Titles
Showing 4,981-5,000 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 4981 | 47DB12A1-CEA2-4CBC-9BBD-8A898C191F46 | SO17C | Elegy | All of the parts require divisi at various times except for the double bass. | String Orchestra | |
| 4982 | 47DB1E6F-83D6-4D91-A043-AAEE367D59E5 | S814017 | To His Imaginary Mistress | (not set) | Tenor/Piano | |
| 4983 | 47E11815-0EF9-4F88-B278-591424F5A080 | A820402 | Concerto for Cello in E minor, Op. 85 | Considered the last notable work of Sir Edward Elgar (1857-1934), his Cello Concerto is a cornerstone of the solo violoncello repertoire. Composed in the aftermath of World War I, it premiered in October of 1919. The premier was reportedly quite the debacle, as Elgar (as director) and the performers of the London Symphony Orchestra had not been allotted proper rehearsal time from director Albert Coates, who overran his rehearsal time at Elgar’s expense. Composed in the summer of 1919, the first theme supposedly came to Elgar during a dangerous procedure to remove an infected tonsil. Upon waking from sedation, he asked for a pencil and paper and began sketching out the melody. The Cello Concerto did not achieve popularity until the 1960’s, where a recording by renowned cellist Jacqueline du Pré made it into a classical best-seller, driving a popularity that remains through today. Instrumentation: 2(2dPicc[opt]).2.2.2: 4.2.3.1[opt]: Timp: Str (9-8-7-6-5 in set): Solo Cello. Study score. | 2(2dPicc[opt]).2.2.2: 4.2.3.1[opt]: Timp: Str (9-8-7-6-5 in set): Solo Cello | |
| 4984 | 47E3D426-F3C5-4FB1-857B-116172700D23 | 20723437 | Adagio and Allegro | Class 'B' Viola quartet based on Concerto in D Major for Four Violins by Georg Phillip Telemann. Here it has been moved to G major for the viola and places equal demands on the first three parts while demanding a little less from the fourth. The Allegro section will provide a suitable ensemble challenge for young students. Ideal for high school contest. | Viola 1, 2, 3 and 4 | |
| 4985 | 47E5F468-7B08-487E-91D7-20EACED31575 | ST500 | Sonata for Tuba | Tuba | ||
| 4986 | 47EA4C6D-6BAF-4171-BFA9-7814BED37CA6 | SS916 | LA LUCHESINA (OUT-OF-P | |||
| 4987 | 47EA6720-AC3F-415A-BEED-2A9E2168F8FE | SJ794001 | Settin' the Woods on Fire | |||
| 4988 | 47EAAE5F-CA89-414B-AA06-B005E548139F | B403 | Six Suites, Bk. 1 (Suites 1, 2, 3) | The set of six Suites for Violoncello Solo is a monumental masterpiece of the Baroque Period. This edition for trombone, baritone or bassoon presents the Suites in their original keys. Optional notes for the use of the Bass Trombone, or any instrument with an "F" attachment, are noted. Book 1 includes Suites 1, 2, and 3. Book 2 includes Suites 4, 5, and 6. | Trombone Unaccompanied | |
| 4989 | 47F23D84-EC16-472D-8E73-7FCD0F617139 | 10503629 | Wabash Cannon Ball | This well-known American folk song is here arranged for four-part Tuba-Euphonium Ensemble. It is recommended that the top two parts be played on euphonium, but they can also be played on tuba. This arrangement is appropriate for large ensembles, and the addition of percussion adds considerably to the overall effect. | Mixed Brass Quartet | |
| 4990 | 47F2D3A4-5D35-4B3C-B694-BFBA4B532641 | 20503214 | Joyful Variations | Joyful Variations is based on the familiar theme from Beethoven's Ninth Symphony which he composed when he was deaf. This arrangement begins with the tune presented as a hymn, and from there on Beethoven would not even recognize it even if he could hear! There are four variations in which the melodic line is the only constant and it is often quite distorted rhythmically. Variations 1 and 3 are in fast triple meter in the style of a jig and a tarantella. Variation 2 is in the tempo of a valse but treated as a canon. Variation 4 is marked marcato militant which ends the piece in the joyful style that Beethoven intended. The piece is quite challenging rhythmically and musically, but range is not a problem for any of the parts. This is an outstanding ensemble for use in concert, contest or church programs. | Bb Trumpet 1 and 2, Trombone and Euphonium | |
