4638080C-A460-413C-8657-2A0E8C9F50B2
| ID | 4638080C-A460-413C-8657-2A0E8C9F50B2 |
|---|---|
| Titlecode | X504029 |
| Title Name | String Quartet No. 2: Turning, Returning |
| Marketing Copy | Conceived from the fascinating notion that seemingly epic dreams take place in only seconds of actual time, a single musical idea is presented in a variety of speeds, sometimes working in layers of tempo against a steady pulse. |
| Instrumentation | String Quartet |
| Commission | Commissioned by Peter and Wendela Moes, 1992. |
| Dedication | (not set) |
| Program Notes | “Turning, Returning” is about sleeplessness caused by turning and returning an idea around in the mind. This, of course, happens at night when it seems impossible to let it go until morning. Different kinds of dreams and nightmares inspired the music. Fascinated by the fact that epic dreams might take only seconds of “real time,” I have attempted to capture that dichotomy by presenting a single musical idea in a variety of speeds, sometimes working in layers of tempo against a steady pulse. |
| Title Brand | 2 |
| Year Composed | 1991 |
| Copyright Number | (not set) |
| Copyright Year | (not set) |
| Duration | 15 |
| Ensemble Size | 4 |
| Date Created | 2008-10-31 20:32:10.000000 |
| Date Updated | 2025-09-30 20:32:10 |
| Inhouse Note | (not set) |
| Bsc Code | (not set) |
| Text Author | (not set) |
| Premier Performance Memo | -World Premiere. The Brentano String Quartet. 1992. |
| Recording Credits | Recording by the Brentano String Quartet on CRI 761 |
| Review | "...Continuing the unusual was Bruce Adolphe's Quartet No. 2 (Turning, Returning). The composer came to the stage to introduce his piece. He did so in terms so funny that, aside from how his work might be received, he himself was a hit. <BR> The piece turned out to be evocative and deeply serious. Adolphe's most lyric moments were often romantically doubled at the octave while supported by repetitive motives. Even after hearing but a single work, one sensed his very personal voice. A touch of Bartok's Second, a pinch of Ravel, but really neither. <BR><BR> The third movement's intensity was carried over into the fast finale. This latter can be characterized as agitated inconclusiveness. Because the language was quite accessible, yet far from simple-minded, music and composer were very well received...." <BR>--Paul Somers, The Star-Ledger, |
| Awards | (not set) |
| Title Category | 10 |
| Title Movements | (not set) |
| Title Grade | (not set) |
| Set Series ID | (not set) |
| Title Instrument Category Text | String Duo & Ensemble |
| Title Sub Category Text | (not set) |
| Title Sub Category | 76 |
| Title Instrument Header | 63 |
| Title Grade Text | (not set) |
| Clean Url | string-quartet-no-2-turning-returning-x504029 |