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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
52214BBFC92D-EF3E-4653-8B24-FDDCF1BEAFFC20250480Fiddle-A-JigA fun and enjoyable introduction to Irish 'Jig' style and 6\8 meter, this is a great repertoire addition for advancing players. While staying in first position, it offers challenges of hooked bowing, several tempo fluctuations, and a coda. It is a combination of new elements while not being overly taxing, technically. The included piano part can be used as a rehearsal aid or to bolster confidence during performance.String Orchestra
52224BBFD962-A801-48BF-8E05-AF5879E2B9FDR00567Symphony for String Orchestra: In Memory of the Courage of Soviet EmigresString Orchestra
52234BC0DE27-0EF4-42FD-85EE-ECF3B4D1F562J1520024 Nocturnes CompleteNight Pieces - Nocturnes - have inspired beauty, romanticism, and deep expression in many composers. The writing of 24 NOCTURNES was an exciting 7-year journey for Jackson Berkey, culminating in September 2014 with his NOCTURNE in C minor. Following a harmonic path similar to Bach, Chopin, and Shostakovich, Berkey traverses the "Circle of Fifths," alternating between 12 major and relative minor keys, with developments often leading him into modes. From an explosion of fireworks to the last smoldering ember, there is a Nocturne for every experience. Many of Berkey's Nocturnes also emulate existing keyboard works from some of his favorite composers of the last four centuries. Whether it be elegant introspection or soaring expressionism, the range of compositional temperament in 24 NOCTURNES is an obvious pianistic challenge offering great rewards in technique, color, energy, and piano resonance in performance. Pre-written program notes for each of the 24 NOCTURNES are included in the collection. Titles: No. 1 in C Major - Remembering Serge Prokofieff; No. 2 in A minor - Heartbeat; No. 3 in G Major - Homage to Claude Debussy; No. 4 in E minor; No. 5 in D Major - Sunny Blues; No. 6 in B minor - Homage to Fryderyk Chopin; No. 7 in A Major; No. 8 in F# minor - Homage to Johann Sebastian Bach; No. 9 in E Major - Homage to Thomas Campion; No. 10 in C# minor; No. 11 in B Major; No. 12 in G# minor - Homage to Sergei Rachmaninoff; No. 13 in F# Major - Homage to Robert Schumann; No. 14 in Eb minor - Mourning the Loss of a Friend; No. 15 in Db Major; No. 16 in Bb minor; No. 17 in Ab Major - Liebeslied ohne Worte; No. 18 in F minor - Remembering Wittgenstein and Ravel; No. 19 in Eb Major - Homage to Emily Dickinson; No. 20 in C minor - Music in the Night; No. 21 in Bb Major - Nobility; No. 22 in G minor; No. 23 in F Major; No. 24 in D minor.Solo Piano
52244BC51CD9-9962-4618-A0D6-6D5E65A9AFE2M238091Mirages, Op. 113(not set)Voice & Kbd
52254BCD1809-5004-4137-865D-F042BF38515BA259802Requiem, Op. 48 (final version, 1900)Gabriel Faure's (1845-1924) REQIUEM, Op. 48, is the best known of the composer’s large works. Seemingly not written for the death of any particular person, he wrote of the work, "Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest." Though first written in 1887-88, this final version for full orchestra was completed in 1900, and it is this version that was performed at Fauré’s own funeral in 1924. Instrumentation: 2.0.2.2: 4.2.3.0: Timp: Hp.Org: Str (9-8-7-6-5 in set): Soli Sop. and Bar: Mixed Choir. Reprint edition. Study score.Soli Sop. and Bar: Mixed Choir: 2.0.2.2: 4.2.3.0: Timp: Hp.Org: Str (9-8-7-6-5 in set)
52264BD2E612-7AB3-4855-BA3B-7A37F9F614F7M221091Pavane pour une infante defunte (Pavane for a Dead Princess) for Oboe and PianoOriginally written in 1899 by Maurice Ravel (1875-1937) for solo piano, and later orchestrated by the composer, Pavane pour une infante défunte (Pavane for a Dead Princess) remains one of the enduringly popular of Ravel's works, though the title can be a curiousity for many. Ravel said of the work, "Do not attach any importance to the title. I chose it only for its euphonious qualities. Do not dramatize it. It is not a funeral lament for a dead child, but rather an evocation of the pavane [a stately, 16th-century Spanish court dance] which could have been danced by such a little princess as painted by Velázquez." This version for oboe and piano has been transcribed by Alfred Piguet. Reprint edition.Oboe and Piano
52274BDABDB5-43D4-4F4A-9272-4C90AEDD9996X632504A Vanished World for Flute, Viola and HarpCommissioned by Music of Remembrance, A Vanished World is a 12-minute work, described as "a kind of aural snapshot of the pre-war world of East European Jewry, living on the edge of the abyss." Recorded on the Innova label and dedicated to Mina Miller.Flute, Viola, Harp
52284BDD9EBC-7B53-4059-975E-46844984CD21S986CBHolly and the Good King, TheIf you’re looking for a Christmas carol arrangement that is beyond the standard fare, look no further. David Mairs brings in his arrangement two bright and cheery holiday favorites, delivering a happy romp through the English countryside and a bit of fun and dancing with the Good King, who brought along a twinkle in his eye and his old favorite rock guitar!Concert band