| 4991 | 47FF0101-E24E-48C1-A471-1E554D9C3253 | A478802 | Anna Bolena: Act I, Scene and Duet: Fama! Si l'avrete (mezzo, bass) (excerpt) | The tragic two-act opera, Anna Bolena, recounts the life of King Henry VIII's second wife, Anne Boleyn, and is one of four Gaetano Donizetti (1797-1848) operas depicting the Tudor period in English history. "Fama!Si l'avrete" is sung near the beginning of the opera. After Anne Boleyn expresses concern that her husband, King Henry (Enrico) VIII, has fallen in love with another woman, Jane (Giovanna) Seymour and the king sing a duet that confirms the queen's suspicions, with the king promising Jane Seymour that she will replace Anne Boleyn. Instrumentation: 2+Picc.2.2.2: 4.2.3.0: Timp: Str(4-4-3-3-3 in set). | 2+Picc.2.2.2: 4.2.3.0: Timp: Str(4-4-3-3-3 in set) | |
| 4992 | 48127BD3-F6CA-47AF-AE7B-01E1D8914434 | S650MB | Warm- Up Charts, Set 1 | This set of warm-up charts includes: Eb concert chorale, F concert chorale, chords and lip slurs, attach and release, and tune and balance. Though they were designed for marching band, they can be easily adapted to certain concert band settings as well. | Marching Band | |
| 4993 | 481544D9-C371-41E3-9F25-1FD5582741F1 | SU446 | Ballade, Pastorale and Dance for Flute, Horn and Piano | This three movement work was commissioned by and is dedicated to David Wakefield and Barli Nugent, who premiered the work. The combination of flute, horn and piano produces a chamber music ensemble with wonderful possibilities in terms of contrasting colors and textures, resulting in a kaleidoscopic world of alternating moods and dynamics. | Flute, Horn, Piano | |
| 4994 | 481809B9-0879-4532-B0F5-5EFE9A9C4B41 | ST365 | Whirlwind, The | As suggested by the title, this virtuosic solo for xylphone or marimba with piano accompaniment is a technical showpiece. Rhythmically, the solo line is primarily 16th notes, requiring a precise mallet technique of an advanced player. | Xylophone (or Marimba) and Piano | |
| 4995 | 481C96FF-3201-4774-9F6B-88A13A7E9393 | ST139 | Vespers | Flute, Cello (alt Bassoon), 2 Percussion, Piano | ||
| 4996 | 482366DC-AECE-490B-9425-A573E1EABB6E | 52785001 | Ding Dong Merrily on High | (not set) | Piano Quintet | |
| 4997 | 482560E7-3BF0-44C7-870D-4E2B2AF63894 | M982990 | Pictures at an Exhibition, Part 4 | This orchestration, which is completely original, is primarily based on the autograph manuscript. In accordance with the purpose of the ConcertMasters orchestra series, the orchestra size has been kept small. The only departures from Mussorgsky's original score are the transposition of the entire work up a whole step, simplification of a 16th-note sextuplet accompaniment in "The Hut on Chicken Legs," and selective omission of the "attacca" indications that are found at the end of each Promenade section. Movements: 11. Promenade V 12. Limoges: Le Marche (Limoges: The Market) 13. Catacombae 14. Cum Mortuis in Lingua Mortua (For the Dead in a Dead Language) | 2+1, 2, 2(+1), 2 - 4, 3, 3, 1, timp, perc, str | |
| 4998 | 4827395A-FE49-475C-A61E-CEF8E3911E8B | R01187 | Concerto for Bassoon and String Quartet | Three-movement work for Bassoon and String Quartet, featuring contrasting characteristic solo lines for the bassoonist. Movements: I. A Light Touch, II. A Moment of Peace, III. In Motion | Bassoon Solo, String Quartet, (optional Double Bass) | |
| 4999 | 482A4C4B-D63F-4CEF-8A59-A863579B6E27 | EBM0620034 | Concerto for Alto Saxophone and Band | Ronald Binge (1910-1979) was a British composer and arranger of light music. He arranged many of Mantovani's most famous pieces before composing his own works such as this concerto. Versions of the concerto are available with band and orchestra accompaniment, as well as with piano accompaniment. Movements: I. Allegro spiritoso, II. Romance: Andante espressivo, III Rondo: Allegro giocoso. | Concert Band | |
| 5000 | 482AE7EC-0EE5-4C2B-A5A4-10E78A40DD8A | X502010 | Gran Duo Funebre | Viola, Cello |