Titles
Showing 5,041-5,060 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 5041 | 48BB99C9-FD46-43DA-93B1-50BA6EAF5EEC | ST62 | Five Words | Mallet Duo | ||
| 5042 | 48BDBE6C-1824-41A3-9326-E3BC3BB3C17B | B270 | Four Hands Around, Advanced | These twenty-six percussion duets are varied in difficulty as well as canonic techniques. The tempos are to be considered as flexible, and players are urged to experiment with various speeds commensurate with their level of accomplishment. | 2 Snare Drums | |
| 5043 | 48C693F2-0544-446C-955F-44B9341AEE70 | SS45 | Addio Del Passato | This arrangement for oboe and piano is the aria from Verdi's famous opera, "La Traviata". | Oboe, Piano | |
| 5044 | 48CF54A4-BB4E-4ABD-B655-3B349C6093BE | A126502 | Coriolan Overture, Op. 62 | Ludwig van Beethoven (1770-1827) composed the Coriolanus Overture (or just Coriolan Overture), Op. 62, in 1807 for Heinrich Joseph von Collin's tragic play Coriolan, a 1904 forgotten drama about the Roman general Gaius Marcius Coriolan. Beethoven constructed an overture with just two musical ideas that conveys the essence of the moral conflict, one representing Coriolan's desire for revenge against his Roman citizens and the other presenting his mother's request that he desist from his plans, something which he agrees to before he takes his own life. The work premiered in March of 1807 at the home of Beethoven's patron Joseph Franz von Lobkowitz for a private concert that also saw the premiere of Beethoven's Symphony No. 4 and the Piano Concerto No. 4. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set). | 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set) | |
| 5045 | 48D10230-3F22-4FAA-8805-EBBD1E2CC4B5 | M158091 | Golliwogg's Cakewalk (from Children's Corner, CD 119, L 113, No. 6) | (not set) | Flute, Oboe, Clarinet, Horn and Bassoon | |
| 5046 | 48D33C25-E2EA-4478-AD98-46B036960F55 | ST477 | Gigue | This happy little dance is here arranged for flute and piano and is perfect for the advanced student's upcoming competition or recital. | Flute | |
| 5047 | 48E1820C-CDE3-4245-BCA5-18A7E9E1D8E1 | R01248 | Stringing the Bow | string orch. | ||
| 5048 | 48E26EB6-F767-44CB-82B4-45B4E9DE8A96 | R00415 | TAO SHU | Percussion Ensemble(3) | ||
| 5049 | 48E3A41A-163F-4E1B-A602-DF5E63B88729 | M311691 | Ballad, Op. 6 | (not set) | Solo Piano | |
| 5050 | 48E3DEC4-81F6-4FA7-9324-4EDAA1EB3D40 | EBM0670031 | McTeague: Opera in 2 Acts (old ending) | Premiere: Lyric Opera of Chicago, Dennis Russell Davies conducting, October 31, 1992. “… an instant no-nonsense all-American hit … Bolcom’s clever score supports the plot at every turn.” — Los Angeles Times. “The opera — thanks to Bolcom’s strongly profiled and warmly communicative, masterfully organized score, as well as the pointed libretto … actually improves upon novel and film.” — N.Y. Daily News | 14 singers: 3(Pi Alto)3(EH)3(Eb A Bs)3(Cbsn) 43(Pi Flg)31 Timp 4Pc Hp Kbd Str | |
| 5051 | 48E7DA90-2196-4AD3-B4C4-97F6D627F7EA | M805290 | Over The Waves | Juventino Rosas was a Mexican composer who wrote a number of waltzes, polkas, mazurkas, and other dances. Over the Waves is his best-known work and has become almost synonymous with trapeze artists and funfairs. | String Orchestra | |
| 5052 | 48EB5945-540A-4B02-87BF-35FFCC592C8B | 50604002 | Jubilee | Two-mallet playing is all that is required from mallet players in this jubilant work. The single non-pitched percussionist must carry a triangle beater in one hand along with a snare drum stick, creating a small challenge but, with no rolls, it is not a difficult technique to master. Requires 5 players. | Percussion Quintet: Orchestra Bells,Vibraphone, Chimes, Marimba, Percussion (Hi-Hat, Snare Drum, Triangle) | |
| 5053 | 48F54BF4-6CD7-4D55-80F6-E567B46D55FB | A691602 | Lustige Witwe, Die (The Merry Widow): Selections | (not set) | 2d1, 2, 2, 2 - 2, 2, 3, 0+1, timp, perc, hp, str: Pno Cond. Score in set | |
| 5054 | 48F93461-3119-475A-9D67-82E81E7EA6F6 | P001791 | Rescuing Psyche | Rescuing Psyche for flute and piano was commissioned by the Music Teachers National Association and the NYSTMA and was premiered by flutist Kelly J. Covert and pianist Nathan Hess. Rescuing Psyche takes its inspiration from Greek mythology. Eros, a god, and Psyche, a mortal, are in love, but Aphrodite is jealous. Aphrodite successfully traps the mortal in a coma, but Eros wakes his love by playing a flute. The flute part has some key clicks and flutters but no other extended techniques or special effects are required. | Flute And Piano | |
| 5055 | 4901A463-5B6F-4682-8C0F-13011393BCED | M915302 | Fantasia on Aura Lee: The Army Blue | Aura Lee is also known as The Army Blue, having a beloved place in the hearts of graduates of the West Point Military Academy. Incidentally used with new lyrics in the Elvis Presley movie Love Me Tender, the song has become known to nearly everyone. Ira Hearshen gives the melody an astounding transformation in this extravagant set of variations. | Symphonic Band | |
| 5056 | 49051B55-52D9-44E9-BDEE-02430833E243 | ST745 | Jeda Suite | This four movement suite recommends specific stick types and employs advanced sticking technique, both in what part of the stick is used and what part of the drum should be struck. | Snare Drum Unaccompanied | |
| 5057 | 4906C1BD-9CB9-493B-94B4-4214C03A5168 | SO72C | Ayre | "Ayre" for string orchestra or string sextet (double bass is optional) was written for April Abraham, commissioned by the Texas Music Teacher's Association for 75th annual conference. The violins, violas and cellos section all contain two-part divisi. | String Orchestra | |
| 5058 | 490B41FB-B505-4D39-805A-434864CABD39 | 50730010 | Three Polonaises | As suggested by the title, this essential album contains three lively Polonaises (Ops. 14, 28, 65/3) by the great Bohemian cellist-composer David Popper. In this new edition by celebrated cellist Emilio Colon, these dancing displays of technique offer an indispensable study of more advanced playing as well as a source of enjoyable and challenging recital material. | Violoncello and Piano | |
| 5059 | 490DA1DF-45A8-4EEA-9B40-AF8FB5E558AB | TC1049 | Tenebrae Factae Sunt | (not set) | Four-Part Chorus a cappella | |
| 5060 | 490E0A8E-8029-4869-84AE-1862401A52CE | M121791 | Nocturnes Nos. 1-6 | (not set) | Piano Solo |