Titles

Create Title

Showing 121-140 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
1210162447C-33BD-4873-8AB0-689B0097C871SU791Five Madrigals of Gesualdo and MontiverdiArranged by William Purvis for the New York Woodwind Quintet, this collection contains 5 very playable settings of Renaissance master composers Gesualdo and Monteverdi for intermediate players. Contents: "Deh, come invan sospiro", "Volan quasi farfalle", "Moro, lasso", "Ah dolente partita", and "Cruda Amarilli".Woodwind Quintet
1220168c808-9e3a-11f0-a418-0022482c9682A745202Duke of Marlborough Fanfare"My fanfare (written March 5-6, 1939, at Coral Gables, Florida) is based on the English folksong 'The Duke of Marlborough' as collected by Miss Lucy E. Broadwood from the singing of Mr. Henry Buretow (of Horsham, Sussex, England) - one of the very finest of all English folksingers. In my setting, the tune is heard twice. The first time (behind the platform), it typifies memories of long-past wars - vague, far-off, poetic. The second time (on the platform), it typifies war in the present - fast-moving, close at hand, debonair, drastic." - Percy Aldridge Grainger. This work can be played by a Brass Band or by the Brass Choir of either a Wind Band or Symphony Orchestra. In all cases, the minimum orchestration is 3 Trumpets, 4 Horns, 3 Trombones, Tuba, and Cymbal, though many optional instruments may be added. Instrumentation included: 0.0.0.0: 4.4(4th opt.).3.1: Perc(1): (opt. add 2 Sax [AT], 2 Bsns, Baritone, StrBs). Reprint edition.0.0.0.0: 4.4(4th opt.).3.1: Perc(1): (opt. add 2 Sax [AT], 2 Bsns, Baritone, StrBs)
1230170C9E4-8D8E-4DDD-BAF3-3BDE1D3F3850SC309Thou Dost Keep Him in Perfect PeaceSatb
12401719D7C-F6C5-45ED-AC9B-B4BDC535F202M150891Five Songs (medium voice)(not set)Medium Voice and Piano
125017251B2-A7EA-43B3-A9E4-51DC7A21114EX110028IridosDedicated to Dawn Lawler, this work for unaccompanied flute makes great and frequent use of trills and color effects such as overblown harmonics.Flute
126017E4D2C-835B-4B77-97EF-B1613805610FMP711001Siciliana Notturno for Alto Saxophone and Band
1270186E976-4211-4235-8FED-A949C0F5ED2A50100301Cosmopolitan AmericaHelen May Butler was one of the most successful female conductors in the history of the concert band. Band music was a favorite of President Theodore Roosevelt and Cosmopolitan America was selected as the official march of the Republican Party during the 1904 election campaign.Concert band
12801917E7B-9A58-4E5D-A18B-E9C10FBEDE4CB180Basic Repertoire for Singers(not set)Vocal
1290197B668-FB1C-44FF-ACA3-0FBF5D728296EBM0640005Mass: for SATB, Brass Choir and OrganCommissioned by St. Mary’s College of Notre Dame, Indiana, in commemoration of the 125th year of the founding of the College. Movements: 1. Kyrie, 2. Gloria, 3. Credo, 4. Sanctus, 5. Benedictus, 6. Agnus DeiSATB, Brass [3331], Organ
1300198C8AC-8FC8-4CFD-888C-99AAD33F3ADCR00475AngelfireInspired by one of the colorful legends associated with Angelfire, New Mexico.2(1d Piccolo).1+English Horn.2.2: 4.2.3.1: Timpani.Percussion(3).Piano(d Celesta).Harp: Strings
131019DA45E-DB97-4EDA-85B4-279937825F57ST83A Night PieceShining as a a beacon to late bloomers everywhere, American composer Arthur Foote (1853 - 1937) did not begin music lessons until he was 12 years old. Originally premiered as the first part of his "Nocturne and Scherzo for Flute and String Quartet" this rhapsodic fantasy acquired the title "A Night Piece for Flute and Strings" when it was published four years later in a version for string orchestra. Versions for flute and string quartet, flute and string orchestra, and flute and piano are available from the publisher.Flute, Piano
13201A33776-8336-4C84-AE60-28BB26937260EBM0670039Wedding, A: Opera in 2 Acts (reduced orchestra) - Act IIBased on the motion picture A Wedding by Robert Altman and John Considine, premiered at Lyric Opera of Chicago. Libretto by Arnold Weinstein and Robert Altman.

