Titles
Showing 5,121-5,140 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 5121 | 49EFE0B8-5D6B-497C-8904-B244526F4C39 | WM00410 | Piano Miniatures | The collection of twelve short piano pieces by Jaromír Weinberger (1896-1967) has been edited by Tristan Willems. Included: 1. Prelude; 2. City Shimmy; 3. Fuga; 4. Kol Nidre; 5. Mazurka; 6. Mi-la-do; 7. Momento giocoso; 8. Skizza; 9. Ukolébavka (Lullaby); 10. Valse Impromptu; 11. Valses Nobles; 12. Ženci | Piano Solo | |
| 5122 | 49F6D280-19F0-4C3A-A439-491A8D123342 | S405CB | Symphonic Concert March | The Italian Symphonic Marches are based chiefly on flowing melodies, contrapuntal material and contrasting rhythms. Bonelli has employed leitmotifs which reappear often through the composition. | Concert Band | |
| 5123 | 49FA88A8-2552-40D6-8386-7B27ABFFB4EB | A269902 | Mass in C minor, K. 427/417a (Schmitt) | Wolfgang Amadeus Mozart (1756-1791) began composition of his Great Mass in C minor, K. 427/417a in 1782 as a promise to himself to write a major work for his native Salzburg. This period was shortly after he had moved to Vienna in 1781, and Mozart wrote in a letter that he made the promise before having married Constanze, a decision which his father Leopold disapproved, though he only really began the work after the marriage, completing all that he did in 1783. The work remained uncompleted from the sense of a liturgical mass, missing some of the Credo movements, all of the Agnus Dei, and parts of the Sanctus and the Benedictus, and Mozart called it a "half a mass" in a letter to his father. Despite this, all that was completed was performed at a liturgical mass on October 23, 1783, at St. Peter's Church in Salzburg during Mozart and Constanze's three-month sojourn there to introduce Constanze to the family. It is believed that Mozart borrowed from other works to make it complete for a liturgical performance, and it is thought likely that Constanze sang the high first soprano solo part. The work remained in this state until German musicologist Alois Schmitt's work to complete the mass was published in 1902. The Schmitt edition became the standard edition throughout the 20th century. Instrumentation: 2.2.2.2: 2.2.4(1st sub Tpt in C).0: Timp: Org: Str (4-4-3-3-3 in set): Solo SSTB: Mx Chor. | 2.2.2.2: 2.2.4(1st sub Tpt in C).0: Timp: Org: Str (4-4-3-3-3 in set): Solo SSTB: Mx Chor | |
| 5124 | 49FDBE2B-DA61-4C6E-920D-D70DD26C20AF | A709202 | Cassation in G, Hob. 2: 2 (Divertimento) | (not set) | 2vns, 2vas, vc, bass | |
| 5125 | 49FEA63F-C62A-4C84-ADE9-BF4BDBFC39F1 | A000690 | Funeral March for a Marionette (composer's transcription, revised) | This delightfully eerie piece is now available in a slightly abridged version suitable for better orchestras. A much better choice than using the original edition. | 2(d1), 2, 2, 2 - 2, 2, 3, 0, timp, perc, str | |
| 5126 | 4A041603-002C-46D9-BAE8-8555874C0B00 | X530005 | In Memoriam D.Q. (1978) | Composed for Zara Nelsova. | Cello Solo | |
| 5127 | 4A05D7DD-C26B-45BD-B47B-340A568FC61C | 52703028 | Home for Christmas | The perfect variety album for holiday gigs or concerts. These arrangements include some fun quotes from classical tunes you will recognize and as usual, are evenly and lusciously scored by Bert Ligon to give everyone a shot at the tune. Contents: I'll Be Home for Christmas, Sleigh Ride, Have Yourself a Merry Little Christmas, and You're a Mean One, Mr. Grinch. | Violin 1, 2, Viola and Violoncello | |
| 5128 | 4A068390-8A73-4F95-A9CB-ECD0BE071DC2 | 18803027 | This is What Counts | This setting of text by D. Dinand is for SA chorus with piano accompaniment. | SA and Piano | |
