Titles
Showing 4,821-4,840 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 4821 | 456973C1-D168-4862-9E7A-6871032EC6A0 | R00746 | Transformations | Commissioned by Public Radio station WGUC for the Starling Chamber Orchestra, Kurt Sassmannshous, Director and violist Paul Yeage. Dedicated to Dorthy Delay in homage to her extraordinary contributions to string playing. Premiered on May 10, 1994 at the Alice Tully Hall, Lincoln Center, New York. | Violin SoloString Orchestra | |
| 4822 | 4571EA9F-0E2C-41D7-AAB6-5A34FDD4C073 | SC151 | Sleep, Sleep Beauty Bright | Ssa | ||
| 4823 | 4572F064-C2C8-4604-9792-282473249BEC | MP814032 | From the Diary of Sally Hemings | |||
| 4824 | 4582ED35-A6F4-4B8B-882A-78196F67B3CB | S910 | Trombones Rule | (not set) | (not set) | |
| 4825 | 45869110-6F10-42BA-B4AA-6CCDD65DA0AA | M263791 | Six Studies in English Folk Song for Double Bass and Piano | Originally written in 1926 for cellist May Mukle with piano accompaniment, this collection follows the same format for each of the six English folk songs: presentation of the tune in the solo line, followed by a full iteration of the folk song in the piano with an ornamented solo line. Writing that his aim in setting the songs was for them to be "treated with love," Williams also transcribed these songs for violin, viola, and clarinet (all three available from the publisher along with the cello version) among other instruments. This version for double bass and piano has been edited by Lucas Drew. The first five songs in the collection are slow and quiet while the sixth, in contrast, is marked Allegro Vivace. Songs: I. Lovely on the Water, II. Spurn Point, III. Van Dieman's Land, IV. The Lady and the Dragon, V. She Borrowed Some of Her Mother's Gold, VI. As I walked over London Bridge. | Double Bass and Piano | |
| 4826 | 45869B84-9B5C-4F3D-A052-144016B90D15 | A110902 | Church (Organ) Sonatas, Vol. I: Nos. 1-8 (K. 67, 68, 69, 144, 145, 212, 224, 225) | Set Of Parts-22111 | ||
| 4827 | 4586DC5E-331C-45CE-B08A-4B5C7D1C9C5A | B333 | Flutist's Repertoire | Flute | ||
| 4828 | 4589F7E5-2DAF-434B-AE65-4918EBA062F8 | A331602 | Ruddigore, or the Witch's Curse (1920 revision; Norris and Toye) | 2, 1, 2, 1 - 2, 2, 2, 0, perc, str (2.2.1.1.1) vocal soli (9 roles, SSAATBBBB), chorus | ||
| 4829 | 458A626D-1092-4660-BA16-96725574C325 | 20100292 | Shofar | (not set) | Concert Band | |
| 4830 | 458C12D1-8398-45BE-B0A6-5A27BD46F5B2 | 10530423 | Meditation and Celebration | Teaching courses in music theory and composition at Drake University, William P. Dougherty has published a number of articles in books and journals and has received the National Endowment for the Humanities Fellowship award twice. Meditation and Celebration, dedicated to Paul Droste, was published in 1986. The solo euphonium part can also be performed on trombone. | Euphonium and Piano | |
| 4831 | 458CF931-9AE4-46F3-9207-DABBB04511EE | SC697 | So, We'll Go No More A-roving | (not set) | Sab | |
| 4832 | 458E3F74-E55A-4C3C-9141-881B50EBD4ED | W113491 | Recitative and Scherzo | (not set) | Violin Solo | |
| 4833 | 458E475B-2280-469B-9DED-EAC8F66BA094 | R01325 | Fanfares and Laments | (not set) | 2(2d Picc).2(1d EH).2 in A(1d BCl).2(1d Cbsn): 2.2.0.0: Perc(2).Pno: Str | |
| 4834 | 458FBCB7-B71E-4C49-886B-61551282EB04 | ST645 | Pensamiento | Flute, piano | ||
| 4835 | 45983FE1-1355-4E7C-B913-AC9DFC7AF221 | SO165C | Twelve Days of Christmas | Twelve Days of Christmas is a time-honored holiday favorite, equally popular with young and old. This arrangement for developing orchestra creates a festive mood with a warm introduction presented by solo violin and cello, which leads into several contrasting variations of the tune. A minor variation provides a moment of reflection, which paves the way for a stirring chorale version of the melody, concluding with a sweeping finale. This intermediate arrangement is idiomatically written for developing string players, and is scored in the lower positions to allow directors to focus on blend, intonation and rhythmic accuracy. All sections are given interesting material to play. An optional part for orchestral bells provides a sparkly flavor to the piece. | String Orchestra | |
| 4836 | 45A189CB-41EA-45C9-A8AB-950D2B69CE01 | 10100336 | Gladiator March, The | Symphonic Band | ||
| 4837 | 45A3E1E6-5914-40A0-B128-E12F9FD17EE3 | R00972 | The Tortoise and the Hare | From Three Fun Fables. Features clarinet and contrabassoon solos. | Narrator 1.1.1.1(d ContraBassoon): 1.1.1.0: Percussion(1+1 optional).Harp: Strings | |
| 4838 | 45A747B3-68A2-4542-BA0E-8A059F1D5389 | M135091 | Duet In G for Flute and Violin | (not set) | Flute and Violin | |
| 4839 | 45A8C939-08D8-46F1-9990-37D29A98CF39 | A706702 | Pastorella for Christmas in G Major, IGW 8 | Gregor Joseph Werner (1693-1766) was a composer in the Baroque style. An Austrian, he is best known for preceding Joseph Haydn, with whom he had a difficult relationship, as the Kapellmeister of the Hungarian Esterházy family. Most of his works are written in a strict contrapuntal style, although few were ever printed and most are lost. This edition of Werner's Pastoral for Christmas (Pastorella zur Weihnacht) in G Major was completed by Ernst Fritz Schmid. Instrument: String Orchestra (2-2-2-1-1 in set): Organ in Sc. | String Orchestra (2-2-2-1-1 in set): Organ in Sc | |
| 4840 | 45AF881A-F4F0-4779-BE18-7718C1FECBE1 | 10100099 | Trauermusik, K. 477 | Considered to be one of Mozart's most important works, Trauermusik was written late in the composer's career. Without changing Eric Osterling's masterful transcription, this re-release with newly engraved parts and a full score has been carefully edited from the original orchestral score. It is music of enormous emotional impact that will add a touch of class to any concert program. | Concert Band |