"...there is no reason to resist this rarest of creations: a meaningful American comic opera." -Mark Swed, LA Times		14 Soloists: ColSop.3Sop.LyrSop.M-s.2LyrM-s.2Ten.2Bar.LyrBar.DrBar: 2(2dPicc).2(2dEH).2(1dECl.2dBCl).2: 2.2(1dPiTpt&Cnt).1(+BTbn).0: Perc(2): Kbd: Str: Onstage 5-pc Dance Band (TSax.EKbd.EGtr.EBs.Trap Set)
13301A8B78E-CEAF-406F-968B-0EE4A15E210DR00341American GuernicaComposed in memory of four little girls killed by a bomb explosion at the 16th Street Baptist Church, Birmingham, Alabama, during Sunday school class 15 September 1963.3+Piccolo.3.3+E-flat Clarinet+Alto Clarinet+Bass Clarinet.2+ContraBassoon.ATB Saxophone Ensemble: 4.3.3.Euphonium.1: Timpani.Percussion(6).Piano.Celesta: Double Bass
13401a9d071-9e3a-11f0-a418-0022482c9682A747202Fatinitza: Marziale [transcription]The three-act operetta FATINITZA by Franz von Suppé (1819-1895), based on a libretto to Daniel Auber’s opera LA CIRCASSIENNE by Eugène Scribe, is based on historical events during the Crimean War. Premiered at the Carltheater in Vienna on January 5, 1876, it ran for over one hundred performances. A compilation of themes from the opera, called Marziale, was transcribed by Max Schönherr. Instrumentation: 1+Picc.2.2.2: 4.2.3.0: Timp.Perc(2-3): Hp: Str (9.8.7.6.5 in set): Pno Cond Sc in set.1+Picc.2.2.2: 4.2.3.0: Timp.Perc(2-3): Hp: Str (9.8.7.6.5 in set): Pno Cond Sc in set
13501ACEB38-A978-4580-AF74-01B6F4E2D7BDA568002Symphony No. 7 in E minorSymphony No. 7 was composed by Gustav Mahler (1860-1911) between 1904 and 1906. Often informally called "Song of the Night" due to the 2nd and 4th movements both being titled Nachtmusik (Night music), the composition was preceded by a long stretch of writer's block, which Mahler broke through suddenly upon returning from a trip to the Dolomites. The premiere took place on September 19, 1908, with the Czech Philharmonic Orchestra in Prague under the baton of Mahler. While the work left audiences confused at the time, the work is recognized today for its innovative use of orchestration. Instrumentation: 4(4th dPicc)+Picc.3+EH.3+ECl, BCl.3+CBsn: 4+TenHn (Bar).3.3.1: Timp.Perc(5-6): Hp(2): Mand.Gtr: Str (9-8-7-6-5 in set).4(4th dPicc)+Picc.3+EH.3+ECl, BCl.3+CBsn: 4+TenHn (Bar).3.3.1: Timp.Perc(5-6): Hp(2): Mand.Gtr: Str (9-8-7-6-5 in set)
13601AD6152-CCA8-4F36-994A-5512E8C3C278R125COMass for Justice and PeaceThis piece was composed in 1992-93 as a reaction to the devastating mass starvation in Somalia.SATB, Brass, 2 Percussion, Strings
13701B09CE4-0D40-46B0-9089-EE33E8AFC9D1A929991Violin Concerto No. 1, Op. 19Sergei Prokofiev (1891-1953) began his Violin Concerto No. 1 in D major, Op. 19, as a concertino in 1915 but soon abandoned it to work on his opera The Gambler. He returned to the concerto in the summer of 1917. It premiered on October 18, 1923 at the Paris Opera with Marcel Darrieux playing the violin part and the Paris Opera Orchestra conducted by Serge Koussevitzky. Igor Stravinsky made his debut as conductor at the same concert, conducting the first performance of his own Octet for Wind Instruments. Despite the events leading to the abdication of Tsar Nicholas II of Russia and eventually the October Revolution, 1917 became Prokofiev's most productive year compositionally. Along with this concerto he completed the "Classical" Symphony, the Third and Fourth Piano Sonatas, and the Visions Fugitives for piano. He also began the cantata Seven, They Are Seven, based on Chaldean texts, and worked on the Third Piano Concerto. Nevertheless, Prokofiev continued his habit of incorporating previously composed sections in the violin concerto (something he would also do in the Third Piano Concerto). He composed the concerto's opening melody in 1915, during his love affair with Nina Mescherskaya. The remaining movements were partly inspired by a 1916 Saint Petersburg performance of Karol Szymanowski's Myths by Polish violinist Paul Kochanski. Movements: 1. Andantino, 2. Scherzo: Vivacissimo, 3. Moderato - Allegro moderato. Detailed instrumentation: Violin Solo: 2(2dPicc).2.2.2: 4.2.0.1. Timp.Perc(2).Hp: Str (9-8-7-6-5 in set).Violin and Piano
13801B5D8AC-BDC7-4463-94CF-E408EC96C2BFR01091The Poet's Vision3(1d Piccolo).3(1d English Horn).3(1d Bass Clarinet).2+ContraBassoon: 4.3.2+Bass Trombone.1: Timpani.Percussion(3).Harp: Strings
13901B5E82B-CDC9-45B3-8FF2-40627B9BDC2CSS250Grand Quartet in D Major, Op. 92(not set)Flute Quartet
14001b6fb12-9e3b-11f0-a418-0022482c9682M120691Scenes Ecossaises (Scottish Scenes), Op. 138French violinist and composer Benjamin Godard (1849-1895) composed Scenes Ecossaises (Scottish Scenes), Op. 138 for solo oboe and orchestra in 1892, with a version for piano accompaniment also created that same year. The work is written in three movements: I. Légende pastorale; II. Sérénade à Mabel; III. Marche des Highlanders. Both the orchestra and piano version are available from the publisher.Oboe and Piano