Titles
Showing 5,281-5,300 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 5281 | 4CA8A70B-C08E-4507-81E9-DCA4BD73BF05 | 50100111 | O Christmas Tree | Michael Vertoske has crafted an arrangement of stunning simplistic beauty. This familiar carol has been transformed into an instrument of heavenly tones and deepest reverence. It is the perfect vehicle to teach how a band sounds while leaving your audience with an indelible impression of enchantment. | Concert Band | |
| 5282 | 4CACA65A-2538-45C4-9D8E-2E04BE416CF2 | 10550199 | Introduction and Dance | A relatively short work that features a lyrical Introduction and technical Dance. Versions available from the publisher for tuba, cello, and string bass. | Tuba Solo and Piano | |
| 5283 | 4cadde87-9e3c-11f0-a418-0022482c9682 | SU851CO | Star Ship (Hoshi no Fune) for Saxophone Choir | Of this work, composer Yukiko Nishimura writes, "In Japan there is an old tale which has been told since before time began. Two of the most beautiful stars in the night sky are Altair, representing Man and Vega, representing Woman. These two lovers can meet each other only one time each year, on the night of July 7th. Living on opposite sides of the Milky Way, they have to ride a ship to meet each other on that night. If it rains, they cannot see each other because the river of light in the sky is swollen. The name of the star ship that Altair and Vega ride is called 'Hoshi no Fune'. I wanted to express in music the pain of these separated lovers." | Saxophone Choir | |
| 5284 | 4CAE7F32-EDE5-4F81-9AA2-0FE968C5D7EC | M106991 | Three Piano Pieces, Op. 11 | Three Piano Pieces (Drie Klavierstucke), Op. 11 is an early set of atonal piano solos by Austrian composer, Arnold Schoenberg. Pieces included: 1. Massige Viertel 2. Massige Achtel 3. Bewegte Achtel | Piano Solo | |
| 5285 | 4CB06BE3-1705-4D78-89B5-D7298F33DA6A | R00633 | Saxophone Concerto (piano reduction) | Grade V. | Alto Saxophone, Piano ReductionReduction from:Alto Saxophone Solo 2(1d Piccolo, Alto Flute).2(1d English Horn).2.2: 2.1.1.0: Timpani.Percussion(2).Piano.Harp: Stringsor Alto Saxophone Solo2+Piccolo.2+English Horn.3.2.ATB sax: 4.3.3.Euphonium.1: T | |
| 5286 | 4cb72987-9e3c-11f0-a418-0022482c9682 | SU854 | Tex in Brass | TEX IN BRASS is a Classical Concert work for Brass Quintet inspired by TEX, the longest-lived Italian comic first published by Bonelli in September 1948. The series is an Italian interpretation of the American Old West, inspired by the classical characters and stories of American Western movies and history. This work is divided into eight vovements and conceived as a unique emotional journey into the "Wild West" world of the popular TEX comic. Movements: 1. Rangers; 2. The Night Eagle; 3. In Tucson; 4. Saloon!; 5. El Muerto; 6. The Ghost Chariot; 7. Canyons Dawn; 8. Golden Horses. | Brass Quintet | |
| 5287 | 4cbef275-9e3c-11f0-a418-0022482c9682 | SU856 | A Hymn for the Lost and the Living | After witnessing the tragic aftermath of the September 11, 2001 attack on New York firsthand, Eric Ewazen composed this as a memorial to those who lost their lives, and as a tribute to the resilience and determination of those left behind. Available for band, orchestra, solo trumpet with piano, and solo piano. (2002/2024) Ca. 9' | Solo Piano | |
| 5288 | 4CC2180E-6EE1-4252-AA40-056689327959 | R00072 | The Glass Bead Game | Commissioned and recorded by the Louisville Orchestra. Inspired by the novel by Hermann Hesse. | 3(2d Piccs).3(1d EH).3(1d BCl).3(1d Cbsn): 4.4.3.1: Timp.Perc(3).Pno.Clst.Hp: Str (min. 11.11.8.8.6) | |
| 5289 | 4CC324E6-2C63-46C9-925B-2457308DE263 | SS164 | Romance No. 3 | This version of Schumann's Opus 94 has been transcribed for Bb clarinet by Harry Gee. | Clarinet | |
| 5290 | 4CC4933D-0D7C-4BD9-A734-D2838FD7DF09 | A917602 | Carmen: Fantaisie Brillante on Themes from the Opera, Op. 3/3 for Solo Violin and Orchestra | Though Hubay was best known as a violinist, he also distinguished himself as a composer. His FANTAISIE BRILLANTE was written in 1877. Demanding considerable technique, it contains the opera's greatest highlights. Instrumentation: Solo Vn: 2.2.2.2: 2.2.3.0: Timp.Hp: Str (9-8-7-6-5 in set). | Solo Vn: 2.2.2.2: 2.2.3.0: Timp.Hp: Str (9-8-7-6-5 in set) | |
