Titles
Showing 61-80 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 61 | 00B2A7E2-3DA5-4AD6-A73D-D31E83D222F2 | SU833 | Questo amor vergogna mia for Baritone Saxophone | This baritone aria from Puccini's opera Edgar gives the baritone or tenor saxophone soloist a rare opportunity to sing in the upper register. The title loosely translates to: "This love, my shame." Transcribed by Rami El-Farrah. | Baritone Sax, Piano | |
| 62 | 00B6FC02-C850-460D-8F01-B7E0F7110612 | A123302 | Concerto for Two Harpsichords in C minor, BWV 1062 (composer's arrangement of Concerto for Two Violins in D minor, BWV 1043) | (not set) | str, soli harpsichords(2) | |
| 63 | 00BCC700-F954-4E7B-8952-4A19F8E04291 | M905502 | God Rest Ye Merry Gentlemen: A Christmas Carol | The works in the Arthur Harris Christmas Series were originally written for orchestra, with several offering the option to add chorus. These transcriptions for band, both by William Silvester or Arthur Harris himself, retain the quality of the original orchestrations, offering bands the optional opportunity to perform with chorus during the Christmas season. Choral scores for each work are available separately. Band series with chorus includes: Silent Night, Joy to the World, Hark! The Herald Angels Sing, Adeste Fidelis (O Come All Ye Faithful), The First Nowell, O Tannenbaum, and Angels We Have Heard on High. Transcriptions for band alone includes: O Little Town of Bethlehem, God Rest Ye Merry Gentlemen, Joy to the World, Deck the Halls, and We Wish You a Merry Christmas. | Concert Band | |
| 64 | 00BD4621-9BA7-474C-BE61-EE18FA4AE024 | R00588 | Fanfare for Large Orchestra, Op. 97 | (not set) | 3.3.3.2: 4.3.3.1: Percussion(2): Strings | |
| 65 | 00C1FC73-0933-4E76-8554-6F23228E6A5A | SS985 | Three Sinfonias | Salamone (or Salomone) Rossi (1570 - 1630) was a an Italian Jewish violinist and composer, and a transitional figure between the late Italian Renaissance period and early Baroque. A bold innovator in instrumental music concepts such as monodic song in which one melody dominates over secondary accompanying parts. The three sinfonias arranged by by Arthur Ephross for flute, oboe, and Bb clarinet include an andante, an allegro, and an andantino. | Woodwind Trio: Flute, Oboe, and Bb Clarinet | |
| 66 | 00CB71EA-D02E-4859-BF65-08C7BDA09E92 | R01093 | La Represion | From the Carlos Saura film 'Tango' soundtrack, Deutsche Grammophon CD 289 459 145-2. | SA Chorus: 2(+Picc.).2(+EH).2(+BCl).2(+Cbsn): 4.3.3.1: Timp.Perc(5).Pno.Hp: Str | |
| 67 | 00cc8966-9e3a-11f0-a418-0022482c9682 | A739002 | Folk Tune and Fiddle Dance | Percy Eastman Fletcher's (1879-1932) work for string orchestra, FOLK TUNES AND FIDDLE DANCES, was composed in 1914. A favorite for festival, contest, and orchestra education, the work is a two-movement suite. Movement 1, FOLK TUNE, includes variations in the form of Pastoral Dance, Minuet, Gigue, Country Dance, and Canon. Movement 2, FIDDLE DANCE, is written "Gaily, and with a springing rhythm." Instrumentation: Str (8-8-5/5-5-5 in set; CB opt.): Pno (opt.). A violin 3 part is included to substitute for viola if necessary, and the contrabass part is listed as optional. A full score is included, but a piano-conductor score is also in the set should the strings sections have holes where the piano would help. Reprint edition. | Str (8-8-5/5-5-5 in set; CB opt.): Pno (opt.) | |
| 68 | 00DD2150-13DC-40AF-A324-467FE2B8F4A9 | SS670 | ENSEMBLE FOR MODERNS ( | |||
| 69 | 00DFED39-BCAA-4965-890E-FA6FE5625A66 | SO128C | Merry Merry Merry! | As the title implies, Merry, Merry, Merry was inspired by the Christmas holidays, with the light texture and melodies evoking the gentle images of falling snow and brisk winter walks. The work is a brief fantasia in ABA form and stays completely within the first position, making it an ideal choice for an easy to play, original crowd pleaser on holiday-themed programs. | String orchestra | |
| 70 | 00E1E8A0-2FF4-42BA-96B9-AD4B97C1AE51 | 10100231 | Corcoran Cadets | Sousa's second decade of writing marches began with The Corcoran Cadets (1890). The piece is an eighth-note march designed more for sit-down playing, rather than for the field. It seems as though Sousa set out to compose a march that would be produced with minimum resources, yet be rhythmically neat, textrurally clean, harmonically and melodically satisfying, and stylistically unique by his own standards. It was the first march performed by The Eastman Wind Ensemble, led by Frederick Fennell, closing their first NBC broadcast in 1953. | Concert Band | |
| 71 | 00E6E810-B931-494F-870B-66112FAA314D | 50250126 | Fiddles at Sea | End your first year with three American folk songs about water, each of which is passed around the orchestra. Learning opportunities abound, both with the bow and pizzicato. There are some easy double stops for double bass. Upper strings use high and low 2s in G and D major. | String Orchestra | |
| 72 | 00E719A7-2828-42D0-B1CE-AF7E75A4E9BF | SS303 | Capriccio Brillante (Carneval Of Naples) | Trumpet | ||
| 73 | 00E9CE37-072C-45C1-8D5C-68614627CA98 | M265791 | Organ Concertos, Book 1 | (not set) | Organ | |
| 74 | 00EF5CD4-A3D2-456B-A486-985AA362995E | SU159 | Partita | Flute Unaccompanied | ||
| 75 | 00F433A5-0A55-49F2-A58F-1F8957A99B5C | 52250234 | Blues for You | Students love learning to swing! Written for string orchestra with piano and drums (optional), this piece features a section for improvised solos and is a workout in reading accidentals. Written solos are also included in the set. | String Orchestra, Piano and Drums (opt.) | |
| 76 | 00F685A7-B42D-47C0-ACB7-419CC88A6B4B | SC407 | Lord Is My Strength, The | Sab | ||
| 77 | 00F75B37-2A71-49E9-BF98-9C3D164BCE9E | 52250242 | Grounded | (not set) | String Orchestra | |
| 78 | 00F8C9B8-856B-4C30-A5D0-8036CB152085 | 10503620 | Drei Equale, WoO 30 | DREI EQUALE (THREE EQUALI) FOR FOUR TROMBONES, WoO 30 was written in 1812 on a trip Beethoven took to Linz. Beethoven was friends with the kapellmeister, Franz Xaver Glöggl, of the cathedral in Linz who asked Beethoven to compose an equale for 6 trombones. Beethoven composed three equales for four trombones instead. It premiered on November 2, 1812. Since equales are solemn in nature and are played before, during and after a funeral, the first and third equales were played at Beethoven’s funeral. This transcription by Clifford P. Barnes is for a mixed brass quartet. | Mixed Brass Quartet | |
| 79 | 00FCA64F-38CC-4D23-80DA-BCA949143A8E | M146991 | 29 Short Preludes, Op. 51 | (not set) | Organ Solo | |
| 80 | 00FE69F6-7A2F-45A0-861C-DED31B904665 | 52734003 | Tales of Hoffman: Barcarolle | Thematic material and difficulty is equally distributed throughout the parts in these arrangements for quintet, which are compatible between violin, viola, and cello versions. | Cello Quintet |