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52014B61626E-4945-4D89-A308-557BBD3F6A0BS511020Wieniawski Polonaise Brillante No. 1 (Polonaise de Concert), Op. 4In 1848, the thirteen year old Henryk Wieniawski wrote the first sketches to his Polonaise in D major. The composition was published in Germany in 1853 as Polonaise de Concert in D major op. 4 for violin with piano or orchestra accompaniment. When the work was re-published in Paris (1858), the tit1e changed to "Polonaise Brilliante". Tremendously popular already during the composer's life time, this work has been on the repertory of virtually every virtuoso violinist ever since. This new Critical Urtext Edition corrects obvious misprints while keeping the format of the 1853 first edition, printing the textural changes on the Paris version as foot notes.Violin, Piano
52024B658307-E93B-4B05-9221-A771174FF8B9M152891Classical Masterpieces Vol. 2Violin & Keyboard
52034B695558-5DE4-4A8B-BD59-2393EE303F7620405001American Revolution SongsThis arrangement was designed for Middle School and easy High School use in situations where there are no (or few) color instruments such as oboe, bassoon, bass clarinet, tenor and baritone saxophones. The arrangements will sound complete with only flutes, clarinets and alto saxophones, but optional parts are provided for those color instruments which when added will add depth and color to the total sound. The two songs included are an important part of American history - 'Chester' and 'Yankee Doodle.' Interesting historical notes are on the score. Keys are F and B-flat major, and ranges are basic for this level. Style, articulations, phrasing and dynamics are all carefully marked to assist in rehearsal time - often quite limited.Woodwind Choir
52044B7253AA-DDED-48CB-B406-9FC0FD4FD634ST937CavatinaHorn
52054B76869B-703D-407D-B1B7-13569793BEBCR01597Tre Canzone for Full OrchestraThe term "canzona" refers to a genre of Italian insturmental music first made popular in the sixteenth century where the composers either merely arranged or completely transformed French chansons, a form of song. In a similar fashion, Claude Baker's "Tre Canzone" provides reimaginings of three vocal compositions form the late Middle Ages, Renaissance, and early Baroque. The preexisting pieces form both the structural and programmatic bases of the composition and serve as points of departure for new musical ideas. Elements of the older music emerge quite clearly at times, while at others they are presented more subtlly. But the texts are the driving force of the work, capturing the essence of the poetry through non-vocal commentary with allusions to the original composers' settings. Movements: I. after Baude Cordier, II. after Claudio Monteverdi, III. after Clement Janequin. Versions for both full orchestra and chamber orchestra are available from the publisher.3(2/3dblPicc).3(3dblEH).3(3dblBCl).3: 4.3.3.0: Timp.Perc(3) Pno: Str
52064B7FBBF4-07B9-47A9-BBE4-D9DE0CDA3848EBM0610574Cabaret Songs: George (excerpt)This orchestration of the 3rd of William Bolcom's "Cabaret Songs" was created by the composer on commission from Deutsche Gramophone expressly for soprano Measha Brueggergosman. It may be heard on her 2007 CD, "Surprise!". The full set of ten songs and each individual movement is available for rent.Solo Sop: 1.1.1(BCl only).1: 1.1.1.0: Timp.Perc(2).Pno.Hp: Str
52074B8256D1-FAC1-4C98-9D49-CDB9C462941AS111006Techno Yaman(not set)Flute, Piano
52084B82C053-13A7-4FE8-B3D1-B5D5D5AB764250100035We GatherWe Gather Together, one of the most recognizable melodies in the world, has always transfixed audiences with its gentle beauty. In Michael Vertoske's poignant setting, doublings have been carefully crafted so that the work will sound full and lush with limited instrumentation. Whether you have a band of 15 or 115, this lyrical and expressive work will give your band a sonorous presence.Concert Band
52094B82E43F-08DE-4D6E-B1FB-8F2753A45CCASU81TraumereiTrumpet
