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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
4741444F2A13-EEC8-41F1-B6F2-5C30D01F3745R01123King Mangoberry's Triumphant EntranceCommissioned by the Dayton Philharmonic Orchestra, Isaiah Jackson, Music Director, in celebration of its 60th Anniversary. This work has also been rewritten to function as the first movement of Ricardo Lorenz' KING MANGOBERRY: FIVE ALLEGORIES FOR WIND SYMPHONY, though this version remains unrevised to maintain its suitability as a stand-alone work.Picc.2+EH.2+BCl.2+Cbsn:  4.3.3.1: Timp.Perc(3).Pno
47424453D68E-76B9-4C1E-B5A8-8AEEFE2431F4BSMCM102Buckeye Pride: Ohio the Heart of It AllThis piece is especially well suited for junior and senior high school choirs in the State of Ohio.SATB, Keyboard
4743445611DE-173F-47F5-870E-7F68CCA1BF58M191891Sonata, Op. 98(not set)Organ
47444458C621-1451-4309-AB07-69F22B301D46X637303Triple Crown for Cello, Piano and PercussionThe five movements utilize a variety of textures, including overlapping cadenzas in the fourth movement.Cello, Piano, Percussion
474544618ACE-252A-4B06-826B-2630536851E4SC795Our Flag(not set)SATB
474644658FE2-E792-45C1-AF70-33A0F4858D1AA012690Nocturne2, 2, 2, 2 - 2, 2, 0, 0, timp, str
47474467CFBF-47B5-4F07-BED7-5391A8E05B66M805790Spanish DanceString Orchestra
4748446A8A9E-9103-4EFC-BCB0-9F941530D6F950250121Revelry for String Orchestra and PercussionYour students will revel playing this quirky march in which they learn new chromatic notes. Other teaching points include brief 2nd position for violoncello, dotted rhythms, hooked bowings, trills, glissandi, and some syncopation. With staccato and accentString Orchestra, Percussion
4749446E317C-5A28-4131-8AF8-768027456445SU525Lyrical Concerto (baritone saxophone)Proctor composed Lyrical Concerto for serpent enthusiast Craig Kridel. The work was later champoined by bass trombonist Douglas Yeo who ultimately performed it with the Boston Pops Orchestra conducted by John Williams. In three connected movements, the concerto explores in a clever and unpretentious way the full range of the performer's capabilities, and includes an optional part for medeival cupped bells inspired by Craig Kridel's performance. Although specifically composed for serpent, this cheerful and melodious music is also well-suited and has been transcribed for bassoon, baritone sax, bass clarinet, trombone/euphonium, and tuba.Baritone Saxophone, Piano
4750446E3F66-723B-4571-9CB3-B7EBF521FEBDB354902Irish Suite: III. Rakes of Mallow for Band - NOP see Alfred 00-30836concert band
475144710C65-A9A4-4D4A-902E-A233B976E45EA278302Lakme - Act II No. 10: Bell Song: Ou va la Jeune Indoue2, 1+1, 2, 2 - 4, 2, 3, 1, timp, perc, hp, str, solo [soprano]
47524483CC0D-BA5A-454E-9A7C-C19FD044663350100126Second PreludeThe only solo Piano pieces for concert performance which Gershwin wrote were five Piano Preludes which he himself premiered in December of 1926 in New York City. Of the original five, three have remained, having been published in 1927. Of these three the SECOND PRELUDE is by far the most popular. Cast in a simple song-form (ABA) its plaintive “blues” melody unfolds and is gradually developed through a richly harmonic accompaniment into a contrasting “Con Moto” middle section, whereupon the original theme returns and the piece ends in quiet repose. The overall mood is one of contemplation and introspection.This version of SECOND PRELUDE is arranged for Concert Band by John Krance and has have attempted to capture the mood and beauty of the original piano score.Concert Band
47534483FC9A-C481-4043-8466-7968E08C6D3210540115Introduction and Polonaise for Euphonium and PianoDedicated to the famous conductor and solo cornetist for John Philip Sousa , Frank Simon, this piece for the advanced player is in the style of an early 1900s military band solo feature. Versions for trumpet and baritone are available from the publisher.Baritone B.C. Solo and Piano
4754448A7FC1-CE3E-4F67-9661-161313D0534852783009Pizzicato ScherzoA very playable piano part intertwines with the string parts for this fun work in C major. Great practice for quickly executed pizzicato passages.Piano Trio (Violin, Violoncello, and Piano)
47554490068F-541C-417E-95D9-E2DBB5F4FD0BSS992International Folk SuiteMovement titles: I. In the Town (France), II. Carol of the Bagpipes (Sicily), III. The Wassail Song (England), IV. Sumer Is Icumen In (England), V. Lovely Moon (Germany), VI. Valencianita (Venezuela)Tenor Sax and Piano
4756449EBFB6-9270-47E6-A2CF-0C0DFEB4B9C750250111Marche SlaveThe key has been transposed to G minor for better accessibility and the percussion parts have been retained. This will be a fabulous addition to the string orchestra program.String Orchestra
475744A49763-D041-44CD-8070-1B3C2E0B5D3FSS207Petite Suite Pittoresque (out-of-print)Flute
475844A4BF03-E872-4BFC-AEAE-FA0283A114F7A687302Die Lustige Witwe (The Merry Widow): Vilias Sang1, 1, 2, 1 - 2, 2, 1, 0, perc, str, solo cornet (trombone) in set
475944A7AE1E-A3B8-4DD8-823E-7305C2AD9E68X304003Four Corners for Marimba QuartetA 10-minute work for marimba quartet in two contrasting movements. Recorded by Brett Dietz with members of the Hamiruge ensemble, Louisiana State University.4 Marimbas
476044AC1D15-0D54-480B-9E82-6E90F28BB323M287191D'un Matin de Printemps for Violin (or Flute) and PianoLili Boulanger originally composed D'UN MATIN DE PRINTEMPS for violin and piano in 1917. Later that year the piece was adapted for violin, cello and piano as well as for flute and piano by the composer. Boulanger wrote the orchestral version at the beginning of 1918 and was the last orchestral work she composed before her death later that year. Reprint edition.Violin (or Flute) and Piano