Titles

Showing 21-40 of 17,576 items.

#	ID	Titlecode	Title Name	Marketing Copy	Instrumentation

21	0031F449-A43F-48F4-A934-049DCC6C96A3	50100237	The Seekers	Incessant rhythms and strong melodies make this an excellent choice for contest, concert, or festival. It sounds straight out of an action movie at the local theatre. A sure fire winner!	Concert Band
22	003D5872-5CCA-424A-963F-49C9F4EE5C5C	SU219	French Suite No. 6 in E Major, BWV 817	This arrangement for flute and guitar was edited by Claudia Anderson and Sylvana Scarinci.	Flute and Guitar
23	003da622-9e3a-11f0-a418-0022482c9682	A732402	Concerto for Cello No. 87 in A, GT 1.A28 (Ravanello)	Italian composer and violinist Giuseppe Tartini (1692-1770), the first known owner of a Stradivarius violin, composed at least 135 violin concerti and at least 100 violin sonatas in his lifetime, among a few other works not for the violin. While the fact that he never dated his manuscripts nor cataloged revisions makes it very difficult to catalog his works, scholars have created systems to at least categorize his output based on the stylistic characteristics of his music. This CONCERTO FOR CELLO No. 87 in A, GT 1.A28 (Canale 1.2.A.01) is among the select works Tartini did not write for violin, and the only known concerto for cello by Tartini, likely written for Antonio Vandini, the first cellist of the Chiesa del Santo (Basilica of Saint Anthony of Padua) where Tartini was first violinist for many years. While the work is, overall, energetic, the solo cello part presents itself more discreetly and almost shyly at times, largely due to being written in the middle range of the instrument. Instrumentation: Org (opt., in set): Str (4.4.3.3.3 in set): Solo Cello in set. Reprint of the edition by composer and organist Oreste Ravanello (1871-1938), with revisions to the solo cello and cadenza by cellist Luigi Silva (1903-1961).	Org (opt., in set): Str (4.4.3.3.3 in set): Solo Cello in set
24	003EFC18-3596-4322-9BA3-002ED283123A	X652711	Blue 2 for Flute, Clarinet and Piano Trio	This "Pierrot Ensemble" received the Delius Chamber Music Award in 1990.	"Pierrot Ensemble": Flute, Clarinet in A, Violin, Cello, Piano
25	004122FB-4B13-4B35-856F-5E946C5D8CD8	SC110	Three Thoughts to Ponder		Ttb
26	004CB566-A6F9-4E8A-84F8-F5BC095BE85F	10300117	First Position Etudes	This collection of etudes for cello has been selected from the best of the nineteenth century German school and has been graded and edited so that it may be used as a necessary supplement to any beginning method. Specifically, it is designed to parallel the material in Volume 1 of the editor's Fundamentals of Violoncello Technique. It includes studies from Schroeder, Dotzauer, Kummer, Werner, Popper and Lee.	Violoncello
27	0050DB79-945C-4EBE-9061-4C73B00F1854	M809190	America the Beautiful	America the Beautiful is arranged with a simple approach to a melody of national treasure, but with a harmonic concept that offers an inescapable feeling of warmth, honor, and patriotism.	String Orchestra
28	005486FE-DD71-445A-A253-F19500191E3B	X819402	Une Saison en Enfer for High Baritone or Tenor Solo, SATB Chorus & Piano	The text of this piece consists of all the prose passages and four of the seven poems in the second part of "Delires" from Arthur Rimbaud's Une Saison en Enfer. The prose parts are set as recitatives for tenor or high baritone and piano. The four lyrics are set for a cappella SATB chorus and are also available as a separate publication for choral-only performances.	High Baritone or Tenor Solo, SATB, Piano
29	0054CB70-1E58-4276-BA0A-1AF62D6793B0	50250099	Paradise Island	Two sets of string parts make this work accessible to first- and second-year students. There are even two piano parts, one for rehearsal and one for performance, as well as some light percussion.	String Orchestra
30	005E47D2-121E-46A4-BAD8-66A055FA74E8	ST318	Suite of Contemporary Dances		Brass Quintet
31	005ECA95-0A7C-4F34-8CD5-2E53B5CA5771	BSMSO107	Tiny Symphony, A	Four short movements: I. Sonatina (2:2); II. Song (2: 12); III.Theme and Variations (2:27); IV. Rondo (3: 15). Grade 5-6. Bruce Broughton is one of the United States' most outstanding composers of concert and film music, winning seven Emmy awards over his career so far. His music is notable for its wonderful rich harmonies, flowing melodies, and rhythmic vitality.	String Orchestra (8.8.5.5.5)
32	005FD18F-CD52-4FD7-A9E1-EC7F7D01B685	SU246	Yorkshire Ballad for Trombone Choir	Composed in the summer of 1984, Yorkshire Ballad was premiered at the Kansas Bandmasters Association Convention by Claude T. Smith and the Kansan Intercollegiate Band. Since its publication, it has become one of the composer's most popular works, and has been arranged for a variety of ensembles. The composer writes "I composed this little piece so that younger players would have the opportunity to play a piece that is more or less in the style of (Grainger's) Irish Tune from County Derry." Grade 2, ca. 3:40.	Trombone Choir
