Titles
Showing 4,361-4,380 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 4361 | 3E89AF3B-7E09-4DC7-BED6-417D6052330A | EBM0620027 | Summer Night (Day) | Elie Siegmeister (also published under pseudonym L. E. Swift (1909 – 1991) was an American composer, educator and author. His varied musical output showed his concern with the development of an authentic American musical vocabulary. Jazz, blues and folk melodies and rhythms are frequent themes in his many song cycles, his nine operas, his eight symphonies, and his many choral, chamber, and solo works. | 2 2(dbl. E.H.) 3(B.Cl.) 2 – 3 2 2 1; Timp. Hp. str. | |
| 4362 | 3E925E5A-4D86-43FA-BB1F-D2FBD234CBEF | A118802 | Carmen Suite No. 2 | Ernest Guiraud (1837-1892) was a colleague and good friend of Bizet's. After Bizet's death, he composed the recitatives still commonly used in Carmen. Between 1880 and 1882, he compiled two orchestral suites from this opera, each in five movements, for Choudens, Bizet's publisher. The second of these two suites included the "Marche des Contrebandiers," "Habanera," "Nocturne," "La Garde Montante," and "Danse Bohème." In this second suite, Guiraud stayed fairly close to Bizet's original orchestration. Around 1906, the German composer-conductor Fritz Hoffmann (1873-19xx) orchestrated "Chanson du Toréador," from bars 1-58 and 117-27 of the aria from Act II, for inclusion in a publication of the Suite by a German publisher. Instrumentation: 2(both dPicc).2(2nd dEH).2.2: 4.2.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set). Hoffmann's edition also includes the option to perform, through doubling and cues, with a reduced orchestration of as little as 2.1.2.0: 2.2.1(BTbn).0: Timp. Str. | 2(both dPicc).2(2nd dEH).2.2: 4.2.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set) | |
| 4363 | 3E9E8C26-DF67-446F-B728-CBF7F91F30E5 | 50723001 | Three Pieces from La Traviata for Viola Quartet | Viola Quartet | ||
| 4364 | 3E9F7EFF-E81B-4303-B7D5-AD519ABBAD04 | 52703037 | Great Organ Works, Vol. 2 for String Quartet | Bach's organ works seem to work perfectly for string quartet, with everyone getting in on the thematic material. These two works are among his best-known and are a nice addition to the concert and contest repertoire. Contents: "Little" Fugue in G minor, BWV 578; Passacaglia and Fugue in C minor, BWV 582. | Violin 1, Violin 2, Viola, Cello | |
| 4365 | 3E9FCD61-F658-4C12-8F52-1EBA09045AC2 | W104291 | Twelve Songs (Low Voice) | |||
| 4366 | 3EA34384-0BB6-49A3-9359-AAEBE0F03C48 | 20610601 | Solo Drummin' | These solos were written to help develop the basic technical skills of snare drumming as they are found in concert band and orchestral literature. Rudiments included are the standard rolls, flams, ruffs, and various single stroke techniques. Much emphasis has been placed upon providing opportunity for the development of musicianship through the observance of dynamics, accents, and nuance. Varied tone colors are introduced as the students is required to play on several areas of the drum, drum head, and even music stand. | Snare Drum Solo | |
| 4367 | 3EA6FCB7-AE3A-40B9-ACE3-0AA6E5FB339D | X221001 | The Avatar | A three movement solo for trumpet doubling on flugelhorn and piccolo trumpet. Recorded by Raymond Mase on Summit Records DCD 148. | Trumpet(d pTrumpet, Flugelhorn), Piano | |
| 4368 | 3EAF06B9-217F-4321-A3BC-AEB3E77C9641 | MR00457 | Pulsions for Stereophonic Tape and Wind Ensemble | Pulsions is a study on relations between real (clock) time and subjective (pulse) time. | Stereophonic Tape and Wind Ensemble | |
| 4369 | 3EB17527-D8B9-4BE3-B197-D482502103AD | X410088 | Well, It's Not Exactly Beethoven | Romanticomic fantasia on "Fur Elise" for piano. | Piano | |
| 4370 | 3EB20CFC-5E7A-4239-B8A0-0D4A1C83DB91 | A566202 | Des Knaben Wunderhorn, No. 14: Revelge, GMW 36, low voice (B-flat minor, transposed) | Gustav Mahler (1860-1911) began composing the songs of Des Knaben Wunderhorn (The Boy's Magic Horn) in 1892, finishing in 1901. Comprised of 15 songs total by the end, each sets folktale texts, as published by Achim von Arnim and Clemens Brentano, to music with piano accompaniment, though some also have orchestral accompaniment. Revelge (Reveille) was written in July of 1899 and was the penultimate song written for the collection. Originally intended to replace another previously written song to keep the collection at twelve, Revelge is actually the fourteenth among the total songs written. Instrumentation: 2(2nd dPicc).2.2.2+CBsn: 4.3.0.0: Timp.Perc(5): Str (9-8-7-6-5 in set): Solo Voice. | 2(2nd dPicc).2.2.2+CBsn: 4.3.0.0: Timp.Perc(5): Str (9-8-7-6-5 in set): Solo Voice | |