52294BDFFB63-7F08-44C3-B393-D9F50E04FF2ES110016TWhispers and Landings
52304BE28CAF-4F5E-42EF-B82A-0783538DEE2225200253Divertimento for Brass Quintet and Orchestra(not set)Brass Quintet, Orchestra
52314BE75E4B-61D6-4F69-B5C4-C6D9DF70361BS895CBThe Picadore MarchPart of the "New Sousa Band Editions", this title has been arranged with the modern concert band instrumentation in mind while returning to the original sound and style as it was performed by the Sousa Band.Band
52324BEBBADC-E2B6-4ED7-93EA-93435C0B696BA269002Missa Brevis in B-flat, K. 275/272bThe MISSA BREVIS IN B-FLAT MAJOR, K. 275/272B, is an economical, yet intimate treatment of the Latin text by Wolfgang Amadeus Mozart (1756-1791). The work is further condensed by the fact that it requires different texts to be sung simultaneously. It places a stronger emphasis on the solo singers than in the D Major Mass, K. 194, to which it is sometimes compared. The earliest known performance took place on December 21, 1777, in the year that it was probably composed. Among the soloists, the castrato Francesco Ceccarelli received praise for his performance. The autograph score has not survived. Written originally for just 2 violins and contrabass in the string section, this edition also includes a viola part (not indicated in the score) and an extra contrabass part should the inclusion of a cellist be desired. Instrumentation: Org: Str (2.2.1.1.1 in set): Solo SATB. Mx Chor. Vocal score available separately from LudwigMasters (W727891).Org: Str (2.2.1.1.1 in set): Solo SATB. Mx Chor
52334BEF47F0-22BC-4EE4-AFF0-B1454C030A6CSS349Cadenza (for any Mozart Concerto)Horn Unaccompanied
52344BF0E794-C8BF-4B7D-9403-127C057506D918512008Con Bravura(not set)Trumpet Coronet Trio
52354BF0FCA1-39C3-4249-99FA-F5980CCE952FM203391Guia Pratico, Book 2In effort to reform the music educational system of Brazil during his tenure as Superindendência de Educação Musical e Artistica, Heitor Villa-Lobos (1887-1959) compiled folk songs from various parts of the country in a multi-album series called Guia prático. This collection of piano pieces is from that collection. 1. Brinquedo (Le Jouet), 2. Machadinha (La Hachette), 3. Espanha (L'Espagne), 4. Samba-le-le, 5. Senhora Dona Viúva (Madame Veuve).Solo Piano
52364BF7E688-0452-4EE7-9719-D88EED016ED8R00976Celebration at Vanderburgh(not set)2+Piccolo.2+English Horn.2+Bass Clarinet.2: 4.3.3.1: Timpani.Percussion(3).Harp: Strings
52374BF8BFC7-509A-40CA-B52E-ACDDC6EE7EEC50100163Aria: Without WordsThis beautiful composition explores the rich sonority of the concert band. It has good parts for every performer and will demand the utmost control and sensitivity from both conductor and player. Words would only get in the way.Concert Band
52384BFF9E65-68AE-46E4-A360-6EB0B612FEF7M325991Lieder Des AbschiedsErich Wolfgang Korngold (1897-1957) composed a song in 1915 titled Österreischischer Soldatenabschied (Austrian Soldier's Song of Farewell) for the Austrian War Relief Fund. This work inspired the set of four songs titled Lieder des Abschieds (Abschiedslieder; Songs of Farewell), Op. 14, each contemplating the unwilling separation of loved ones, which was written between 1920 and 1921 for alto and piano. These melancholy works are considered among Korngold's finest songs. Songs: 1. Sterbelied (Requiem); 2. Dies eine kann mein Sehnen nimmer fassen (The one thing my desire can never comprehend); 3. Mond so gehst du wieder auf (Moon once again you rise); 4. Gefasster Abschied (Calm Farewell) - this is based on the earlier Österreischischer Soldatenabschied. This version was first performed on November 5, 1921, in Vienna, the composer on the keyboard. Korngold also conducted the premiere of his orchestral version on January 14, 1923, also in Vienna.Medium Voice and Piano
52394C0315BC-15D6-4F4B-B448-51D5883D83C3MP816503Three Donald Hall Songs for Medium Voice and Mixed QuintetThe Piano Reduction is offered for sale within the Hal Leonard collection Concert Songs, Vol. 1 (HL00117085). NOTE: the ensemble parts match only the Medium voice version, which is the original version. The High version is a transposition. Movements: 1. Horse Song, 2. O Cheese, 3. Wheel of the Oxcart. Written for medium voice, flute, clarinet, horn, cello, and piano.Low or Medium Voice, Flute, Clarinet, Horn, Cello, Piano
52404C084DE8-DDE4-4419-95D5-2BAD6E5C3AB820100757Bobsled RunLloyd Conley vividly captures the feel of the cold wind in your face as you careen down the bobsled course. The magic of winter is evident in this captivating work, with some mild technical challenges such as repetitive eighth-note patterns for all sections. An excellent choice for the holiday concert, but you can program this work at any time of the year. Take a ride!Band