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51414A54986F-4DFC-48C0-BA92-FE7957F32C5DA910490Waltzing Cat, The (Orchestra Version)<div>Leroy Anderson was very versatile in the realm of light classics, composing music depicting a ticking clock (The Syncopated Clock), a sleigh ride (Sleigh Ride), a typewriter (The Typewriter), and this clever work, The Waltzing Cat. These works exhibit Anderson�s grasp of instrumentation and ability to orchestrate lifelike animal sounds. For example, at the end of Sleigh Ride, we hear a trumpet whine like a horse, and here in The Waltzing Cat, the strings depict the cat�s meow. The work opens with a lazy waltz theme played by the strings, whose use of portamento on key notes creates the meow effect. The middle section is reminiscent of lots of playful cat-and-mouse-like action. The nonchalant main theme returns to close out this charming work. &nbsp;An American Pops classic in it's original scoring, this work is part of the Anderson Classics Series by E.F. Kalmus. Instrumentation: 2(+Picc).2.2.2: ASax(2).Tsax: 4.3.3.0: Perc(3): Str (9-8-7-6-5 in set).</div>2(+Picc).2.2.2: ASax(2).Tsax: 4.3.3.0: Perc(3): Str (9-8-7-6-5 in set)
51424A570EB9-BD5A-4216-B368-048E8FEA04DCMR00440AdagiettoCommissioned by and dedicated to the Ithaca College Wind Ensemble, Rodney Winther, conductor, to celebrate the 100th Anniversary of Ithaca College. Premiered by same on April 4, 1992 at Alice Tully Hall, Lincoln Center, New York City.2(+Picc).2(2dEH).6(+BCl,+CBCl).2(+CBsn): 2 Asax.Tsax.Bsax: 4.3.3.1.Euph: CtrBs: Perc(4)
51434A5EB3D6-EA83-4390-80F4-409863086D1710250079Allegro for Strings from Sonata, Op. 1, No. 3Allegro for Strings is an arrangement of the first movement of Handel’s Sonata Op. 1, No. 3, for violin and keyboard, originally in A Major. The contrapuntal nature of this movement seemed to lend itself to treatment in multiple voices.String Orchestra
51444A6C01DD-C58B-4AC2-83D6-E0922509497210760109Under the Double Eagle(not set)Piano Solo
51454A7763D5-DF9E-4A97-935E-DF894BC87E36S151013Sonata Op. 167 PtsFrom the Etoile music catalog.Alto Saxophone and Piano
51464A7C23C9-912B-4BB2-8024-B643FCB4F445R00084Concerto for Violin and Jazz BandThis is the first concerto of David Baker's cycle of eight jazz concertos. Commissioned by Josef Gingold.Violin Solo   AATTB Saxes: 0.5.4.1: Piano, Drums, Double Bass
51474A7EBB82-710D-4972-8FB2-83E131BFAFD510820114Garland SongsWith music by William Penn and words based on the writings and poetry of Hamlin Garlin (19th century American short-story writer and novelist), this is a unique and beautiful collection of five songs for medium voice and piano. Songs included: 1. Moggin' Along, 2. Then It's Spring (Part I), 3. Spring Rains and Out of the Mayweed, 4. Then It's Spring (Part II), and 5. A Cornfield In July and the River. The fifth and final song in the collection has also been arranged by William Penn for medium voice with wind ensemble accompaniment.Medium Voice and Piano
51484A830F0F-334E-4B3A-AE5D-6DBCBA43A73DD410018Four Etudes No. 2Piano Solo
51494A8AA55F-585C-4C60-AD57-6548BB0AE9CCM905802Joy To The World: A Christmas Carol (Choral Version)The works in the Arthur Harris Christmas Series were originally written for orchestra, with several offering the option to add chorus. These transcriptions for band, both by William Silvester or Arthur Harris himself, retain the quality of the original orchestrations, offering bands the optional opportunity to perform with chorus during the Christmas season. Choral scores for each work are available separately. Band series with chorus includes: Silent Night, Joy to the World, Hark! The Herald Angels Sing, Adeste Fidelis (O Come All Ye Faithful), The First Nowell, O Tannenbaum, and Angels We Have Heard on High. Transcriptions for band alone includes: O Little Town of Bethlehem, God Rest Ye Merry Gentlemen, Joy to the World, Deck the Halls, and We Wish You a Merry Christmas.Concert Band