| 4371 | 3EB60799-7589-46F0-84CB-9D5F2187CD0C | M395991 | Piece Romantique for Flute, Violoncello (or Bassoon) and Piano | Philippe Gaubert's Pièce Romantique is a beautifully sustained lyrical outpouring. It evolves from two themes: the cello’s broad, exploratory opening melody is contrasted, about halfway through the piece, by a gently rocking tune in 6/8 time, in the pure high register of the flute. To close the work Gaubert combines the two, fortissimo, in an elegiac and particularly satisfying coda. | Flute, Violoncello (or Bassoon) and Piano | |
| 4372 | 3EB6E6F6-61CC-4825-8308-0CD55D30CFF1 | A579902 | Night on Bald Mountain - 1867 version [St. John’s Night on the Bare Mountain] | 2+1, 2, 2, 2 - 4, 2+2, 3, 1, timp, perc, str | ||
| 4373 | 3EBB2835-58F3-41DC-AB7C-374D1CF8B372 | M373191 | Eight Pieces, Op. 39 | (not set) | Violin and Violoncello | |
| 4374 | 3EBE008B-81C7-47F4-8911-165F3C2DE8DD | A520002 | The Golden Spinning Wheel (Zlaty Kolovrat, Op. 109, B. 197) | (not set) | 2d1, 2+1, 2, 2+1 - 4, 2, 3, 1, timp, perc, hp, str | |
| 4375 | 3EC0D0AA-3D36-42FD-A2EC-008640EFE163 | 10100494 | Tchaikovsky Portrait, A | A musical portrait of three of this composer's best loved melodies, the arrangement includes the main themes from Marche Slav and Swan Lake and the famous waltz from Sleeping Beauty. This edition will be a great introduction to the music of this Russian master for your students and a tuneful addition to any program. | Concert Band | |
| 4376 | 3EC188B4-18D0-4CC3-9F4D-5C481F8ABCAA | R00331 | Dirge and Awakening | Recorded by Russian Philharmonic Orchestra, Thomas Sanderling, Chandos CD 9831. (1992) ca. 10' | 2.2.2.2: 4.2.0.0: Timp.Perc(2).Pno.Hp: Str | |
| 4377 | 3EC1D92D-C521-4FC2-BFC3-34D8B597D318 | A154102 | Music for the Royal Fireworks, HWV 351 (Fireworks Music; Concerto Grosso No. 26) | George Frideric Händel (1685-1759) was contracted to write Music for the Royal Fireworks, HWV 351 in 1749 by George II of Great Britain to be performed in London's Green Park on April 27 of that year as a celebration for the end of the War of the Austrian Succession. The suite was originally written entirely for wind instruments, as King George preferred only military instruments and expressed a desire that there be "no fiddles," so Händel reluctantly omitted the strings. The original wind band scoring consisted of 24 oboes, 12 bassoons and a contrabassoon, nine natural trumpets, nine natural horns, three timpani, and side drums, who were directly to play "ad libitum" as Händel wrote nothing for them. Händel re-scored the work for orchestra for a performance on May 27, 1749, at the Foundling Hospital, although the demand for the large winds remained. This edition of the orchestral score was completed by Max Seiffert in 1886 and was published as part of the Händel-Gesellschaft under Friedrich Chrysander. Instrumentation: 0.3.0.2: 3.3.0.0: Timp: Str (4-4-3-3-3 in set) (composer calls for tripling and quadrupling of wind parts). | 0.3.0.2: 3.3.0.0: Timp: Str (4-4-3-3-3 in set) (composer calls for tripling and quadrupling of wind parts). | |
| 4378 | 3EC22FCF-696A-4AF3-B812-585C5F8EE79A | R01418 | Tyrannosaurus Sue: A Cretaceous Concerto | Travel back 67 million years and discover the life and times of Tyrannosaurus Sue as she competes with a tricky Troodon, chases a Parasaurolophus, and battles with a menacing Triceratops! | 0.1.1.1: 1.1.1.0: Perc(1): Str. May also be performed with one player per string part. | |
| 4379 | 3EC469AA-0DE1-40C1-AE20-17560E606287 | X652506 | Consolation (from Canti di Davide) for Clarinet Quintet | Third movement from Schiff's clarinet concerto "Canti di Davide," arranged for clarinet and string quartet. Dedicated to David Shifrin in memory of David Golub. | B-flat Clarinet Solo, String Quartet | |
| 4380 | 3EC5AD58-C60B-4D42-BCD0-D146A625FCD6 | 20800462 | Praise Ye the Lord | (not set) | SATB |