| 5291 | 4CC81C6D-297E-4DA3-B435-0A5B0A412FCB | M400891 | Romanian Folk Dances | Bartok's suite of six short Romanian Folk Dances is here arranged by Janos Stark for cello and piano. I. Joc cu bata II. Braul III. Pe loc IV. Buciumeana V. Parca Romaneasca VI. Maruntel | Violoncello and Piano | |
| 5292 | 4CCA11DA-8B82-4F62-BADD-5B894A24676F | RCSS204 | Scherzino: Also in 24 Short Concert Pieces | Flute, Piano | ||
| 5293 | 4CD0C2C8-BCF3-4FCB-BD12-D2E2B091ACFA | 10370103 | 48 Folk Songs for Strings | When arranged in systematic and progressive order, our rich heritage of folk music offers a welcome addition to the literature for elementary string instrument instruction. Although this edition is not the first to present such material in practical form, it is unique in that it is organized in such a way that it may be used to supplement any string method in which finger patterns are introduced as special units of study. The purpose of this edition is two-fold: first, to provide tuneful and interesting material for the beginning and intermediate string class at the elementary school level and, second, to provide easy solo literature for the violin, viola, cello or double bass student in a school or private studio situation. This version of 48 Folk Songs has been edited by Lynne Latham for today’s string practices. Piano Accompaniment is available separately. | Viola | |
| 5294 | 4CD1ED9A-35B6-4412-90C5-9B10A0219451 | A152202 | Peer Gynt: Suite No. 1, Op. 46 | The great Norwegian playwright Henrik Ibsen's poem "Peer Gynt," one of his greatest works, tells the tale of a young man so full of bravado, exuberance of spirit, wanderlust, and wantonness, that his road will inevitably lead to perdition unless saved by a woman, much as in Goethe's "Faust." The likewise great Norwegian composer, Edvard Grieg, was asked by Ibsen in 1874 to write incidental music to accompany the play, to which Grieg reluctantly agreed. Over a decade after composing the full incidental music, Grieg extracted eight movements and divided them into two four-movement suites, both of which were highly successful and the only way one could hear the music Grieg wrote for the play for many years as the original score was not published until 1908, one year after the composer's death. "Suite No. 1" includes: I. "Morning," II."The Death of Åse," III. "Anitra's Dance," and IV. "In the Hall of the Mountain-king." To make this edition as accessible as possible, clarinet, trumpet, and horn include both the original instrument key and a transposition part to those instrument keys in common use today. The tenor trombone parts, originally written in tenor clef, also include a bass clef part for ease of use. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(2): Str(9.8.7.6.5). Reprint edition. | 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(2): Str(9.8.7.6.5 in set) | |
| 5295 | 4CD27DF0-213F-47FE-BA44-764344849708 | M277191 | Spanish Dances, Book 2 | (not set) | Violin and Piano | |
| 5296 | 4CD6AB69-A2FC-441E-AF13-5EC47CA95583 | SC530 | All Things Bright and Beautiful | The movement in this piece is largely scalar in nature with a very easy vocal range. Version for SA and SSA are both available from the publisher. | Sa | |
| 5297 | 4CE47654-3C88-4E96-9AE9-706CD885CCBC | 50130012 | Mock Morris (flex band) | Evoking 'jog trot' images and moving steadily from beginning to end, this wonderful tune is classic Grainger. This setting of the Joseph Kreines edition for flexible instrumentation was arranged by Aric Branchfield. | Any SSATB combination of instruments with optional percussion, from 5 players through large ensembles | |
| 5298 | 4CE5D336-C3A7-4D9A-A202-E555B98C56B0 | X814005 | Silentium | Medium Voice, Piano | ||
| 5299 | 4CE7E2E9-F47B-45A8-852A-C575565FD178 | SU318 | Vocalise | Due to the origins of this piece as a vocal work, performers are encouraged to consider alternate styles of articulation. One alternative interpretation can be seen on the piano score. The artist performer is free to create their own interpretation of this masterpiece. | Soprano Sax | |
| 5300 | 4CEC0758-D6D2-41BB-B63A-10E72E746A7A | SS818 | ANDANTE AND ALLEGRO (O |