51504A8B323F-2796-4CDA-870C-E8D358019DD7R00967The Center Holds(not set)1.2.1.2: 2.1(d Flg).0.0: Timp.Perc(1): Str
51514A8BC4FF-BD75-4CDC-8A6E-E9668598A594M299191Three Mazurkas(not set)Solo Piano
51524A917E04-AEFC-4D21-9F4F-01F7EE17E25DSC425Since First I Saw Your FaceSab
51534A93D04F-A67F-480D-8AD0-393205A641B5M386091Serenade, Op. 12Inspired by folk music and modern harmonies, this multi-movement work of lighter emotional weight was written to provide an evening's entertainment. Movements: I. Allegramente II. Lento, ma non troppo III. Vivo.Two Violins and Viola
51544A98EE29-CEBE-480E-B4DA-CE99DF58FA75MP635102Horn Trio for Horn, Violin and PianoThis HORN TRIO was written to occasion and reflect the desperation some feel in the current era of national and world news, with the hope that such a musical expression might possibly make listeners feel less alone. The heavy, plodding rhythms of the first movement are supplanted by a hectic second movement, with a following slow movement that contains a short moment of respite toward its end before the resolute march of the finale.Horn, Violin and Piano
51554A9A8DB5-F538-4251-BD7B-76F81D545519A318802Legends, Op. 59/B. 122; Nos. 6-10 [composer's orchestration]In October 1880, as he was completing his sixth symphony, Antonín Dvo?ák (1841-1904) wrote to his publisher Fritz Simrock that he wanted to complete a set of duets for piano in the next month. On January 30, 1881, he finally started work on the cycle, titled LEGENDS, Op. 59, and Simrock had published it by the middle of the year. Following the release of the piano duet version, Dvo?ák undertook to orchestrate all ten of the movements, which he completed between November and December of that same year. The critic Eduard Hanslick, to whom the work was dedicated, heartily praised it for its contrapuntal design and propulsive freshness. On May 7, 1882, Antonín Bennewitz led the first performance of movements 1, 3, and 4 at the Prague Conservatory and on November 26, Wilhelm Jahn conducted movements 2, 5, and 6 with the Vienna Philharmonic. Unusually, each movement of the work features a different instrumentation. Two publications are available from the publisher: Nos. 1-5 as a set and Nos. 6-10 as another set. Instrumentation for Nos. 6-10: 2.2.2.2: 4.0.0.0: Timp: Hp: Str (9-8-7-6-5 in set). Reprint edition.2.2.2.2: 4.0.0.0: Timp: Hp: Str (9-8-7-6-5 in set)
51564A9C9FD8-C70D-4C60-93D0-FFD419C5D935SS99Echoes Of Willow GroveTrumpet
51574A9E85EA-075E-4B26-A0A6-6B7FCB8B702950100179On the Dread CoastSyncopated rhythms, fat chords, trombone glissandi, and a compelling drive make this an exciting work for bands. It can be played with as few as four percussionists or you can assign a player to each instrument (eight players).Concert Band
51584AA12F2E-B9F3-4C1C-AF7B-740CC7BF4C8250608009NOP Withdrawn - Walking Tune, A
51594AA14404-967D-4266-ADD1-2303DE2A6F5CR01119Capriccio for Clarinet and StringsSchifrin's Capriccio consists of two movements: the first one rather introspective, and its internal tonal structure is based on the extension of middle eastern scales into a polymodal language. The second movement is joyful in character and is loosely based on the rhythms of Israeli folk dances. Commissioned by the Israel Philharmonic Orchestra, Capriccio was recorded by David Scifrin with the Adelaide Symphony on Aleph Records.Clarinet Solo: String Orchestra
51604AA565C1-4410-4820-B0EA-AF677776C1F5S691He's Gone Away(not set)Concert Band