| 5129 | 4A0B5D5E-0D45-4775-ADF2-A7C7207F8171 | X412002 | Developpements | For two prepared pianos. | Piano (4 hands) | |
| 5130 | 4A0F2A6D-89E3-482B-B678-7463A29B62F6 | SS919 | Largo | This most famous chorale and melody from Dvorak's 9th Symphony ("From the New World") is arranged here for AATB saxophone choir by Philip Gordon. | Saxophone Quartet (AATB) | |
| 5131 | 4A185CC4-688A-41CD-8C79-706FA8C1696E | R01622 | Prefontaine: A Symphonic Tribute | Commisioned by the Eugene Symphony to honor the memory and celebrate the legacy of Steve Prefontaine. Movements: I. Terrain, II. School Days, III. 5k. | 2+Picc(dFl3).2+EH(dOb3).2+Eb(dBCl).2+CBsn: Asax: 4.3.2+BTbn.1: Timp.Perc(4): Hp.Pno: Str | |
| 5132 | 4A1CBCFB-0866-4054-8632-FDB435E7FE5D | M349091 | Sonata for Viola and Piano | Clarke's SONATA FOR VIOLA represents the peak of Rebecca Clarke's compositional career, being well-received upon its premiere in 1919 and tying for first place in a composition competition with a piece by Ernest Bloch. The composer supplies a quote from Alfred de Musset's "Le Nuit de mai" - "Poet, take up your lute: the wine of youth this night is fermenting in the veins of God." Includes solo parts for both Viola and Cello. Reprint edition. | Viola (or Violoncello) and Piano | |
| 5133 | 4A286716-5DB2-4DC3-94CF-FC125DE21EB8 | S410029 | The Piano Music of Lalo Schifrin | Lalo Schifrin, the internationally renowned composer of classical, film and television scores, in collaboration with fellow Argentinian pianist Yamaha artist Mirian Conti, produced the most comprehensive recording of his works for piano solo, including several world premières. The album's release was heralded by the Consulate General of Argentina in New York in November of 2017, under the Auspices of Yamaha Artist Services with a reception in honor of Schifrin's music. This exclusive publication makes all the works from this landmark recording available to pianists worldwide, and includes a unique arrangement of the famous theme to Mission: Impossible by the composer himself. “It is truly a joy to perform Lalo Schifrin’s piano music, and to be able to understand how he can easily travel from one genre to another in such a masterful and virtuoso way: from jazz, to tangos, to classical, and all extremely pianistic...We are both two Argentines on a mission.” – Mirian Conti Mirian Conti's album, Lalo Schifrin Piano Works (Grand Piano Records.#GP776) is available on Amazon, iTunes, Spotify, NaxosDirect, and ArkivMusic Contents Mission: Impossible Theme Tango del Atardecer Tango A Borges Danza de los Montes La Calle y la Luna Jazz Piano Sonata, Op. 1 Lullaby for Jack Pampas Theme and Variations | Piano Solo Collection | |
| 5134 | 4A296A80-A85D-46F2-9322-A390767DC867 | 52732056 | Fugues for Cello Trio | Good sight-reading practice. Cello I requires tenor clef. | Cello Trio | |
| 5135 | 4A2CFB2B-EFFB-4DC2-A6B8-6C78D9088A1C | A928390 | Always | Full Orchestra | ||
| 5136 | 4A2D3A50-6711-48BA-86F1-4FFE3AB5CE46 | X511041 | Five Greek Folksongs (After Ravel) | Dedicated to Kurt Nikkanen and Maria Asteriadou | Violin, Piano | |
| 5137 | 4A321135-94D2-4D56-8EA4-2443AF2324D6 | M11CO | Victor Film Strips And Records (out-of-print) | Lp | ||
| 5138 | 4A3E73ED-7781-4DB4-94C6-0DE8A975E092 | SS408 | Slightly Latin (only-in-b249/tymptunes) | Timpani Unaccompanied | ||
| 5139 | 4A432A6D-698C-4F91-9231-3AC9DA53113E | V119 | An Elizabethan Songbook for Mezzo-Soprano, Tenor and Piano | (not set) | Mezzo-soprano, Tenor & Piano | |
| 5140 | 4A4343DD-6146-4290-A619-CD02635F0DB5 | 18411003 | Short Stories | (not set) | Flute Duet |