52104B83880E-8A6F-4DF9-8821-4ADA4A68230020100370Mango TangoA pleasant rendition of a tango for grade 1 band. Once the students have clapped the opening unison rhythm, they will be amazed at how easily it translates to the horn, making this a very fun piece to play and to hear. Some question/answer segments between brass and woodwinds allow the director to stress the importance of listening to musical lines across the band to see how it all fits together as a whole. A terrific addition to the young band repertoire.Band
52114B8528FC-E35E-477E-A3B3-6571BC8BB668A255502Magnificat, Wq. 215(not set)2, 2, 0, 0 - 2, 3, 0, 0, timp, str (2.2.1.1.1), chorus
52124B87D6EA-C4B7-44F0-8D64-29F07D481365A815402Music for the Royal Fireworks, HWV 351 (Fireworks Music; Concerto Grosso No. 26) (critical edition)George Frideric Händel (1685-1759) was contracted to write Music for the Royal Fireworks, HWV 351 in 1749 by George II of Great Britain to be performed in London's Green Park on April 27 of that year as a celebration for the end of the War of the Austrian Succession. The suite was originally written entirely for wind instruments, as King George preferred only military instruments and expressed a desire that there be "no fiddles," so Händel reluctantly omitted the strings. The original wind band scoring consisted of 24 oboes, 12 bassoons and a contrabassoon, nine natural trumpets, nine natural horns, three timpani, and side drums, who were directly to play "ad libitum" as Händel wrote nothing for them. Händel re-scored the work for orchestra for a performance on May 27, 1749, at the Foundling Hospital, although the demand for the large winds remained. This edition of the orchestral score was completed by Hans Ferdinand Redlich in 1962 and was published as part of the Hallische Händel-Ausgabe. Instrumentation: 0.3.0.2+CBsn: 3.3.0.0: Timp: Hpschrd: Str (4-4-3-3-3 in set) (composer calls for tripling and quadrupling of wind parts, included in set).0.3.0.2+CBsn: 3.3.0.0: Timp: Hpschrd: Str (4-4-3-3-3 in set) (composer calls for tripling and quadrupling of wind parts, included in set)
52134B91F4F1-268B-4383-BBED-04258DC18B51M296191Three Sacred Songs(not set)Voice and Piano or Organ
52144B92C991-37AF-4570-9E20-58743D0114FDM395291Festival Procession (Feierlicher Einzug) for Organ Solo with optional trombones and timpaniWritten for a large brass ensemble by Richard Strauss (1864-1949) in 1909, the full title of this work is Feierlicher Einzug der Ritter des Johanniter-Ordens (Festival Procession of the Knights of the Order of St. John), TrV 224. This arrangement by Max Reger is for organ with optional trombones (2) and timpani.Organ and Optional Timpani and Optional 2 Trombones
52154B9844AF-2961-48BF-A3E4-03258DEF3A7DST769SerenadeTuba
52164BA4550F-9152-4CC8-985E-2654930001EDR00869Nine Slovak SketchesAvailable in USA/ Canada only3(1d Piccolo).3(1d English Horn).3(1d Bass Clarinet).3(1d ContraBassoon): 4.3.3.1: Timpani.Percussion(4).Celesta.Harp: Strings
52174BABFB0D-470C-421B-8C32-E78C807BD644M221591Sonatine BureaucratiqueWW5
52184BAEEA7B-97F9-4D55-856E-667C26006AE3SS55Impressions(not set)Clarinet Quartet
52194BB75E93-C613-432B-A7E8-4FB7671209FBRCST110COFive Etudes for Twelve FlutistsPiccolo, 10Flutes, Alto Flute
52204BBC2C1B-EFF3-4A57-B1A7-EB1AC493F088A141002Don Pasquale: OvertureDon Pasquale, regarded as one of the crowning gems of comic opera, had its first performance on January 3, 1843 by the Theatre-Italien at the Salle Ventadour in Paris. Gaetano Donizetti (1797-1848) completed it in the astonishingly short span of two months. The final success of his career, it quickly achieved popularity across Europe. The overture is unusual for Donizetti in that it introduces thematic material heard in the opera, such as the beloved aria Com'e Gentil. Instrumentation: 1+Picc.2.2.2: 4.2.3.0: Timp.Perc(1): Str (9-8-7-6-5 in set). Reprint edition.1+Picc.2.2.2: 4.2.3.0: Timp.Perc(1): Str (9-8-7-6-5 in set)