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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
48814674994F-A3F0-44DF-914B-887EEA879323M911902Tannhauser, Grand MarchConcert Band
4882467AC181-D257-4028-8D45-0E4D03D03062X940023I Find You in All These Things of the WorldSSATB Chorus
488346819E03-E7BF-4354-8C4E-47C53D5A64DBR01208The Shadow of DawnFive poems by Paul Laurence Dunbar set to music.Soprano Solo, Piano
48844681A483-3822-4502-AE93-B042CA23D4BB10250015Pastoral(not set)String Orchestra
488546838F57-8AFF-40F3-B88F-D4CFAC056138R01198String Symphony in G MajorArrangement of String Quintet No. 2, Op. 111 by Johannes BrahmsString Orchestra
488646864D1A-192E-4F33-9C7F-0CF531E4762120100728Canal Street FestivalScored to help your band achieve a full, mature sound. Unison low brass and woodwinds will help provide the confidence and support young players need. Toss in a few non-traditional percussion instruments such as large spoons and metal pots and you have just the recipe for a concert.Band
4887468A8E77-A8F4-46AC-A318-B771FC86D75D50250198Arco Polo for Multi-Level OrchestraThis engaging piece for string orchestra is appropriate for any time of the year but would be especially fun for a summer orchestra concert. Arco Polo is the musical depiction of the well-known swimming pool game “Marco Polo.” The piece begins tutti pizzicato, but then the instruments “call out” to each other using their bows. Students and audience members can listen for the following: The calling and answering (sections take turns), playful splashing (grace notes between letter C and letter D and at the end), the annoyance of the violin sections when their calls are not answered (letter G), and the underwater response of the cellos and basses (near the end). This is a multi-level piece which makes it a practical choice for an orchestra which has students at varying skill levels. At its core, it is a level 1.5 piece and can stand alone as such, but with the addition of the advanced violin, viola, and cello parts it becomes even more challenging and fun. For yet another layer of fun, there is an optional improvisational section (between D and E) where students are randomly (perhaps secretly) selected to be the “caller” and the rest of the orchestra answers. As an extra surprise for the orchestra and audience as well, an audience member could be cued to call out to the orchestra.String Orchestra (side by side Grades 1 and 3)
4888468EA44A-BBE4-45AC-BF7D-5351C154FC91R140CONCERTO FOR CLARINET
488946931E59-4BFD-4E29-94D8-6E364908CFC1MP205004Anniversary RagCommissioned by WQXR for the 40th Anniversary of the Young Artists Showcase, hosted by Robert Sherman. Premiered by the Gaudete Quintet at The Greene Space, New York City, on October 24, 2017.Brass Quintet
489046933DD0-DAC2-43E2-A700-7E17413F89AAM315691Cantabile Et Scherzett(not set)Cornet (or Trumpet) and Piano
48914694CD76-FE55-48B0-BBA8-14C736AD0F5FM163891Romance, Op. 4Austrian-born American violinist and composer Friedrich "Fritz" Kreisler (1875-1962) wrote this Romance, Op. 4 in 1910.Violin & Piano
48924695663D-7D56-4A51-A635-F2AA8C299977S131016Concerto in A Major, KV. 622 for Basset and Clarinet in A and PianoCharles Neidich is among the world's foremost authorities on Mozart's masterful Concerto in A for Basset Clarinet, KV. 622. This publication presents Neidich's full reconstruction of the original basset clarinet part, as well as a carefully revised solo part for the standard clarinet in A, based on Mozart’s autograph fragment and important early editions. This edition is a must for any clarinetist who wishes to perform and study one of the most important concertos ever written for the instrument.Clarinet, Piano
48934695A4DA-EA6C-4550-BBDB-A96601A25FDBW718691Musical Recreation: Suite No. 3 in E-flat and Suite No. 4 in E minorThis collection of six suites for two violins and basso continuo (keyboard and violoncello) were written as chamber dinner or dance music. Editor Fritz Zobeley has updated these works to notate common performance practices of Pachelbel's time. A total of three volumes, with two suites in each, are available from the publisher.2 Vn, Vc, & Kbd.
48944695B695-73E7-4CB4-A569-00CE1FB817E8ST429Four EtudesGuitar Unaccompanied
489546965A34-0C5F-4E1A-A268-6862AE6F7381S539CBFestival Concert March(not set)Concert Band
4896469EEEEA-34EC-4BE1-A75C-253E4C6ABB86R01192Croak (The Last Frog)Soprano, 2 Mezzo-Soprano,  Contralto, 2 Tenor, 3 Baritone, Women's Chorus, Men's Chorus, Violin, Cello, Bass, Piano, Percussion, Synthesizer
489746A15E99-8B8C-4DBD-9458-8273931F37B3A938590Three Botticelli Pictures (Botticelli Triptych)THREE BOTTICELLI PICTURES (TRITTICO BOTTICELLIANO or BOTTICELLI TRIPTYCH) is a set of pieces by Ottorino Respighi (1879-1936) meant to evoke three paintings by the painter Sandro Botticelli: La Primavera (Spring), L’Adorazione dei Magi (The Adoration of the Magi), and La nascita di Venere (The Birth of Venus). Spring is light and lively with birdsong and danceable rhythms, The Adoration of the Magi borrows from the Christmas songs "Veni, Veni Emanuel" and "Tu scende dalle stelle", and The Birth of Venus evokes the gentle waves in the painting. Respighi dedicated the piece to prominent music patron Elizabeth Sprague Coolidge. Instrumentation: 1.1.1.1: 1.1.0.0: Perc(2): Clst.Pno.Hp: Str (9.8.7.6.5 in set). Reprint edition.1.1.1.1: 1.1.0.0: Perc(2): Clst.Pno.Hp: Str (9.8.7.6.5 in set)
489846A4D21A-0442-42C8-9471-93874CCD042810604240Suite of FiveSuite of Five by Richard Jacoboice is a five movement suite for percussion ensemble. Each movement can be performed by four to seven players. Required instruments: snare drum, tenor drum, claves, hand cymbals, triangle, bass drum, marimba or xylophone, timpani.Multiple Percussion Ensemble
489946A6B2FA-19B6-4B67-98DE-B9EB7953785910100427Patriotic Overture, AA Patriotic Overture takes its melodic, harmonic and rhythmic components from three well-known American patriotic songs: America, the Beautiful; The Battle Hymn of the Republic; and Columbia, Gem of the Ocean. At no time does the composer try to arrange a medley of these works. Rather, Mr. Hearshen has composed a totally new work that uses fragments of known material in such a way as to always give the audience the sense of comfort that comes from familiarity. The composer’s affection for these tunes and what they represent is at the heart of the work. He has successfully used them in a contemporary setting without obscuring their essence.Concert Band
490046A73DD0-08F7-4D03-A7E3-FD678BEA5620M201491Concerto for Viola in G, TWV 51:G9Georg Phillipp Telemann (1681-1767), among the most prolific composers with 900 or so works, is also notable for having written the first concerto for the viola. Written in four movements rather than the three that would later become standard, his CONCERTO FOR VIOLA IN G Major, TWV 51:G9 remains among the most popular for the instrument and bridges the gap between the high Baroque style and the lighter style galant that was emerging at the end of Telemann's life.Viola and Piano