), Perc(1), Viola, Cello | |
| 4958 | 478FF5F7-AB0A-4CDB-ADFD-B19AEB7FDC03 | ST46 | Suite No. 2 | Horn Duet | ||
| 4959 | 47912FC7-8769-427C-BCAD-2CF5142E868A | M401591 | Four Songs Of Sorrow, Op. 10 (high voice) | For high voice and piano. A Masters Music reprint edition. Contents: A Coronal; Passing Dreams; A Land of Silence; and In Spring. | High Voice and Piano | |
| 4960 | 479FD8DB-77AA-44AB-963B-7A95B1103BAF | SO141C | Chamber Concerto for Solo Viola and Strings | This famous concerto, originally for lute, seemed the perfect fit for solo viola with a few minor adjustments. In the key of D Major and in 3 short movements, this work will delight audiences and gives the director a chance to highlight an outstanding violist without being overly technically taxing. Can be played all in 1st position, although some shifting may be preferred to execute trills. Also, an opportunity for a solo cello to play continuo. | Viola, String Orchestra |