33	00610ACC-4ECA-46FC-8977-864C2CD26F47	A928590	The Sea	The Sea is an orchestral suite written in 1910-11 by Frank Bridge. It has also described as a symphonic tone poem. It consists of four movements, about which the composer wrote the following comments for the program notes at the premiere: 1. Seascape: Allegro ben moderato - "Seascape paints the sea on a summer morning. From high drifts is seen a great expanse of waters lying in the sunlight. Warm breezes play over the surface." 2. Sea Foam: Allegro vivo - "Sea-foam froths among the low-lying rocks and pools on the shore, playfully not stormy." 3. Moonlight: Adagio non troppo - "A calm sea at night. The first moonbeams are struggling to pierce through dark clouds, which eventually pass over, leaving the sea shimmering in full moonlight." 4. Storm: Allegro energico - Allegro moderato e largamente - "Wind, rain and tempestuous seas, with the lulling of the storm an allusion to the first number is heard and which may be regarded as the sea-lover's dedication to the sea."	3(3dPicc).2+1.2+1.2+1: 4.3.3.1: Timp.Perc(4).Hp: Str(9.8.7.6.5)
34	0063D3B6-16F1-4821-AD92-84F750675F60	M987990	Danse Macabre, Op. 40	Written in 1874, the orchestral tone poem Danse Macabre Op. 40 by Camille Saint -Saëns (1835-1921) premiered in January of 1875 and was not well received by the audience. 21st century scholar Roger Nichols mentions particularly adverse audience reactions to “the deformed Dies irae” melody and the “horrible screeching from the solo violin.” Drawing thematic material from an old French superstition that Death appears at the stroke of midnight on Halloween to dance with the risen dead, the Danse Macabre is now regarded as one of Saint-Saëns’ masterpieces. This edition is edited by William Ryden.	2+Picc.2.2.2: 4.2.3.1: Timp.Perc(4): Str (9-8-7-6-5 in set): Solo Vn
35	0065A6BE-6C4E-488C-939E-72DEBB3B1D61	SO147C	Mischief Afoot	The perfect lesson that the rests really are as important as the notes. Counting is a must in this sneaky piece in E minor. Simple rhythms that also include ties. A variety of articulations keep the notes interesting, such as staccato, tenuto, pizzicato and even tremolo. There are 2 sections that allow your orchestra to “create musical mischief.” Sure to be a winner with middle school groups.	String Orchestra
36	00661273-6BFA-4F83-A2E8-013AA1B841DC	B376	Songs for Sight Singing Vol. 1: JHHS/ SAB	SONGS FOR SIGHT SINGING provides a collection of literature for use in the choral classroom. Each selection was composed according to the criteria designed by Texas choral directors and commissioned by the Texas University Interscholastic League for use in its annual sight singing contest. These graded materials were created specifically for young musicians by recognized composers and comprise a valuable resource as they contain many of the problems encountered in sight singing. This collection can be used effectively as a supplement to the daily instructional sight singing program after an approved system (movable “do”, fixed “do” or numbers) and a rhythm system are established within the choral curriculum.	SAB
37	006749be-9e3b-11f0-a418-0022482c9682	M112791	Sonata for Violin in G minor, GT 2.g10/Op. 1, No. 10 'Didone abbandonata'	Italian composer and violinist Giuseppe Tartini (1692-1770), the first known owner of a Stradivarius violin, composed at least 135 violin concerti and at least 100 violin sonatas in his lifetime, among a few other works not for the violin. While the fact that he never dated his manuscripts nor cataloged revisions makes it very difficult to catalog his works, scholars have created systems to at least categorize his output based on the stylistic characteristics of his music. While the most famous of Tartini's over 400 works is the DEVILS'S TRILL SONATA in G minor for violin, another G minor sonata, this SONATA FOR VIOLIN in G Minor, GT 2.g10/Op. 1, No. 10, 'Didone abbandonata' ('Dido the Forsaken') is also well-known, named after the libretto by Pietro Metastasio. Reprint edition.	Violin and Keyboard
38	006C3D04-F40F-484D-B3E6-B6757CD1A390	A108802	Serenade No. 2 for Strings in F, Op. 63	While not so well-known today, Robert Volkmann (1815-1883) was a composer of some standing among his contemporaries, encouraged to pursue music by Robert Schumann, called "dear friend" by Johannes Brahms, and promoted by Franz Liszt with whom he taught at Budapest's National Academy of Music. This SERENADE FOR STRINGS is the second of three written by Volkmann, all three of which were among his most popular works and which were often performed up until World War I, when he and his music began to disappear, like the music of other fine Romantic era composers. SERENADE NO. 2 consists of four short movements which function as mood pictures. The work was referred to by Tchaikovsky as oustanding and superb.	String Orchestra (8-8-5-5-5)
39	006FECA4-7C2D-4FBE-B785-F0ACD3A7484C	SU100	Suite		Trombone Quartet
40	00700121-2BCA-435E-BB6A-4736BF1442CC	MP810001	Aren't You Ashamed: A Letter to Congress	A letter written in memory of Woody Guthrie, excoriating Congress for gun violence.	Voice